Tag Archives: Trey Edward Shults

Review: Krisha

Director(s)Trey Edward Shults
Principal CastKrisha Fairchild as Krisha
Robyn Fairchild as Robyn
Bill Wise as Doyle
Trey Edward Shults as Trey
Release Date2015
Language(s)English
Running Time 81 minutes

Having already seen It Comes at Night, I expected Shults’s directorial debut, Krisha, to be ambiguous and unsettling. Though the story managed to get under my skin to an even greater degree than his sophomore feature, it’s much more straight-forward and clear. This is the story of Krisha, a women who returns to the family she abandoned in an attempt to patch things up during Thanksgiving. It doesn’t follow your typical story structure. There’s not one or two dramatic encounters into levity into redemption. This story is real, painful, and manages to explore the damage troubled family members can have on the whole unit in a truly visceral way that isn’t afraid to hold anything back.

The story starts off as Krisha parks her car and attempts to locate her estranged family’s household. We’re immediately given a view into her state of mind and it sets the tone for the disorienting events to come. She talks to herself, talks to inanimate objects, get irritated at inconveniences, and demonstrates a familiar but distant intimacy with her estranged family who all greet her with varied degrees of enthusiasm. From the loving embrace of her sister Robyn to the strange aloofness one of the youngsters, Trey, the movie makes it obvious that there’s a lot of history between Krisha and her kin and that she’s been gone for a long time. You know there’s something wrong there.

I love the way the movie is cut, scored, and presented. It’s a visually unique experience that makes the “estranged family member returns story” far more interesting. Events are inter cut and presented to keep a constant sense of action and uneasiness at play. Every time you feel safer in one scenario, the tension in another inter cut scene starts to ratchet up. There are lots of tracking shots and arc shots that are used to prolong this sense of uneasiness and create disorientation. In particular, one kitchen scene involving an arc shot got me feeling panicked and frantic as it constantly accelerated in speed. The music compliments what’s happening on the screen by accentuating the progression of Krisha’s journey. Early on we’re bombarded by discordant noises that make it impossible to focus yourself. It’s almost like Krisha can’t handle the intensity of coming back to her family and we’re right there with her. Later on music plays, the lyrics serving as a poetic backdrop to Krisha’s journey and transformation up till that point. Sound always has a purpose. All together the audio-visual elements breathe new life into the genre by taking commonplace Thanksgiving activities and functions far more tense than they need to be . It’s an an assault on the senses that never gives you a moment to settle in.

What sells the movie is just how real it all feels. Every performance is on point, but Krisha absolutely steals the show. From the way she looks to the way she carries herself, you can tell that she’s gone through a lot. Her panic translates in her frantic movements and uneasy quiet. The family interactions accurately convey the damage abusive family relationships can have. Members are constantly shown apart from Krisha, having moved forward in spite of her absence. Family interactions with Krisha are varied. Some are kind and open like Robyn, while others are more suspicious like Doyle, Krisha’s brother-in-law. It all comes together to paint a picture of the places families are willing to go to help those who fall of the beaten path. Simultaneously it doesn’t try and sugarcoat the trauma that comes from the abuse at play. The nuance hit me in how familiar it reminded me of my own experiences.

I only wish the movie was a bit longer, because I was interested in some of the hinted family drama that never gets revealed. I thought fleshing out certain character relations a bit more would make later conversations more relevant, but I never felt like I had a lack of information, so this might be more of a nitpick.

REPORT CARD

TLDRKrisha follows its titular namesake as she tries to re-integrate with her estranged family during Thanksgiving. However Shults has no intention of making this your typical rehabilitation story filled with positivity and Hallmark cliches. From the shot composition to the score, the movie injects every scene with palpable tension as we watch with baited breath, hoping Krisha can right the ship. This is a nerve-wracking and emotionally painful trip, but is definitely one worth taking.
Rating9.7/10
Grade A+

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Review: It Comes at Night

Director(s)Trey Edward Shults
Principal CastJohn Edgerton as Paul
Carmen Ejogo as Sarah
Kelvin Harrison Jr as Travis
Christopher Abbott as Will
Riley Keough as Kim
Release Date2017
Language(s)English
Running Time 91 minutes

This is a movie I’ve seen three separate times and come away with a different interpretation of its themes each time. There’s multiple ideas I have stretching from the logistics of the plot to what thematic idea the movie most strongly ties into. None of these theories are more or less correct than the other, because the movie is intentionally ambiguous. Shults has said as much in interviews. If the idea of not having a “proper” answer irritates you, then you might want to skip the movie. On the other hand, if you’re someone who loves being forced to think and re-visit your previous interpretations, this is the movie for you. It’s slow and and purposely ambiguous, constantly acting provocative, but never pulling the trigger in giving you a coherent answer. I say this because advertising for the movie makes it seem like it’s going to be this cool post-apocalyptic creature-feature of some sorts and it’s not. The real “it” , no matter what it really is, is just a stand in for darker human thoughts and ideas.

The movie follows a family of three: Paul, the father; Sarah, the wife; Travis, the son. They live in a post-apocalyptic world ravaged by a disease that necessitates the infected be killed and then burned. The family is incredibly secure about ensuring their safety. As they meet more people and things start to go bump in the night, everyone’s suspicions rise and the misery starts to ratchet up. The movie is dark and things linger in the background. The camera cuts just when threads of the story begin to get just a bit less ambiguous . It gives the movie a frantic, uncertain vibe. Everyone’s character and their respective performance add to the mystery. All of them have understandable motivations and no one ever feels malicious. The element of fear is always present, so when revelations happen you get why everyone is so on edge. By the end of the movie, I was uncertain of who did what to whom and the feeling hasn’t changed on re-watches.

This is a tough movie to watch because it almost feels like a deep dive into peoples worst fears , the fears that paralyze action and cause social disintegration when they become dominant. Add on to that the natural decline in resources and you have a nice little state of nature. On my first view, I thought the movie was an allegory for the pitfalls of the Hobbesian state. For the unfamiliar it goes something like this – people are inherently savage and are motivated by a survival instinct. In a world without rules and assurances, they strive to maintain a hold on their resources. This leads to a state of perpetual violence because any other person is a threat to those resources and thereby the initial agents survival. Eventually, people, sick of living in constant fear, come together and form a government where a single authority figure, aptly named the Leviathan, determines what is and isn’t allowed. The movie feels like an instantiation of this larger theory and an examination of how it would eventually play out. It also feels topical given the global rise in nationalism and stirring of xenophobic fear of the Other. In a world where we’re constantly fed ideas that people from elsewhere are dangerous ,discussions like this are even more valuable. Should we be cautious and what are the costs of being too ready to eliminate difference?

What sets the movie apart from other post-apocalyptic movies is the sense of unknown. It’s established early on that the succumbing to the disease transforms you, but that transformation isn’t explained. The impact of it is hinted to be so awful that the characters are willing to drop anyone who even hints at having it. It makes you think about what it could be that’s so bad. Is it related to the night? Maybe, maybe not because the night is usually dominated by nightmare sequences. They’re shocking, but they’re not clear and leave their interpretation up to you. The movie is edited so that no definite answer can be reached. Everything blends into each other so you’re left to determine what’s real and whats fantasy. Obviously some theories seem more valid and others feel like wild conjecture, but the story is open to a lot. As such, the movie has immense re-watch value because you can always get something out of it, even if that something leaves you feeling misanthropic. This is the kind of movie you watch with friends who like to really get into making theories, because the subject matter and its presentation naturally lend themselves to being interpreted in different ways. On the other hand, if you like solid answers, the movie can come off as jerking you around. I only started to really appreciate it my third time and I think it’s one of movies that grows on you.

Given all of that, my issue with the movie is it I think it doesn’t go far enough. I’m fine with getting lost in a maze trying to figure out what’s going on, but I can’t help but feel it can come off as a bit dull the first time watching it. Unless you’re actively playing with a subtext and trying to view the movie through that lens, the whole thing can come off as hard to remember. The feelings it generates are certainly visceral, but the ambiguous storytelling makes it hard to remember finer details if you’re taking the story seriously at face value.

REPORT CARD

TLDRIt Comes at Night is a puzzling look into the darkest parts of the human psyche. If you like slow, atmosphere driven, open-to-interpretation horror you need to give this a watch. There are no routine jump scares or straightforward plot threads here.
Rating9.3/10
Grade A

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