Grey’s a technophobic mechanic living in a future cyberpunk styled world whose life flips upside down after a brutal altercation leaves him as a quadriplegic. When he’s offered the choice to implant STEM, a technology that would fix the connection between his brain and nerves allowing him to move, he takes it in the hopes of gaining the ability to enact his own revenge. The result’s a genre-blending adventure with precise and sharp action scenes, fun bits of black humor, exciting thriller sequences, and a healthy dose of body-horror to boot.

This is a multifaceted story about humanity’s relationship with technology and the dangers of becoming absorbed by our creations. The technology available to the characters is both heavily futuristic – fully functional smart homes, voice operated cars, etc – but still has room for analog elements like manual cars. The contrast gives the setting a strange distant, but eerily close enough feeling which makes its message hit harder. The movie questions our general orientation towards technology from how often to how strongly we should use it. Before the incident, Grey exhibits a lot of autonomy. He doesn’t like using new technology and takes a kind of pride in his ability to perform tasks manually. That gives him a sense of purpose. The story painstakingly takes the time to juxtapose his resistance to tech with society’s wholehearted embrace of it. After he’s left immobile, he’s despondent. Despite having the technology available to do the tasks he needs to do, he finds no solace in existence. The loss of tactile interactivity is a death knell, and until he’s present with the possibility of it coming back , he doesn’t see a point in life. It’s a situation that raises some interesting questions about our sense of perception and evaluation. Is STEM no longer technology because Grey is using it as a conduit to control his own nerves, imbuing with some kind of human element? Why is using the other voice technology to help him as a quadriplegic not a conduit in a similar vein? If there is no difference , then it’s just a question of using technology to help achieve a purpose in life without overshadowing it. If there is a difference, then Grey’s choice is meaningful in how it presents the tumultuous agency issues we face when given tools that can do more than needed.Though the story’s exploration of these ideas isn’t as fleshed out as I’d want it to be,it’s certainly stylish enough to entertain you while giving you just enough food for thought.

If you saw Venom and wished the movie focused on and developed Tom Hardy’s relationship with the symbiote to a greater degree , this is the movie for you. The duo have tense moments, buddy-cop moments, light conversations, Q/A sessions, and everything in between. It feels like a fleshed out relationship and is the central focus of the story. STEM’s foreign presence in Grey’s body presents some agency issues as the two seek to mediate control over the flesh and blood body they both inhabit. STEM asks for permission to do certain acts and Grey permits them. This dynamic is accentuated by Marshall-Green’s great performance. He sells the weird not-in-control of body sensation that we see, and it genuinely feels like he’s just a passenger letting the driver, STEM, do it’s own thing. It’s a strange quandary ,because it’s all consensual. It’s a genius move that lets STEM work as a stand in for technology in general . We can choose to use it for set purposes and retain a sense of independence at the cost of doing “more” work, or we could let it do more work at the cost of less control. Or is it even a loss of control if we permit it? I won’t spoil where the conversation goes, but I can say that it’s presented in a way that’ll keep you engaged even if you aren’t that interested in the social commentary proper.

Whannell knows how to deliver crowd pleasing fights, and I was elated at how the camera moves and tilts at sharp technical angles. You can tell there’s a mechanical element involved and the choreography feels crisp and distinct. I could feel every single blow and felt myself almost moving along with the camera, like a flurry of quick, calculated strikes. The fast paced nature of the movement also gives way to some quick shock scares that are used sparingly to great effect. Furthermore, a lot of the violent scenes are clever and take full advantage of the environment the story takes place in. There’s one during the second act that had me both wincing in pain but also crying in laughter at how ridiculous it would be to die in such a fashion.

My biggest problem with the movie is outside of Grey and STEM, none of the other characters really stand out. I liked some of the antagonists, but outside of the final villain , no one else ever gets development that doesn’t feel paper thin. There are attempts made at introducing some faux human vs upgraded human schism ,references to the mistreatment of veterans , and some ideas of class division but, like the antagonists,they get left to the wayside. It’s a shame because I think all of these threads had the potential to be layered with each other to create something next level, but unfortunately nothing ever really jives with each other enough to give the movie any extra kick. This issue becomes even more apparent in the ending, which simultaneously suffers because of the under developed antagonistic forces while being chilling and horrifying because of the well-developed final villain.

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