Category Archives: Science Fiction

Review: Color Out of Space

Director(s)Richard Stanley
Principal CastNicholas Cage as Nathan Gardner
Madeleine Arthur as Lavinia Gardner
Joely Richardson as Theresa Gardner
Elliot Knight as Ward Phillips
Release Date2019
Running Time 115 minutes

If you like Lovecraft or enjoy the story this movie is based on, please do yourself a favor and watch it. The feeling, tone, and aesthetic are all distinctly Lovecraftian but feel renovated for a modern era. Stanley has done a great job directing a modern story that disorients its audience while keeping what made the original story distinctive and memorable.

The story follows the Gardeners, a family living out in the sticks, trying to forge a new life as farmers. Then one day, a meteorite crashes in their year, painting the sky in a neon pink/purple and causing the earth to quake. Soon after, the Gardner’s notice some strange happenings going with mutations in their vegetation and wildlife. The story starts off slow, but after a certain moment in the latter half of the movie, things go absolutely off the rails in the best possible way.

Light spoilers here, but the titular colored light works to zoink out the psyche and perception of those affected by it. The movie spends a decent amount of time building up characters and their orientations towards life, so the changes they go through because of the light are genuinely unnerving manifestations of their inner drives. Watching each actor/actress go from point A to point B is entertaining and believable (for the most part). Cage in particular has a standout performance as the Gardener father, Nathan. He’s asked to go to dark strange places and it can get uncomfortable. At times, certain performances seem comical but I can’t tell if that’s because of the nature of the horror or the performance proper. Needless to say, there were a lot of moments I laughed. I don’t know if black comedy is how I’d describe it – it’s more perverse than what I normally associate with that.

The special effect work done is amazing. The lighting effects really ride the line on comical and mesmerizing and the balance achieved kept me staring at the screen. However, what I’m really talking about is the creature effects. I was immediately reminded me of some of the terrifying creatures from The Thing, but slightly touched up to look more modern. There are some nightmare moments from the movie that haven’t left me since I watched it – stuff that’ll stick to your head for a good while, especially if you let the experience take you.

The nature of the movie leaves it open to a lot of interpretation. My personal take is that the movie is about humanity’s relation to nature. We seek control and compartmentalize it , as though it’s an entity that exists beneath us as opposed to being something that should be treated with some kind of reverence. Nature can at any point turn and is impartial to those it takes. Nothing can really protect you no matter how safe you think you are. I’ve read Staley’s interview and can definitely see where he was coming from (and think that he managed to naturally depict a lot of what he talked about) . A friend I was watching with had his own interpretation, so what I’m saying is this is a good thinking movie. There’s not precise or clean answers and it invites discussion.

While I appreciate the changes made to the original story, I wish Stanley would have gone a bit further. A few of the scares feel more horrifying because of how they’re tied in to the characters respective fear/personality but it doesn’t happen for all the characters. It feels like an odd choice that could’ve been ironed out. It’s especially strange given some later character choices that just scream bad idea. You know the one where the audience is screaming, “No, you idiot don’t do that.” Granted you could just chalk those up to “X is crazy because of the light” but the movie feels smarter than that.

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TLDRColor Out of Space should satisfy any fans of Lovecraftian/cosmic horror. It has splendid visuals, an absurd story, and some horrifying monstrosities that’ll haunt my nightmares for weeks to come. If you enjoyed Annihilation, give this a gander. It shares a lot of similarities but goes in a completely different direction – more horror, less sci-fi.


Review: Annihilation

Director(s)Alex Garland
Principal CastNatalie Portman as Lena
Oscar Isaac as Kane
Jennifer Jason Leigh as Dr. Ventress
Release Date2018
Running Time 115 minutes

If you haven’t already seen this movie, avoid the trailer because it spoils so much of the movie that I don’t understand why or how it was released.Now that I got that out of the way, Annihilation is one of the most ambitious science fiction movies I’ve seen in recent memory. The story follows a group of 5 scientists as they’re tasked with entering a zone enveloped by an alien aura known as “The Shimmer”.

This movie is a big discussion on creativity and its relation to the death drive. The Shimmer is filled with mutations that are either beautiful, horrifying, or some mixture of both. These creatures are not only meant to be horrifying, but are also used to provoke discussion on the nature of the alien substance. There are answers to its nature (the movie is fairly up-front about it), but the end of the movie is open enough to allow discourse on the meaning of it all. It’s a great movie to watch with friends and talk about afterwards because the movie does a great job of balancing giving direct answers and hinting at answers with multiple meanings. You could watch the movie straight up as a horror sci-fi movie with crazy sequences , but that would be a disservice to the layers going on. I’m not going to pretend to act like I got all of this on my first view. Honestly, the first time I saw this movie I really disliked a subplot focused on Lena, our protagonist. But on later viewings, I came to appreciate how it added to multiple themes in the movie. I still think it could’ve been done better, but I appreciate the reasoning behind it. Big Lovecraftian energy.

For those of you who are looking more for the sci-fi or the horror in the movie, don’t worry. The movie has them in spades. The movie might start off slow for some. There’s a lot of character work done (mainly exposition and introduction) here that pays off later, so I think it’s worth it, but I can see how it can feel grating. Thankfully, the movie soon transitions into “The Shimmer” and everything goes off the wheels. The visuals are jaw-dropping and watching the alien substance interact with everything is something you can’t stop looking at. Not to mention, the movie has one of the scariest creature moments in recent memory. It really stays with you. Once the 3rd act is underway, everything gets amped up another notch. The story and its themes come together in an audio-visual experience that’s wholly unique.

Every scientist feels developed and the audience gets a good insight into each of their personalities (even if some of that is done via the characters analyzing each other)They’re all good enough for the story and I could remember bits and pieces of them after I had first seen the movie. The cool thing about them is how the movie uses them all as foils to Lena which not only makes her decisions more interesting, but also nicely develops the themes.

The only issues with the film are some strange narrative choices. There’s a really odd framing device that’s used to explain a lot of the narrative. It feels almost like someone didn’t trust the audience to put the pieces together (which is false), so a lot of the movie comes to a painful standstill so that Lena can explain what we just saw to a room of people. It makes the movie feel bloated and I really wish it wasn’t there at all. The ending also feels odd – like it was tacked on to please audiences (which based on what I’ve read about production seems true). I don’t dislike it now, but I remember really thinking it was wonky on my first viewing.

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TLDRAnnihilation is a thought provoking treat on the eyes. It’s packed to the brim with sci-fi goodness and a real mystery. There are some story issues that make pacing a bit wonky, and the story takes a bit to start up, but once it does you’re in for something that can’t really be explained.


Review: Happy Death Day 2U

Director(s)Christopher Landon
Principal CastJessica Rothe as Tree
Israel Broussard as Carter
Phi Vu as Ryan
Release Date 2019
Running Time100 minutes

I was so happy when I saw that Happy Death Day was getting a sequel. I actually went to this movie on opening week and remember leaving the theater feeling immensely satisfied. After watching it again recently, I’ve come to understand why. It’s like every problem I had with the first movie has been resolved in this one. The movie makes the brave decision to ACTUALLY expand on the ideas (if only all sequels could do this) which help it carve out an interesting little niche.

The movie picks up immediately after the first one and it’s revealed that the cause of all the time loops is Ryan’s science invention. After a series of mishaps, Tree ends up sent to a parallel dimension and is forced to find a way to escape the baby faced killer again. The sci-fi addition to the franchise gives it some much needed personality and makes the gimmick something more interesting. The way the characters end up reacting to the new knowledge gives us a ton of fun creative scenes that really push the black comedy aspect.

Characters from the past movie get more to do in this one. Because it’s a new universe, everyone shows a different side of themselves which gives Tree a lot of room to navigate and form new opinions. It makes people from the first movie feel more layered and is a fun play on the butterfly effect. It also gives the movie a more poignant emotional core that really made me feel for Tree. Speaking of Tree, Jessica Rothe kills it again in her performance. She’s given more room to have fun in this one and she takes a lot of pleasure in it.

Unfortunately, the one area the movie didn’t really improve on is the horror element of everything. The killer and their motivation in the first movie was pretty whack so I was curious to see how it would play it out in this one, and while it’s believable to an extent, it also feels kind of out there.

The pacing of the movie also feels off- there’s one moment in the third act where it feels like the movie has a natural ending, but then it keeps on going. It’s not that the extension feels bad. In fact, what happens makes a lot of sense- but it feels like it’s missing the polish the rest of the movie had. Maybe a subplot should have been removed and some events should have happened in a different order. I don’t know. It’s just a weird anomaly. The end credit scene does give me hope that the third movie (Please come out) does some crazy stuff, so here’s to that.

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TLDRHappy Death Day 2U takes everything that was good from the first movie and amps it up. There’s a more interesting story, better character building, and even more fun levels of absurdity. The movie is more science fiction that it is horror, so if you’re expecting focused slasher you may want to look elsewhere.
Grade B

Go to Page 2 for my spoiler-full thoughts!

Review: Solo

Theatrical Release Poster

I saved this review till the end for my Star Wars movie journey for a reason – if Episode IX wasn’t what I wanted it to be I wanted to leave my reviews off on a good note- the franchise has meant a lot to me in the short time since I’ve started binge consuming it and I want the love to show. When I first watched Solo, I had a surprisingly fun time. I say surprising because so many of my friends said the movie was a dud. Box office sales and the internet told me it was a disappointment. Thankfully, I saw the film from a different point of view and was exuberant about the whole package. The movie is packed with passion, humor, fun action scenes, gorgeous visuals, memorable characters, and is a movie Star Wars fans and movie fans alike can enjoy.

First off let me say – if I had gone in and saw this movie with no understanding of Star Wars I still would have liked it. That’s not to say it’s bland or unremarkable in any way – it’s definitely a Star Wars movie. What I mean to say is the movie never really relies on having to know or be familiar with anything. Everything obviously becomes more interesting and fan-servicy in great ways if you’ve watched the other movies in the saga, so I felt doubly intrigued by the way everything unfolded. The story expands the lore of the characters we know and love without ever sacrificing the integrity of future moments. It’s meaningful past retconning – it only serves to make moments and ideas in other movies more resonant. There are also cute additions to the lore of the galaxy so that the rise of the Empire feels more grounded.

The acting and characterization of the major (and even minor) players serves to make the narrative more appealing and memorable. In particular, I loved Alden Ehrenreich’s portrayal of Han Solo. He’s more hopeful and optimistic – with outlines of the rogue we got to know in Episode IV. He doesn’t try and act like Harrison Ford, which I love – no actor can ever really copy another so trying to give life to the character is more important. In this case, I completely believed in him as Han, and as someone who didn’t love the character as much as other fans (namely because of his depiction in Episode VI) , I can say without a doubt this movie made me appreciate him more. Alongside Ehrenreich, we have great performances from both Emilia Clarke as Qi’ra and Woody Harrelson as Beckett. The latter came off as an alternative timeline Han and serves as as a great foil to the title character. The former is phenomenal at playing his childhood friend/love interest and brings out a new dynamic I didn’t expect to see. Donald Glover is likable as Lando and feels and acts like how I imagine a younger Lando would act. The biggest surprise of the movie is Chewbacca (Joonas Suotamo). He gets a real sense of agency in this movie and I feel like I finally got a chance to know him in a meaningful way as opposed to the hairy sidekick. Watching all the pieces come together, play out, and evolve is a treat.

The plot plays out without a lot of surprises, but the few that do come up are amazing. I won’t spoil them, but I do genuinely want to know how Disney plans on following some of the threads from this film. There’s a lot of potentially cool situations that could play out. While the film mostly plays it safe, the execution of a ton of scenes are top notch. the score is absolutely phenomenal. I mean like- wow – I did not expect it to be this amazing in a spin-off movie. John Powell has done an amazing job and making compelling and epic sounding pieces. If you haven’t seen the movie at least listen to some of the music. This section of “Marauders Arrive” should be enough to convince you. Add onto this the amazing action scenes, gorgeous visual effects, and sharp hitting humor (for the most part) and you’ve got a fun, enjoyable romp to a series of interesting locale.

The production issues become slightly apparent near the end of the film . Lord and Miller are hillarious and I wanted to see how they’d play around with the humor revolving L3-37(Phoebe Waller-Bridge). I enjoyed the character and thought she could’ve been used more effectively. Some of the fan service also becomes a bit egregious (never awful but we could’ve done without parts of it). Ron Howard did a great job with the position he was put in and definitely helped preserve a lot of decent moments. There are some strange plot points in the third act that I wish were more fleshed out. But all in all , I thoroughly enjoyed the movie and hope that unanswered threads in this movie get resolved in a satisfying media release in the future.


TLDR: Solo is a fun movie that adds a lot to the backstory of characters we know and appreciate. I for one, think I’ll enjoy Episodes IV and V more on the re-watch given the way Lando , Han, and Chewie get fleshed out. There are some missed opportunities, slight pacing issues, and a bit of overindulgence in fan service but it never takes away from the fun time at hand.

Final Rating: 8.7/10. I think this is a movie any Star Wars fan can enjoy. There’s something in here for everybody and the story only plays on the elements we all love. The best part? You can show the movie in group settings with people unfamiliar with the setting and they’d still have a good time.

Go to Page 2 for my spoiler-full thoughts!

Review: Star Wars:Episode IX- The Rise Of Skywalker

Theatrical Release Poster

NOTE – Like all reviews I do this – this is spoiler free, but given how big the movie is, I felt like mentioning it again.

So for those of you who have been following my Star Wars journey so far, you must’ve noticed that I was really loving a lot of the movies. Much to the surprise of a lot of my friends, I was actually a really big fan of The Last Jedi, and eagerly awaited Episode IX – honestly excited to see how J.J. Abrams would take and conclude the different thematic threads and character arcs. Unfortunately, I was left far from impressed. Despite being gorgeous to watch and having more than a few amazing iconic scenes, The Rise of Skywalker, feels hollow and emotionally vacant. That’s not to say I didn’t enjoy the movie – I’ll certainly go watch it again – but it was disappointing to say the least.

I have a lot I don’t like so I’m going to start with some positives – because there are quite a few and I don’t want them to get overshadowed. John William’s delivers some of my favorite renditions of tracks in this film. If I didn’t have Spotify, I’d be inclined to buy the score. In particular, “The Old Death Star”, sent chills down my spine as soon as it started playing. The echoes of Vader’s “Imperial March” feel even more captivating and alluring here. The film is also visually stunning. There were multiple moments that had me giddy with excitement and getting to see the absolute vastness of the Force was a joy to behold. The power of the characters felt palpable (pun intended) and I genuinely appreciated how badass space wizards could actually be. Great set design helped heighten battles and made them feel that much more metaphysical and grandiose. I had goosebumps more than one time and know that the spectacle is going to delight more than a fair share of people. If you like space ship fights, this movie has some jaw dropping ones in terms of scale and design. There are multiple shots in this movie that you could print out and frame and subsequently get lost looking at.

Acting in this movie is also off the charts. Even when I wasn’t invested in the plot and felt betrayed by how the story unraveled – I was always at least partially invested because character moments felt genuine. Adam Driver has been my favorite part of the Sequel Trilogy and I’d watch this movie again just to see his portrayal of Kylo. It’s astounding just how many different emotions he can put on display – and his constant journey and inner struggle between the light and the dark felt real and emotionally resonant. Every time he was on the screen I cared. It probably helps that his character arc is the only one I genuinely enjoyed – so kudos for that. Daisy Ridley is phenomenal as Rey and makes the new Jedi’s inner conflict feel as justified as the plot will let it. Even though I really didn’t like the way the story took her arc, I appreciated passion and effort put in to make it believable. My review would be remiss if I didn’t mention just how much I loved the inclusion of older cast members. Billy Dee Williams is infectious as Lando and constantly had me smiling when he showed up. Ian McDiarmid’s is over the top, campy, and perfectly evil as always. Palpatine still oozes with the same familiar dark charisma and the inclusion of of some fan favorite dialogue made his scenes that much more enjoyable. Who doesn’t love the Emperor, am I right?

Plot wise – the story picks up well after the Battle of Crait. Palpatine is back , Kylo is attempting to shore up his control of the First Order and the galaxy as a whole, and Rey is off training. From the first scene – the movie feels rushed and constantly jumps all over the place. This is especially noticeable in the first half of the movie – but pacing is whack. It’s almost like a four hour movie was packed into the 2 and a half hour run time. We constantly travel from planet to planet – from one chase scene to another brush with danger. While it all looks visually stunning, there’s an noticeable lack of tension because there’s never enough time to really get settled in or invested in what’s going on. Huge emotional moments get undercut as a result which takes a lot of the impact of the movie away. Furthermore, the movie plays out a lot like a video game with a lot of fetch quests., which is a shame, because some of the items the main crew look for seem like they could’ve been more interesting if they were mentioned or alluded to in previous films or developed more in this one. Their inclusions are also made less relevant because each “item” only seems to lead to another so it diminishes their significance.

Most of these plot issues stem from the identity crisis the film seems to have. It simultaneously tries to pick up story threads from The Force Awakens, retcon a lot of the interesting elements from The Last Jedi, and pander to a Star Wars fan base that has made its vocal disdain for the Sequel Trilogy known online. Unfortunately, there’s not nearly enough time to make each of these decisions cohesive – we go from fan service to a serious moment and then back , creating a whiplash in expectation and tone. I’m someone who loves fan service, but it just felt overdone and undeserved in a lot of scenarios and dropped me out of the movie more than once. Based on the exposition thrown at us in the earlier portions of the movie, it’s clear to see that J.J and Rian had different visions for character arcs and how the themes of the Skywalker franchise should be explored. It just made me wish one or the other had made all the films so that we could’ve received a wholly consistent trilogy instead of one that tried to do everything. Maybe that way we wouldn’t have had so many strange character interactions, deus ex machina like moments, strange reversals of previous plot threads, and confusing explanations for previous events.

For me – the biggest disappointment (that I can talk about at least) is how flat the movie feels thematically. A lot of the more interesting and nuanced themes from The Last Jedi, are completely discarded and replaced with generic beats and moments from Return of The Jedi. It makes the movie feel cheap because it doesn’t expand or try to take the story to a new philosophical height. Instead, it seems to revel in pandering to an audience that just wants to see a generic battle of good vs evil – which is fine, if not a little disheartening. Say what you want about the Prequel Trilogy- at least it expanded the philosophical discourse of Star Wars in diverse ways. It stumbled in a lot of ways, but it opened up the venue to a lot of , I was almost certain that the movie would play around with the concepts of fate, destiny, the dark side and the light side and what those ideas really mean but instead it seemed to just want to travel down the well-trodden path from the Original Trilogy. That’s not to say there’s no innovation – there were certainly interesting moments and ideas that made the Force seem more mystical and built on its vague nature. The problem is just those moments are few and far between and often times are underdeveloped or straight up undercut.


TLDR: The Rise of Skywalker is a beautiful mess of jumbled ideas and inconsistent thematic threads. While there were a lot of gorgeous shots and character actions I loved, I had my fair share of moments where I felt apathetic to the pretty visuals on the screen. It’s just sad that what could’ve been the best movie in the franchise turned out to be so topsy turvy.

Final Rating: 7.7/10. If you like Star Wars you owe it to yourself to watch the film. People who loved The Last Jedi might feel let down with the story choices made. However, on the flip side, if you didn’t like the last movie – you might end up liking this even more than me – it’s packed to the brim with fan service and goes over the story beats we all loved from the Original Trilogy. No matter what , you should watch the movie. At the very least it’s a visual and auditory treat.

Go to Page 2 for my spoiler-full thoughts! There are quite a lot this time.

Review: Rogue One

Theatrical Release Poster

If I’m being completely honest here, after watching the trailer for this movie and hearing the raving reviews from some of my friends, I expected to be blown away by this film. I couldn’t wait to get an insight into the group that retrieved the Death Star’s plans, and I put in my Blu-Ray all amped up to learn more about the backstory of the Rebels. While Gareth Edward’s addition to the Star Wars franchise, Rogue One , certainly looks and sounds amazing it feels woefully inadequate in the character development department.

If you’ve seen A New Hope, you know that a group of rebels sacrificed themselves to retrieve the Death Star schematics. But that casualty never feels like it has any kind of weight to it. A nameless group of rebels and their struggles is hard to relate to. This film was an attempt at making the efforts of those rebels more discernible by chronicling their journey to find the plans. There are names and faces and I appreciated the struggle the rebels had to get to their eventual goal. The movie also answers some serious questions I’ve had since I watched the first movie and makes certain moments from the original trilogy feel more earned.

The film is also genuinely gorgeous when it comes to action. The CGI is jaw dropping and the space battles feel colossal and exciting. There’s a real sense of scale and scope with each explosion and battle that I haven’t felt as strongly before in the franchise. I could actually believe this was an intergalactic struggle because of the sheer explosiveness happening on the screen. AT-AT’s felt comical to me before, but I could feel the terror from them in this film because we get a beautiful shot demonstrating just how massive they are in comparison to ground forces. Explosions are finally given some real justice and I could feel their heat and size through the screen. There were also two amazing action sequences that I couldn’t keep my eyes off of. I won’t spoil them or who’s involved in them- but I do wish we got more of these scenes.

However, in spite of all the great action moments and beautiful set pieces, the movie feels incredibly hollow. This is because none of the characters are fleshed out and as a result there’s no real investment in any of them. I loved Felicity Jones in Like Crazy and The Theory of Everything, so when I learned she was playing the lead, Jyn Erso, I felt a lot more excited. I wanted to get into her story and learn how she eventually came to be the hero we’re told she is. Unfortunately, she never really has a chance because the script never gives any of the characters moments to really interact and flesh themselves out. We get a nice flashback at the beginning of the movie regarding Jyn’s backstory- but instead of developing her response to it and subsequent life , we flash forward 13 years later. There’s no attempt at showing what happened during that time- instead we’re just told of certain events that transpired in between. This problem is emblematic of the films approach to characters. We’re told a lot about them but not shown a lot to develop or verify those statements. It makes growth harder to evaluate and also makes everyone feel bland and out of place. Yes, there are some character building scenes. In particular, Diego Luna gives an impassioned speech as Cassian – but that’s the extent of his character. We never get a chance to delve deeper into the man underneath which means there’s no reason to care about his struggle. All the other characters feel like they get even less time to be explored- which is a shame because some of the characters really cool.

For example, I loved Donnie Yen as Chirrut and Alan Tudyk as K-2SO. The latter is hilarious without ever ruining the serious tone, while the former helps expand and make the Force feel more mystical and realistic at the same time. While their scenes were great, I couldn’t help but wonder how much better the film could have been if they were developed properly. There could have been some real emotional weight to the movie if it just focused on building up the characters and cementing their natures to the audience. This is the biggest problem with the movie and is the reason it felt empty to me by the end. We already know the ultimate fate of the rebels because of Episode IV. As such, death/suffering doesn’t really have an impact- it’s something we know will happen. Given this, the only way to add tension to the movie is to have us care about the characters who will eventually suffer. Because I didn’t, the movie didn’t move me or or make me feel anything about it. I just didn’t care.


TLDR: Rogue One is beautiful to watch and had some amazing action scenes. If you can get past the lack of character development, you’re in for a visual treat.

Final Rating: 8.3/10. I probably won’t watch this movie again in its entirety, but there are definitely two scenes I enjoyed and will put on repeat. The movie did make me want to pop in A New Hope afterwards, so I also have to applaud the way the final sequence plays out.

Go to Page 2 for my spoiler-full thoughts!

Review: Star Wars:Episode VIII- The Last Jedi

Theatrical Release Poster

Wow. All I can say is wow. I was semi-excited for this movie because of how Episode VIII ended and set up respective story threads and character arcs. However, I was also kind of nervous. The last movie, even though I really enjoyed it, felt safe for a lot of the film and I was worried that this film would similarly pull a lot of punches and just be a rehash of Episode V. Thankfully, I was wrong. By the end of this movie, I was more than satisfied with the way previous plot threads were handled and forwarded. Rian Johnson’s The Last Jedi innovates and changes the Star Wars formula in ways that I genuinely enjoyed while retaining the magic that has made me fall in love with the franchise.

The film immediately picks up after the end of the last one which I appreciated. One of my biggest issues with a lot of the Star Wars movies is the time gaps between them. I never have a great grasp of what has changed which makes power differences and character motivations feel unearned. It’s a problem I had with the transition between Episodes V- VI and Episodes II-III (yes I know the Clone Wars exist and I’ll be watching them but the problem is still there and noticeable). Because this film bypasses those issues, I wasn’t left asking why or what happened and could just focus on the subsequent plot and character development.

One glaring issue with the last film, is it’s portrayal of Luke Skywalker. He’s missing from a galactic conflict and unresponsive to the plight of the innocents being destroyed by the First Order. When I saw the opening crawl in Episode VII, I could hardly believe it. Luke was a beacon of optimism in the original trilogy and I genuinely enjoyed the way his character developed from a headstrong, passionate, ready to charge in hero to someone more calm and wise in his solutions to problems. In particular, what stood out to me the most was his hope and control of emotions. He gives in to his rage and fear in Episode VI, but manages to control those impulses in favor of the heroic and ethical approach. That stuck with me. So how could such a hero, who saved the galaxy purely through spirit and resilience be away from the situation at play? That’s the question I couldn’t stop asking during the run time of the last movie. Johnson’s answer and direction for Luke, answers those questions in spades, and genuinely surprised me. There’s a satisfying explanation for his motivations and his withdrawal from the conflict. More importantly, there’s a beautiful discussion about the dangers and merits to legends of heroism. Luke is forced to confront his legendary status and this isn’t something I’ve gotten to experience in heroic movies. Yes – legends are great in how they inspire- but looking at how they can debilitate their sources is something I’ve never really bothered to consider and I enjoyed the way the discourse is presented. Mark Hamill’s performance as Luke is breath-taking and I can’t stop thinking about how amazing he was. He’s grumpy, irritated, distraught, hopeful, lost, wise, and everything in between. He’s asked to do so much by this plot and never fails to deliver. I was completely enamored by his presence on the screen and I think that this movie would be an absolute failure if he couldn’t sell the gravitas of his decisions and subsequent character arc. He makes the movie and gives it the emotional weight necessary to elevate it from good to great. If someone had told me Luke still had a dynamic and emotionally resonant character arc left in him, I wouldn’t have believed them, but that’s what I got in this film.

Luke’s not the only character that gets some love in this movie. Finn, Poe, and Kylo all get development in this movie and I love how their character arcs progressed. Finn’s biggest issue in the last movie is how how much he wants to run away. He’s forced to confront that issue and decide his place in the conflict. His ultimate decision in the third act becomes more meaningful as such. Kylo is still emotionally distraught and watching his inner conflict is satisfying. It’s believable and makes his actions and decisions that much more interesting to follow. Poe’s changes are my favorite by far and I loved watching his journey from a guns-blazing hero to someone more tempered. It reminded me of Luke’s journey from Episode V to VI but felt more developed and earned.

The story also continues a lot of the thematic elements I loved from the prequel trilogy- namely the idea that the Sith is “evil” and the Jedi are “good.” Moral grayness is the name of the game and the film explores this through a variety of different character interactions and plot lines. I loved what I got and wish the film had gone further with its deconstruction of those ideas. The primary theme of the film is failure and how we can learn and develop from it. Characters literally come out and tell the audience as much. It’s not a novel lesson, but it’s not something that’s usually explored as much. I mean, no one really loves to focus on their losses. This movie forces the characters to confront their issues and learn or be eliminated. It’s powerful and the lessons some of the group learn are harsh.

This movie shines as a audio and visual treat. There are some gorgeous action scenes that feel larger than life because of the tension and themes that go behind them. The emotional intensity driving these moments kept me engaged and once the action started in the third act, I couldn’t stop staring at the screen in appreciation of the spectacle I was witnessing. John William’s score in this movie is similarly amazing. I paused more than once to find out the name of a track in the background. If you followed my review of Episode VII, this is one of the elements of the movie that I was somewhat disappointed by, so when I heard the riveting score in this film I was genuinely happy.

I know it seems like I’ve gushed a lot over this movie, but I did have a few issues with it. There’s a subplot in the movie that feels kind of out of place. If you’ve watched the movie and seen other reviews online, you know what plot I’m talking about. While I agree that the sub-plot was long and overdrawn, I don’t think it was useless. I enjoyed the way it played with and subverted our expectations while adding to the political commentary and ideas of a moral gray zone. I do think that the section could have been cut down and thought that it did mess up the pacing of the movie. Better editing could have reduced this effect and helped the scene feel less cumbersome to get through.

I lauded the character growth in this movie, especially in relation to failure and development in response. However, because each character is learning a different lesson, sometimes when those lessons are presented one after another it creates a jarring thematic experience. For example, a character learns about the value of patience and then another character immediately acts haphazardly as a martyr. It makes sense for both characters to do what they do (at least in my opinion), but because both arcs are presented with each other it comes off as a thematic whiplash. There’s also an attempt to shoe-horn another theme in the third act, that I thought felt out of place and less resonant.

Speaking of tonal inconsistency, the movie has a lot of humorous moments that follow serious moments. I didn’t mind this in some sections because the comedic moments never felt too serious. However, there are definitely sections that would have benefited greatly from the exclusion of any humorous moments to really drive home the gravity of what was going on.


TLDR: I loved The Last Jedi. It has some tonal and plot flaws that could have been solved with better editing, but is by and large entertaining and thought provoking. Characters old and new are forced to grow and adapt and I’m excited to see where they end up by the end of the story.

Final Rating: 9.4/10. This movie is a great follow up to Episode VII and I cannot wait to see Episode IX in a few weeks.

Go to Page 2 for my spoiler-full thoughts!