Director(s)	Patrick Brice
Principal Cast	Mark Duplass as Aaron Desiree Akhavan as Sara Karan Soni as Dave Patrick Brice as Old Aaron
Release Date	2017
Language(s)	English
Running Time	80 minutes

Creep 2 starts after the events of Creep, with Mark Duplass’s character, now going by Aaron comforting his soon to be killed newly-made friend, Dave after the latter receives a baby Peachfuzz doll with a camera inside of it. After playing with his food for a short bit, Aaron kills Dave , but his face reflects a genuine state of sadness instead of elation at the completion of the bloody task. After the title card shows up , the movie cuts to Sara, an aspiring YouTuber, who meets with strangers on Craigslist and similar sites in an attempt to capture some interesting footage of potential weirdos. Clips from her episodes are shown and demonstrate that she’s interacted with a slew of lonely, alienated, and strange persons who all seem to convince her that strangers are harmless by and large. One of her early “clients” even shows her his baby Jaws shark figure with such elation that you’d think it was Aaron talking about Peachfuzz, setting up her future calm discussion with Aaron quite well.

With her online show, Encounters, not doing so well with the viewers (a point I think any content creator can relate to, myself included), she decides to respond to an strange and spooky request by Aaron against her better judgement in an attempt to give her channel the boost it needs. Once she gets to his place to inquire into the nature of the new job, she’s met with pure honesty from Aaron who describes himself as a serial killer. He slowly goes through his craft and the way it brought him joy before revealing that he’s recently run into a creative strut and wants to create a new and moving work. He takes inspiration from Francis Ford Coppola who he claims said, “I have not made an original film since The Conversation in 1974. I’m not sure I am capable of it, but I really wanna keep trying.” This statement by his cinematic hero breathes a new life into his creativity and like Coppola, he seeks to create something distinctly him in spite of his imaginative decline- a documentary.

In a lot of ways the movie reminds me of Behind the Mask: The Rise of Leslie Vernon, another movie that involves a serial killer getting a documentary made about his activities. But unlike that movie where every member of the documentary crew is aware of what the titular serial killer, Leslie, is capable of, Sara doesn’t take Aaron’s statements seriously. Sara and Aaron’s initial conversation is played 100% straight on the part of Aaron whose candid discussion of the macabre is 1 part funny and 2 parts terrifying. He discusses finding victims and ripping open their bodies as though its a task analogous to praying- it’s a normalized experience for him that used to give him a spiritual catharsis. Meanwhile, Sara responds calmly and normally, unperturbed by the absurdity of what her new client tells her. Her previous encounters have jaded her to the possibility that any of these conversations could be real, so she takes them as part of a delusion of sorts and just rolls with whatever Aaron says, eventually accepting Aaron’s request to film a documentary on his life to capture the essence of a true serial killer.

It’s a clever set up that solves a lot of the issues from the first movie – namely that Old Aaron had very little character depth by himself and only shined when interacting with Aaron (formerly Josef). Sara is a character that serves as a great foil to Aaron- both are creators, both are struggling to find meaning in their work, and both are hiding the real intentions behind what they’re asking of the other. The movie recognizes this and spends a decent amount of time on just Sara, giving the audience a reason to care about her and her deliberation process to understand her increasingly dangerous decisions. Meanwhile, the movie constantly plays with Aaron’s personality and history, giving him ample opportunity to provide a series of facts that may or may not be true. The name of the movie becomes trying to figure out who Aaron really is. What is his backstory actually about? Why does he do what he does? What is his actual end goal?

This characterization is where the movie shines because the presence of an equally strong agent in the form of Sara means Aaron has to change up his behavior and reveal more about himself. He doesn’t get to dictate every step of the plan because she pushes back and refuses to play his game the way he wants. Akhavan matches Duplass’s energy, move for move, never letting any of his eccentric movements or facial expressions unnerve her. She is a an absolute unit – stoic and unwilling to budge, exhibiting her desire to get the footage with facial expressions that exhibit a calmness to her body language which exudes control. Likewise Duplass turns up his manic energy from the original movie and acts like an absolute madlad , doubling down on his attempts at random jump scares and going so far as to scream maniacally at birds that threaten his frame composition.

Watching the two of them adapt to one another to gain an upper hand is enthralling, but the specter of disaster constantly looms in the background , because we as an audience do know what Aaron is capable of. We know he’s a murderer who’s can slit a throat at the ready. The movie reminds us of as much at the very start of it and then reminds us again with his eerie description of the joys he found in murdering. As a result watching Sara delve deeper into the game provides genuine tension – one, because we don’t know what Aaron is actually after and when he’s going to go for a kill and two, because Sara’s attempts to prod Aaron’s character further for her web show do irritate him and bring out genuine bursts of anger that make you think he’s going to off her on the spot.

In light of what we know about Aaron from the first movie, this second movie does a good job at fleshing out possible motivations and his profile overall. It’s a continuation of his character study and the amount of clues the movie gives about his motivations is present in every single detail. From the way he renames himself to his past victim, to the way he his initial victim in the movie reminds us of his victim in the first movie, to his obsession with framing shots in the documentary to reflect certain themes, the movie constantly gives the audience a treasure trove of clues to flesh out Aaron’s profile. One of my favorite moments happens in his initial job pitch to Sara, where he implies that the two of them need to see each other in the nude to do away with any strange power imbalances between them. As he strips down and she films him, you can see everything (genitals included). However, when she calls his bluff, strips down, and gives him the camera to film, he focuses on moving the camera and zooming in on just her face. It’s a small subtle moment that highlights what he may actually be after, but the movie is packed with moments like these so it’s definitely a fun one to think about.

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Unfortunately, the upgrades to the character dynamics and exploration of their relationship comes at the cost of an ending that feels rushed and unsatisfying. One of the biggest strengths of the first movie is how the ending wrapped everything up succinctly and got under the skin by implying that the whole film had been filmed by Aaron, while confirming that he’s done the same many times. This ending does not feel nearly as neat and leaves the audience with a lot more questions than answers. The last few minutes make it certain that there is going to be a sequel, so I can only hope that a future Creep 3 makes well on the character study done here, but as someone who thinks movies should be as self contained as possible (sequel baiting annoys me on balance) the ending definitely feels like a let down. Does it mar my enjoyment of the amazing character interaction work done for the majority of the movie’s running time? No. But it does feel like a let down given how great everything before it was.

REPORT CARD

TLDR	Creep 2 solves most of the issues from the previous installment by giving the titular serial killer a powerful partner to play off against, who simultaneously serves as a foil to him while being a potential victim. The story of a serial killer actively exposing himself to create a documentary to relocate a creative drive sounds funny (and it is), but the movie constantly interrupts these comedic moments with a genuine sense of dread. Though the ending doesn’t quite land as well as I want it too, everything that came before it is exemplary. There’s a lot to chew on here as the movie invites the audience to really try and figure out what makes Aaron tick, without ever revealing its full hand. Taken in consideration with the original movie, this is a great character study into an enigma turned serial killer. I can only hope the next installment in the franchise gives us more to think about and hopefully some actual answers.
Rating	8.9/10
Grade	B+

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