Category Archives: 2007

Review: Trick ‘r Treat

Director(s)Michael Dougherty
Principal CastQuinn Lord as Sam
Dylan Baker as Principal Wilkins
Anna Paquin as Laurie
Brian Cox as Mr.Kreeg
Samm Todd as Rhonda
Leslie Bibb as Emma
Release Date2007
Language(s)English
Running Time 82 minutes

Trick R’Treat has been my go-to Halloween movie since I first saw it back in the early periods of high school. Since that first watch through, I’ve seen it once a year every year always on the 1st of October to get myself amped up for the rest of the month. No other movie so perfectly manages to capture the quintessential aspects of Halloween while telling them in a way that makes full use of every trick or treat in the book. This is a movie that’s simultaneously heartwarming, hilarious, and horrifying all while staying true to the spirit of the holiday.

This is majorly due to the ingenious script and direction by Michael Dougherty, who somehow managed to create an anthology movie that makes full use of all its parts and sub-stories to create a one-of-a-kind narrative that constantly keeps you on your toes. That’s right – this is an anthology movie that actually works as a cohesive narrative despite lacking any “real protagonist”.  The movie starts off with a small instructional video tape that quickly warns its supposed audience to follow the rules of the Halloween before cutting to the “real” story.

Safety video starting slide

It’s a short and quick reminder to the audience – the rules are important and the rules determine everything. The rest of the movie is just a warning for those foolish enough to not heed the easy-to-follow instructions, which thankfully for the audience, happens to be the majority of the characters we follow.

The first sub-plot in the movie makes it clear that the penalty for not following rules is death before cleverly using a match-cut from the mangled corpse to a comic book strip depicting the events up till then.

Emma’s (Leslie Bibb) death in comic strip form. A retelling of the events up till the moment.

The transition is effective not only because of how seamless it feels but because of what it reveals of the story to come – a seemingly disconnected series of events whose relation will only become clear as time goes on. As this comic montage plays out, key clues are given for each of the sub-plots to come. It’s intriguing as a first-time viewer, but it also demonstrates just how much planning went into planning each storyline to multiple-time viewers. The invocation of the transmedia narrative seeps into these early moments of Trick R’Treat and gives the piece a distinctive flair.

Every single detail from the miniscule background characters to random noises gets explored as different seemingly unrelated storylines intersect with one another. What seems to be an innocuous clearly turns out to be lethal, while what seems to be deadly turned out to be nothing to worry about. By making constant reference to and use of both horror cliches and the customs of Halloween, the movie manages to constantly subvert audience expectations in ways that feel earned and clever. Never once did I see a reveal in the movie and think it came out of nowhere. The more I watch the movie, the more I realize just how many breadcrumbs Doughtery leaves the audience to piece together some of the nastier reveals before they actually happen. The movie is told more poetically than it is linearly but the way the timeline is revealed and explored both internally makes sense and externally leads to the biggest “Eureka” moments. The moment you think you’ve got the twist another one completely flips what you thought on its head and it’s genuinely delightful watching it all come together.

What keeps all the incongruous elements in harmony with each other is the protagonist-of-sorts, Sam (short for Samhain- very clever). The child like creature with the dopy straw mask doesn’t seem like a lot, but the moment someone breaks a rule of the holiday you’ll understand that just because it looks cute doesn’t mean it won’t murder you in the most horrifying way possible. The way the movie uses dissolve transitions between jack-o-lanterns or the blood red moon back and to Sam augment his presence as omnipotent and omnipresent.

Dissolve transition showing how Sam becomes the blood red moon watching over the town.

He literally is the spirit of Halloween watching over all and ensuring that the customs are being followed. The best part of his characterization is the balance struck between making him a terror and childlike. You’ll go from smiling at his presence to going “Oh God, that’s why you don’t break the rules.” Never once does he feel malicious and the movie exemplifies this with some key moments during the climax. It’s the reason why Sam has endured so long as a symbol of the holiday (and why I so badly want a sequel by Dougherty to come out). He’s just one of the best horror characters to come out this side of the 21st century.

On a technical level – the movie knocks all the gory details out of the park. There’s plenty of blood, dismemberment, supernatural creatures, and a healthy amount of bodily fluids to go around. You like a good dead body display? Got it. Want to see some supernatural shenanigans with body parts moving around by themselves? Also, here. Need to see some monster transformations? Why didn’t you say so sooner? The way the effects all come together make the movie feel like horror movie grab bag of fun effects and neat executions – all of which are just as much fun to see as the ones coming before and after them. There’s not a single scene of violence which isn’t fun to watch, not only because the characters have it “coming to them” for breaking the rules, but because the movie gives us more than enough reason to actively want these characters to suffer. The best part? Outside of an early scene involving a lot of vomit, no scene feels gratuitous to the point of feeling like torture porn. Nor does any scene feel like it pulls its punches. It all just works right.

If I had an issue with the movie, it’s that all the separate sub-plots fit a bit too neatly into one another. It seems like a nitpick, and at some level it is, but as characters and story events are brought to light they come off feeling more like ways to tie everything together than organic revelations. It’s at these moments that I wish the movie pushed more heavily into the transmedia elements set up at the start of the movie, because the constant reference back to each story being a story in a graphic novel series of sorts would add some additional cohesion. If more bits and pieces of characters’ backstories were revealed in these moments, then the later reveals would feel earned and clever as opposed to just the latter. Is this a huge issue? Not at all. Honestly, the fact that all these elements fit together is proof enough of the talent that went into both the script and the editing process. Someone who said these criticisms are a non-issue wouldn’t get any protest from me, because there’s still no movie out there that better encapsulates the spirits and traditions of Halloween.

REPORT CARD

TLDRIf you’re looking for a fun movie to get your Halloween started look no further. Trick R’ Treat is every Halloween fan’s nightmare come to life. From the immaculate narrative construction to the transmedia presentation this is a movie that should delight casual fans while giving horror fans more than enough to sink their teeth into. If you haven’t seen the movie go ahead and give it a watch. If you’ve already seen it and didn’t think it was for you, give it another whirl and look at the way all the plots are set-up to build into/lead into one another. Who knows? You might find something you missed out on before.  
Rating9.6/10
GradeA+

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Review: Paranormal Activity

Director(s)Oren Peli
Principal CastKatie Featherston as Katie
Micah Sloat as Micah
Mark Fredrichs as Dr. Fredrichs
Release Date2007
Language(s)English
Running Time 86 minutes

The original Paranormal Activity is so well put together and concise as a found footage horror movie that it boggles me how bad the franchise has been afterwards. This first movie, I think, is the best found footage movie since the Blair Witch Project because it manages to capture a lot of the same feelings while presenting the material in way that takes into account suburbia as opposed to some creepy woods. The acting is more than adequate, the scares are punctuated by amounts of silence that make every creak and bump that much louder, and the special effects are surprisingly effective. Most importantly, the dynamic between the lead characters makes the underlying haunting interesting and the way the movie intertwines their relationship with the supernatural unfolding is what gives this movie staying strength as opposed to the awful sequels it spawned.

The movie follows Micah and Katie, a couple that’s recently moved to a new house . The latter is being followed by a supernatural presence so her boyfriend decides to tape their everyday life in hope of acquiring some evidence. Things start off slowly with long stretches of the movie just being time lapse shots of nothing happening in the background or dialogue scenes between the main couple. However, once the movie hits a certain point things start getting less tame. Things starts off with creaks and objects being dropped. The sound design is on point so every one of these little moment feels pungent. The supernatural phenomenon becomes more severe as time goes on and follows a logic; the malevolent presence feeds and grows off negative energy. When do things get worse in the house? You guessed it. Whenever tensions flare up between Micah and Katie.

That brings us to the most important aspect of the movie- Micah and Katie’s relationship. From the first moment the audience is introduced to the couple it’s clear to notice the power dynamic is Micah favored. He makes the big bucks. He owns the house. He can buy a high quality digital camera with no second worries. Katie’s immediate response to seeing the camera and realizing the extents to which her boyfriend wants to go to record the supernatural reveals that she wasn’t expecting it. It’s implied that Micah probably described the recording situation as being smaller than he intended on making . It’s an early enough sign of how he views their relationship but the movie slowly brings those imbalances to the light.

Micah starts off a skeptic and counterbalance to Katie’s fervent belief that she’s being haunted. He constantly challenges and undermines her belief in her own scenario . For example, during Dr. Friedrich’s visit he acts in a mocking and derisive manner. However, when he comes to the realization something is afoot his immediate response is to get more excited. He’s happy that the supernatural exists because it means he can record it and get recognition for it. The narcissism and selfishness that seemed a minor issue at the beginning of the movie transforms into something more sinister as he takes delight in the supernatural as opposed to sympathetic for his girlfriend’s plight. There’s one moment in particular where he researches demons to give Katie advice while in the same breath chastising Friedrich, a psychic consultant Katie called in earlier, for not knowing enough. Reading a book doesn’t give more authority than an expert in the field because presumably the book was written by someone similar. Prioritizing one form of knowledge over another is nonsensical absent an non arbitrary reason. But for a narcissist, the fact that the discovery of the situation came from “him” as opposed to another source is reason enough. Friedrich wasn’t picked by Micah so obviously his advice isn’t adequate.

Katie starts off being more accommodating of Micah’s behavior because she’s used to it. There’s a level of autonomy she knows shes going to lose but the safety she feels matters more to her given how terrified she is of her haunting. As Micah prods the supernatural he prods her which makes the supernatural more intense because it’s all predicated on her emotions. In this way the supernatural just becomes a representation for the state of Katie’s emotional vulnerability and sense of self. The external conflict (supernatural occurrences) is tied to the internal conflict (Katie’s fight for respect) and watching the way those planes inform one another definitely made me appreciate the ending a lot more.

However, there are a lot of moving parts and random bits of exposition that are dumped throughout that feel a bit hastily put together. I think the movie would have benefited from giving the audience more information on Micah and Katie’s dynamic before moving in together. For as much as I enjoy Micah’s characters and portrayal, the way his character behaves near latter portions of the movie gets a bit absurd. He feels too one-note asshole. If the movie had developed one of its earlier mentioned threads about how Katie never let him know about her demonic issues before moving in and the audience could see his character become more controlling as a result, then the subsequent unraveling of the relationship dynamic would become more complex. Micah would certainly come off as more as sympathetic and the relationship more interesting.

Furthermore, the way the haunting unravels is pretty arbitrary. As Katie sets up early on she’s had bouts with this presence since a young age. It just comes whenever it wants. That’s movie speak for whenever the story needs a convenient spook or doesn’t want to explain a dynamic it can go with “the demon decided now was the time to strike” as reason enough. The idea isn’t abused maliciously in the movie, but I think tying it down to Katie’s emotional state and personal history would have given the story more of a meaningful kick.

In terms of being scary, this movie is quite effective if viewed in the right frame of mind. The low budget nature of the camera matches well with the visual scares. Nothing feels out of place and some of the visual effects are quite impressive. There’s one scene involving fire near the midway point of the movie that freaked me out when the movie first came out because I couldn’t conceive of how it could look so real. This is a movie that understands that scares have to be built up to and blowing the load on some lame jump scare would only make the eventual finale that much less interesting. The slow burn approach gives the movie a level of intensity that’s rare in mainstream horror. Sound is used quite well. In particular, there’s a droning noise that comes on during night sequences that’s tied to the presence of the supernatural. It’s just loud enough to make you aware that something has changed but not so loud as to take away from the scene. It’s used to create an uncomfortable atmosphere and prime you to be uneasy. This way the loud scares that follow after feel far more terrifying. Both the visual and audio elements always build off one another and the way the final sequence unravels is satisfying from a narrative and visceral perspective. It’s loud, poetic, and definitely deserved.

It’s a shame the franchise never made use of these elements effectively again. I can only hope the soon to be 7th entry in the franchise returns back to the series roots – great atmosphere, contextual scares, and interesting character dynamics. All the elements are there. Just put them back together again. Until then, I’ll continue sticking to this first entry. It’s one of the better horrors of the 2000’s for a reason.

REPORT CARD

TLDRParanormal Activity is a horror movie that takes it all back to the basics of making the audience scares. It’s low budget camera and effects work is more than effective and the way the haunting builds and develops is satisfying and most importantly, frightening. If you’re someone who’s only seen the sequels do yourself a favor and watch the original.
Rating9.0/10
GradeA

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