After watching this movie, I had to take a few moments to pick my jaw back up and compose myself long enough to write out just how much I loved each and every moment. Irvin Kershner’s sequel, The Empire Strikes Back, manages to improve and innovate on what its predecessor did in amazing ways. The story follows up with our motley crew of heroes as they’re on the run from the Galactic Empire. Except this time, things aren’t going to be nearly as easy.
Just like A New Hope, the practical and visual effects in this movie are off the charts. Spaceships look gorgeous and the chase scenes in this movie genuinely had me clamping down on my knuckles. I don’t know if it was just my love for what I was seeing or if there was an actual improvement, but the light sabers feel more “solid” in this movie which I appreciated a lot. It gave them the impact I thought they deserved. There’s also an pivotal character (I’ll avoid naming them for those rare people who have somehow avoided all spoilers) done exclusively through CGI/puppet work and the attention to detail with said character makes them feel almost even more well realized than some of the human characters. If that isn’t good special effects work I don’t know what is.
That isn’t a knock on any of the characters by the way. They all feel more realized and grounded in this movie. Whereas in the last movie, we had to watch our main group constantly stay on the run, this movie affords some time to help develop new interactions and milestones. It’s not that the arcs themselves are revolutionary. Rather, they’re just presented and executed so masterfully that I couldn’t stop getting giddy at watching them unfold- especially in regards to the Han and Leia scenes. The acting by our main cast is also stellar and makes these moments more engaging.
However, I’d be remiss if I failed to mention how much the Empire gets developed in the aptly titled Empire Strikes Back. Vader’s motivations and choices are interesting and paying attention to differentiation in his actions helped me infer quite a lot. I appreciate that he’s not a “big bad.” He’s brutal and cruel, yes, but there’s also an underlying nuance to him that makes him mesmerizing. I also enjoyed getting to explore more of the political side of the Empire and how communities respond to their presence in more direct ways. It makes the evil organization feel as grand as it really is and a far more menacing presence than the one that allowed a Death Star to blow up.
Despite knowing certain spoilers (most people would if they weren’t living under a rock the past 40 years), the impact of certain key moments are rewarding. There was a scene that made me tear up quite a lot and another where a character reaction made the movie feel more akin to horror than anything else. These aren’t feelings I felt in the previous film. Somehow, this movie managed to deliver these feelings in conjunction with the same sense of wonder and adventure from the past movie. The emotional resonance this movie creates is what makes it a true masterpiece.
TLDR:The Empire Strikes back might be one of the first times where I’ve thought a sequel was better than its predecessor. This film takes everything I loved about A New Hope and then decided to add more while fine tuning other elements.
Final Rating: 10/10. This movie is so good that you should watch A New Hope, just so you can experience what this film has in store. I can’t express how much more I loved this movie.
To be honest, I wasn’t looking forward to this movie. I’ve never been someone who read any of Stephen King’s books growing up, so my only experience towards The Shining has been through Stanley Kubrick’s iconic movie. The way the movie ended was satisfying and emotionally resounding. As such, the idea of any sequel felt iffy, even if based on a book by the original author. On top of that, the initial trailers made me feel like the movie was just going to be a series of Shining references without real substance. Thankfully, Mike Flanagan’s adaptation of Doctor Sleep manages to stand on its own two feet and genuinely surprised me in its depth and presentation.
The story follows Dan Torrance (Ewan McGregor) as he attempts to get over his horrifying experience at the Overlook hotel. He’s a rugged adult now and the film takes time at the beginning to really flesh out what we know about him and his motivations. If you’ve been reading my reviews for a while now, you know that I’m okay with the dreaded “slow burn” movie. However others may find this first hour slow and uneventful. There’s no real inciting incident or immediate answers to the events that we witness. Instead, we’re forced to take time getting to know the primary cast and their motivations. This makes the more serious and tense moments in the second and third act that much more exciting. I felt scared because I cared about the characters and knew what they were thinking and going through. Character decisions do get more “interesting” in the third act, but they never brought me out of the moment during the watch so I didn’t think too much about them. Even now they don’t seem like major issues and don’t detract from the more important moments, but it may annoy some viewers.
Acting is great all around. Ewan McGregor really sells the trauma that motivates and influences Dan’s actions. He’s asked to be a man at wit’s end in one moment and then a confident leader in another. Likewise, Kyliegh Curan’s performance as Abra stone manages to cover a wide range of emotions. She’s confident and bad ass when she needs to be, but when she’s scared it’s understandable. As a child actor, I’m even more impressed and appreciated how well Curan and McGregor played off each other. Their relationship is really cute and helps give the story a lot of it’s emotional weight. However, any review of Doctor Sleep that didn’t mention Rebecca Ferguson’s performance as as the main antagonist, Rose the Hat, would be horribly remiss. She absolutely captures the camera whenever she shows up. She oozes charisma, intelligence, malice, but also a deep emotional attachment to her “family.” It makes her a nuanced villain. Yes, she’s evil – but she’s so fun and suave with it that you can’t help but appreciate the lengths of what she’s willing to do.
I appreciated Flanagan’s recast of the Shining characters. I watched the movie with a friend, who thought that the dis similarities between the new actors/actresses versus the original actors/actresses was distracting. I can understand why and this may be something that puts viewers off. However, I do think each of the recasts captures the “spirit” of the original character. I could believe each of the actors/actresses as their characters , even if they weren’t great at cloning their original actor/actress as that character. There is one scene in the third act where I thought the differences were a bit too strong, but it didn’t distract me too much. Honestly, considering the alternative – a ton of CGI – I’m glad the more practical option was used. If IT 2’s de-aging showed me anything, it’s that technology still has limits.
The movie is crisply shot like all of Flanagan’s previous works. Nothing really surprised me in terms of composition or sound. However, that is not to say that scenes do not look cool. The movie has a lot of action moments that absolutely looked stunning and felt like they were ripped out of an manga or comic book. If you’ve seen Naruto and ever wanted to see real genjutsu fights, this movie has them and they are gorgeous.
I did appreciate all the homages to the original film in both the shot composition and track design. The third act honestly felt like a huge gush of fan-service, which I personally enjoyed. It felt like a nod at fans of the original and I liked it for what it was. It didn’t feel like it took anything away from the plot of the movie at hand. I do think some of the references could’ve been taken away because the movie felt like it could have been a tad bit shorter, but I didn’t mind it.
Thematically the movie focuses on responsibility and the extent of what our obligations are to others. The question is made more interesting by the philosophical questions raised by the scope and use of the “shining” power. I was surprised by how much the movie was making me think about how I would react in similar situations. Although , I think that some of the threads are answered haphazardly, the way the movie ended had me smiling. Based on the discussions I’ve been having, I definitely want to read the source material for both films and go through the experience again. This adaptation deserves that.
TLDR:Doctor Sleep is a beautiful movie that manages to balance both horror and action. It features one of the best villains of 2019 and is a fun ride the moment psychic shenanigans start happening.
Final Rating: 9.4/10 . This is the best King adaptation of 2019 and there have been a lot. If you ever wondered what happened to Doc after the events of The Shining, you owe it to yourself to watch this movie.
I’ve never seen a movie by Bong Joon-ho before I saw Parasite, and if any of them are even remotely close to the cinematic masterpiece that I witnessed, I’m definitely going to have to check them out. If you can’t guess already, I absolutely adored every second of this movie and couldn’t keep my eyes off the screen. This is probably the best class consciousness movie I’ve ever seen and I’m already ready to watch it all over again.
The movie follows the Kim family – a group of incredibly skilled and intelligent scam artists. Because the family is poor and lives in an incredibly impoverished location, they each have to make full use of their wits in order to cling to their lives. The movie really gets started once the son, Ki Woo (Choi Woo-shik) infiltrates a rich family and slowly helps his own family infiltrate and take from his rich clientele. However, unlike the traditional rich evil character type we’re used to, the main “antagonists” of the film seem fairly normal and even nice at times. There are moments, especially closer to the third act where you can get why the main characters don’t like them as much, but they’re never overbearing. The best part? The characters don’t know their counterparts are actually nuanced and distinct from the archetypes they have formed in their head. As a result, interactions between the groups are comedic and thought provoking. The juxtaposition of the smart and poor with the rich, non-malicious, but ignorant creates this wonderful interplay of previously unseen class interactions. There are a lot of moments that forced me to recognize certain moments in my own life and unpack the assumptions and biases I had. Expectations are subverted , but it never feels like it’s done for no reason. It all calculated, but comes off as natural.
As a result, the movie can be funny when it wants and serious when it needs to be. Jokes hit well because of the way expectations are set up. There are always good punch lines but what elevates them to the next level is their thematic significance. After finishing the movie, I knew I had to watch the movie again to see how the earlier jokes figured into the way things unraveled.
The movie also shines on a technical level. Camera work is off the charts. There are gorgeous shots of the characters traversing treks of the city. These moments help to drive home the social positions of different character groups. The impoverished are geographically positioned lower compared to the rich who are placed higher. Pan and tilt shots are expertly used to amplify this feeling. The score naturally flows and accompanies the different sections In particular, the more epic musical tracks helped sell the tension in a lot of the latter parts of the film. The architecture of the house the majority of the action takes place in is also beautiful. The layout of it helped reinforce themes while providing eye candy. It’s relation to the sun and other sources of light was also something I wasn’t expecting but thoroughly enjoyed. All these elements always help reinforce one another making the whole experience feel more textured.
This is a film I think almost any one can relate to because it is fundamentally a story of a family’s struggle to survive under capitalism. Though the first part of the movie is more lighthearted, the movie never takes the characters predicaments lightly. Any possible mistake can risk upending everything. That’s the real beauty of the movie. We actually end up cheering for a group of con-artists swindling a naive wealthy family. Whenever something felt like it was going to fall apart, I felt genuinely scared, because I cared for and wanted everything to go well for the Kims. I could see large swaths of my life in theirs, and I think a lot of people will feel the same way. That’s why the tale never feels long or unbelievable. Take away the names and location and suddenly you have the tale of billions of people around the planet. That’s powerful.
TLDR: Parasite is a masterclass film. Every element from the story to set design helps sell a thought-provoking and bold story about class consciousness and the human condition.
Final Rating: 10/10. If you’ve ever felt like the world has had it out for you then you owe it to yourself to watch this cinematic masterpiece. It might be one of the most relatable and human pieces of art I’ve had the pleasure of experiencing.
I’ll be honest and say that I wasn’t the most optimistic about watching all the Star Wars movies. My previous (AKA my first) experience with the franchise had been watching Star Wars: Episode I – The Phantom Menace , and it hadn’t left the best taste. Even after being told that the original trilogy was better than the prequels, I was left wondering by how much and entered the disc for A New Hope with anything but hope. Thankfully for me, George Lucas’s magical space tale filled me with a sense of adventure and awe I haven’t felt in years and had me grinning for most of the run time.
The story, as most of you know, follows Luke Skywalker (Mark Hamill) as he embarks on his journey to become a jedi and learn the ways of the mystical “force.” I’d be lying if I said I didn’t like every main character I saw. Mark starts off as a self-centered teen who lacks a more robust understanding of the world and watching his journey unfold was rewarding. Harrison Ford as Han Solo is the perfect blend of cocky and charming and despite my annoyance at some of his antics, I couldn’t help but appreciate how much I jived with him. C-3PO and R2-D2’s relationship was also surprisingly heart-warming. Despite being droids and having one of them not being able to speak in a normal sense, I was surprised at how much agency they had. I could go into how much I loved every character in a similar fashion, but then the review would go on too long so I digress – I loved most of them and can’t wait to see what they end up doing.
On the topic of characters, dialogue in the movie was hit-or-miss. I thought some lines felt strange? Characters would go from feeling real and personable, to feeling strange and wordy. However, this issue wasn’t that pervasive and most of the lines were cool and provocative.There’s definitely dialogue from this movie I won’t be able to stop saying.
Lucas nails aesthetic. This movie looks and feels immaculate most of the time. The practical effects really shine through and the moment I saw the huge ships in space, I was amazed. The fact that the movie can still stand up with current movies despite being released over forty years ago speaks to how spectacular the craftsmanship on display is. I can only guess how shocking everything must have seemed on the big screen back when the movie came out. Some of the digital effects seem a bit dated- lightsaber transitions, certain explosion shots, space lasers, etc, but the intensity of the action and the real feel of the universe around make those issues seem less important. From the two suns on Tatooine to the bar in Mos Eisley, the environment always feels like it’s filled with magical and other-wordy creatures. It feels real and as such, actions feel meaningful and incorporated.
The soundtrack and shot composition is also stunning. The main theme is something I couldn’t get out of my head despite never watching any of the movies, and I highly doubt that I’ll be able to get the song out after having experienced the magic myself. John Williams’s score sells the epic feeling the scenes necessitate and make every bit of action feel that much more special. The only thing I found tacky was some of the transitions felt out of place and elementary- almost like they were placed from the old school Windows Movie Maker.
The movie feels awkward in certain sections, particularly in the first act. Thankfully, like most elements of the movie, everything only gets better as the film progresses. Every time I felt even slightly irritated about something, another event would happen that would immediately knock the nit picked thought away and force me to just enjoy the experience that was going on.
TLDR:A New Hope certainly ignited a hope for me in this franchise, and I can say I’m eagerly looking forward to Episode V. If you can get over some minor annoyances, and resist the urge to nit-pick, you’ll find a world of wonder and adventure beyond your dreams.
Final Rating: 9.6/10. I get why people like Star Wars. If you, like me, have never given the movies a chance, at least spare a moment to watch this one. There’s something magical and relateable about the galaxy far far away.
I’ve loved horror movies for a long time, but I’ve always found it hard to talk about it with others because of my lack of familiarity with the western cannon. As a kid I started off with horror movies like The Ring and The Grudge and subsequently got into Asian horror. Because of this I never ended up watching common American classics like A Nightmare on Elm Street.
This challenge was my chance to play “catch-up” and improve my understanding of western horror history. I thought it’d be hard because of how many slashers I’d have to watch. I’ve never liked blood – it always makes me feel queasy – so slashers were my natural enemy. However, I did look forward to movies like The Silence of the Lambs and The House of the Devil, because I like supernatural and psychological movies and I find them easiest to get lost in.
The biggest part of the challenge I was scared about was actually forcing myself to watch a horror movie everyday and then write a review within the day. Yes, I tell my friends what I think of movies all the time but writing my thoughts out is a lot more time intensive than casually speaking them. My biggest concern was having a competent review for each movie.
Now that the challenge is done- I thought it’d be interesting to go ahead and analyze the results and experience overall. Did I meet expectations? Was it everything I wanted and more? How did my reviews compare to aggregate sites like IMDb? Tune in and find out.
I went to Metacritic and IMDb and found the aggregate ratings for each of the movies I saw. The Metascore on Metacritic uses a scale of 100. I scaled it back down to a scale of 10 to make comparing the numbers easier.
The sample size is only the 32 movies I saw during the challenge, so take the numbers as you will. As I get more reviews up here I can do more robust analyses. This particular retrospective might seem more trivial, but it’s a fun journey nonetheless.
NOTE: Ratings may change as more reviews are added over time so if you view this well after the posted date- keep that in mind.
Based on my ratings you can tell that this month was good for me. Out of the 32 movies I saw 8 movies that I would classify as a 10. Those movies were:
The Texas Chain Saw Massacre
The Silence of the Lambs
In the Mouth of Madness
Even though I’d say I’m more willing to give 10’s than other critics, I still find it amazing how many of the movies profoundly impacted me. On top of these 8 “unicorns”, an additional 4 movies made the A+ squad meaning that 37.5% of the movies I saw were good enough for me to want to recommend then to everyone. These additions include:
Night of the Living Dead
28 Days Later
The distribution of these movies genre-wise is also something I’m surprised by. I didn’t think that I would rank any slasher up that highly, but Candyman and Texas Chain Saw Massacre were both so nuanced that I couldn’t help but be entranced by both movies. I love supernatural and psychological movies so that part makes sense.
The movie I ended up liking the least was Friday the 13th, which I gave a 7.2. After A Nightmare on Elm Street, I was hoping that one of the other great slasher series could give me something meaningful to bite into. Unfortunately, despite having a few nice moments, the movie didn’t hit me the way I wanted it to. It’s funny- before I started the marathon I didn’t want anything to do with the movie, but after being spoiled by some great ones, I started looking forward to the ones on my list. Congrats slasher movies – you got a fan in me.
Metacritic – User
My friends have always said I’m a film snob, and I’ve always maintained I’m not. But everytime I end up loving a horror movie (The Witch, It Follows, The Babadook…) it ends up being one of those divisive movies that gets good “critic” reviews but not so great user reviews. That’s what made the comparison of the major statistics so surprising.
My ratings were closest to the Metacritic – User ratings and also furthest away from the Metacritic – Meta ratings. It’s also interesting that that’s the only source that had a standard deviation well above 1. It seems like “critics” are more broad compared to a more “in tune” user base. I’d be interested in finding out why that’s the case, but that’s for another time when I have more data and better codding knowledge.
I also wanted to check out just how different my A+ movies differentiated from the way my counterparts ranked them. Maybe my self perceived greats were so good that they elicited similar reactions in others. I’ve excluded Nosferatu, Candyman, and Ringu because they have missing Metacritic data.
Metacritic Meta Difference
Metacritic User Difference
The Texas Chain Saw Massacre
Night of the Living Dead
The Silence of the Lambs
In the Mouth of Madness
28 Days Later
The differences are promising in a certain light. Though my final rating for most of the above titles is higher than my counterparts, their position comparative to other movies on the list remains similar. I may give higher ratings – but those ratings are in line with (for the most part) the trend of rating horror movies. The biggest exceptions to this rule so far are The Shining and In the Mouth of Madness. Both movies are cult classics and I appreciated their depths into darker, more Lovecraftian themes. After looking it up, I found out that they’re part of John Carpenter’s “Apocalypse Trilogy”. When I found out I still had one movie, Prince of Darkness, to watch I felt tremendous jubilation.
In a more general sense, the ratings for The Texas Chain Saw Massacre, Night of the Living Dead, The Silence of the Lambs, and The Lighthouse have the closest score distributions out all the movies. The Lighthouse is the most striking given that every source sans myself had given the movie an 8.3.
Review of Writing Style
When I first started writing reviews, I thought the process was overwhelming. I’ve always been someone who just focuses on plot and interpretation. I’ve always appreciated things like score and camera angles but never thought about how they impacted my viewing experience. Trying to find a way to incorporate discussion about all the elements was my first big hurdle.
My earlier reviews like , Review: The Hour of the Wolf, exhibit the issue clearly. When I mention certain things, they come off as static and feel more like statements that have to be there as opposed to streams of natural thought that followed from the previous one. This is mainly because I’m not the best at using commas, so translating my spoken thought into proper written work is… difficult to say the least. If you’ve been reading for a while, you may notice I use a lot of “-“‘s in my work. I don’t know how correct it is, but the feeling it creates feels natural.
Thankfully, my more recent reviews are more fluid, even if the difference isn’t as big as I wanted. Sentences extend for longer and there’s more voice and expression in everything. There’s probably a lot more, but I’m more interested in seeing where my writing is at in a year, so I’ll wait until then to take a deeper look.
Overall, this experience was great. Watching a movie and writing a review everyday was challenging but was also incredibly rewarding. I was forced to critically inspect each movie at multiple levels and ended up appreciating the craftsmanship at work.
The hardest part of the process was feeling like there was a constant deadline for each movie. Some of the movies hit emotional beats pretty hard and it was difficult to force myself to watch a movie the next day. Balancing a movie a day on top of work and everyday life was also challenging and something I should’ve prepared around more.
The more serious movies that were playing in theaters proved to be the hardest to review. Joker and The Lighthouse both moved me and brought up a lot of interesting points, but I couldn’t pause, write out my thoughts, and rewind to catch up with certain points like I could do back at home on my PS3.
I’m definitely planning on doing this challenge next year, but now I think I have some good changes to make the process more manageable. I definitely need more fun/cheesy movies to lighten the mood. Being scared and philosophically boomed is great but there’s a charm to less serious movies. At the very least, they would serve as a much needed change in current that would keep the experience fresh.
To celebrate the end of Halloween and my 2019 Movie Marathon, I decided to close off with one of the most important horror movies to me, on a more personal and nostalgic level. When I saw that Arrow was releasing a Blu-ray restoration of this 1998 classic, I had to buy it and after watching it, I can say that it was worth each every penny. Everything looks crisp and serene and only made the impact of each and every scene more evocative.
Hideo Nakata’s direction and Hiroshi Takahashi’s screenplay serve to make their adaptation of Koji Suzuki’s original book, Ring, more mysterious and eerie. For those of you not familiar with the general plot, the movie follow a Reiko, a reporter researching a story about a cursed videotape that kills anyone who watches it within 7 days. As her investigation continues, she uncovers some disturbing facts, and has to race against time to figure out how to stop the curse.
This film is a great slow burn. The first scene drops the audience in the moment, immediately drawing them into the lore. The lighting in the scene sets the tone- an eerie one at that. As the scene progress, the tension grows, and even upon the end, the lack of resolution and presence of ambiguity kept me on edge. That’s something that’s true of most of the movie. It stays creepy. There’s something that doesn’t feel right as you watch it and on more than one occasion I turned around to look behind my shoulder.
The use of sound makes the journey to certain realizations more dramatic and unsettling. Large portions of the film are in silence, so it feels like anything can drop out. But then when there’s a fearful affect around, the music turns to match that. It never feels cheesy or over the top.
On top of this, the film never uses sound for jump scares. Every scare is “natural”. You see something unnerving on the screen and that’s that. You’re forced to process the phenomena and make sense of it. This helped keep the movie realistic, which is it’s strongest selling point. The characters act urgently because they only have so long to resolve the curse. It’s like a bomb scene in an action movie- but scarier because it’s unknown which neutralizes the normal certainty we have that the problem will actually get resolved. This in conjunction with how nuanced and fleshed out the character interactions are makes us actually care for what’s going on to everyone so their race becomes that much more tense.
One of my favorite parts about the movie is how subtle it is. A lot of dialogue scenes are shot with all relevant characters in frame. I’m used to the over the shoulder dialogue shot or the screen cutting between two characters and the film does do that, but it does so more sparingly. The focus is always on showing the characters interacting with each other. The way they position or respond to each other. A lot of the relationships between characters are never explicitly stated until past the half-way mark of the movie, but, because of excellent direction and writing, they feel rich and reveal a lot. As the film kept going on, I felt like I kept having an epiphany about how something else had just made sense- like a series of light-bulbs were going off – and it made the whole experience thematically more resonant to me.
I only have a few minor complaints about the movie. Because the movie doesn’t adapt the backstory of the book, there’s a ton of mystery and ambiguity regarding the reason for why things are happening. This is fine, and as evidenced by my reviews (ex: The Lighthouse) , I actually love that. However, in the case of this movie, the unresolved issues feel more important to resolve certain thematic points. There are hints at them throughout the film, but they don’t add up enough for my liking. There’s also a lot of exposition in the movie from Ryuji. I know there’s a lot that needs to be explained, but later scenes in the film proved that Nakata had creative ways to do the same, so I wish he did more of that.
TLDR:Ringu is provocative, beautiful, and eerie. Even after having seen the movie multiple times, I’m scared of my T.V. after a late night viewing.
Final Rating: 9.7/10. One of the best horror movies. If you like psychological films or like horror movies that use subtle well-crafted scares, this film is the best.
This review is also part of the Ring series- spoiler analysis will be posted in a longer article at a later point.
I’m going to be honest- when I first saw the trailer for this movie earlier on in the year, I thought it was an elaborate prank. A sequel to a movie over 10 years old? Sure, Zombieland was popular, but what would a sequel do for a story that seemed to have ended in a pleasing manner already? Thankfully, Ruben Fleischer’s directorial return in Zombieland: Double Tap, is a fun, over-the-top, and gory zom-com that doesn’t take itself too seriously and should be watched by any fan of the first movie.
The plot follows our main group and some bonus characters as they try and find Little Rock (Breslin) after she’s run off in a fit of adolescent rebellion. The story that follows is predictable for the most part and doesn’t take itself too seriously. To compensate for the lack of innovation, the movie just has fun with itself. The action scenes are bloody and entertaining. The film doubles down on the spectacle – new zombies, more deaths, and more blood. Most of the times this turns out well, and the absurdity is entertaining to watch even if it feels similar. Likewise, a lot of the comedy is based on references and parody specifically in relation to the first movie. Sometimes it comes off as forced or goes on for too long, but this is a rarer issue and didn’t derail my enjoyment too much.
For the most part the acting in this movie suits the tone and brought me back to the feeling I had in the first movie. Harrelson, Eisenberg, and Stone all come exude the characters we know and love. Harrelson still kicks ass but is a teddy bear on the inside. Eisenberg is still a nervous, awkward, rule follower trying to find stability. Stone is still smart-witted, sarcastic, and dealing with her emotions. Breslin feels less compelling as an angsty teen, but thankfully the bonus characters pick up the slack. Deutch’s portrayal of Madison stole the show for me. Almost every time her character was on screen I laughed or chuckled. Rosario Dawson also serves as a great counterbalance to Harrelson and is a fun, if somewhat gimmicky, character.
My issues from the movie stem from two places: the disjointed nature of progression, and the fact that the sequel is set 10 years later. Like I said earlier, the movie doesn’t have a lot of twists in it and feels like a rehash of story beats from the first movie. There are some changes to keep it interesting, but the progression from point to point feels forced. It almost feels like the group travels from one location to another to do a comedy bit or to have a zombie fight and then moves on. My second concern is my primary issue with the film. The ending of the original movie set in stone/pushed characters to certain developmental stages. Given that the main cast has lived with each other for 10 years, one would expect some more growth and change along these lines. Instead, the characters feel like they picked up a few months after the end of the last film. Some of their decisions, even if fun, feel lacking once put in context.
TLDR:Zombieland: Double Tap isn’t revolutionary, but what it doesn’t do in innovation, it makes up for in raunchy comedy and exciting action scenes. Some moments feel out of place from a larger narrative standpoint, but they can’t hold back the adventure at hand.
Final Rating: 7.5/10 . If you liked Zombieland, check this movie out. If you didn’t you won’t find anything here to change your mind. The movie also isn’t too scary, so if you want a fun comedy flick to watch this film more than fills the role.