Category Archives: review-movie

Review: Knives Out

Director(s)Rian Johnson
Principal CastAna de Armas as Marta
Daniel Craig as Benoit Blanc
Christopher Plummer as Harlan
Chris Evans as Ransome
Jamie Lee Curtis as Linda
Michael Shannon as Walt
Don Johnson as Richard
Toni Collette as Joni
Lakeith Stanfield as Detective Elliot
Katherine Langford as Meg
Jaeden Martell as Jacob
Riki Lindhome as Donna
K Callan as Great Nana
Release Date2019
Language(s)English
Running Time130 minutes

I’ll be honest – I love a good mystery. As a kid I loved watching Scooby-Doo and trying to figure out what was going on. Some of my favorite book series were The Hardy Boys and Nancy Drew. I loved BBC’s Sherlock (at least the first two seasons). When I first saw the trailer for the movie and saw the cast list, I knew I had to see it to satiate the mystery fan inside of me. I’m more than happy to report back that Rian Johnson’s star-studded mystery, Knives Out, is charming and filled with great twists and turns.

The film follows Detective Blanc as he helps the local police determine if the death of popular mystery writer, Harlan Thrombey , was a suicide or something more nefarious.Honestly, what surprised me the most about the movie was how well it balanced humor, mystery, drama, and tension. No element ever feels like it feels out of place. Combined with the beautiful shot composition, the aesthetic and makeup of Thrombey’s house, and a riveting score and you have a formula for success. I laughed out loud more than once with the audience and also had my share of white knuckle moments.

What makes the film more interesting than the traditional mystery plot is the information revealed to the audience. I didn’t expect to get the gleams of info I got, and I was amused with the way the plot’s focus and scope changed. It made the movie more interesting and the way the movie plays with mystery tropes is a delight. There was more than one moment I didn’t see coming and watching all the pieces come together by the end of the movie was great. There are quite a few elements that are set up through the movie and I was thoroughly satisfied with how they were explored by the end of the movie. Pay attention – I promise the payoff is more than worth it.

The acting in this movie is great and there are a few stand-out performances that were really fun to watch. Besides his accent ( which I think is deliberately over-the-top to drive in the point), I loved how much Craig owned the screen. He’s confident, witty, and feels charismatic in an endearing way. His ability to go from hard ass to comedic observer helps keep the tone of the movie consistent. Ana de Armas’s performance as Marta is also phenomenal. She plays off Craig well and does great in her own light. Watching her innocent character try and navigate the contours of the Thrombey family was a delight and made me want to cheer her on. Speaking of the Thrombeys, every member of the family feels distinct and the members that get more fleshed out are quite interesting. As someone who loved Toni Collette in Hereditary and The Sixth Sense getting to see her as a liberal lifestyle guru was a treat. The issue with so many characters however, is that a few of them become one note characters that are associated with nothing more than a gag. It’s a shame because there are hints of moments that could be developed with them, but they’re never explored to their full extent.

Although the movie is a fun adventure, it feels lacking thematically. There’s a surface level discussion of politics- immigration in particular- and besides some cyclical gags in relation to it and some minor drama it’s never handled in a way that makes it more meaningful. It’s obvious that the film is a criticism of opulence, but so many of the other elements of the movie are so intelligently written, so the lack of depth feels like a huge missed opportunity. Likewise, there’s this underlying discussion of family and obligation that’s mentioned a lot in the movie, but is really mishandled. In particular, certain character reactions betray where the movie could have gone with this meaning in favor of being more generic. There’s also one glaring character decision that doesn’t make sense in the 3rd act of the movie which is kind of a big deal in how the plot unravels. I might just be nitpicking here but it felt out of place with how well thought out everything else in the plot was.

REPORT CARD

TLDRKnives Out is fun take on the whodunit genre that changes the focus from how the murder happened to why the murder happened while retaining all the charm and wit associated with a traditional murder mystery. Though not every member of the ensemble cast gets time to develop or feel wholly relevant, it’s fun enough watching all of them interact because it’s clear they’re having so much fun with it. If you’re looking for a gorgeous looking mystery, look no further.
Rating9.2/10
GradeA

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Review: Frozen 2

Director(s)Chris Buck
Jennifer Lee
Principal CastKristen Bell as Anna
Idina Menzel as Elsa
Josh Gad as Olaf
Jonathan Groff as Kristoff/Sven
Release Date2019
Language(s)English
Running Time103 minutes

When I saw the first trailer for Frozen II drop I felt one part entranced by the visuals, one part curious on where the story could go, and two parts nervous that this movie would be a cash grab with no substance. Although Chris Buck and Jennifer Lee don’t reach the same heights as they did thematically, musically, or story wise in Frozen, there are still more than enough gorgeous and fun moments in their sequel to satisfy the fans and entertain kids.

The story picks up some time after the ending of the first movie and follows our makeshift family unit of Elsa, Anna , Olaf , Kristoff , and Sven. They’re domesticated and having fun, but Elsa has been hearing a call beckoning her to leave her homeland and find her true calling. If the story sounds weird that’s because it is. It feels lazily written and almost feels like a series of excuses meant to guide characters from one set piece to another. It’s frustrating because the movie is supposed to be dealing with Elsa and her powers and had a real potential to explore the lore in interesting and philosophical ways to help develop the themes from the previous movie. Instead, it focuses on hashing out these really basic character arcs that either feel like they were better resolved in the previous movie or they just feel out of place overall.

Thankfully, the set pieces in this movie are absolutely breath-taking. Elsa has a lot of amazing action moments that serve to demonstrate how mind-blowing her powers are. Even though I thought the plot was absurd, I was left stunned with how cool and gorgeous a lot of her moments ended up looking. The color palette is distinct and vibrant and makes these moments that much prettier. There are gorgeous autumn leaves and amazing snow effects. The water looks and feels alive and fluid. The lighting is immaculate and everything feels imbued with vitality. There are a few scenes where the background felt like it was actually straight ripped out from reality. It all comes together to create one of the most stunning movies I’ve ever seen. I already know I’m going to re-watch the movie to see some of these moments again. If nothing else, this movie knows how to look near perfect.

The music is also good, even though it doesn’t reach the heights of the first movie. The title song is incredible, however, and I loved how it was incorporated throughout the movie. Into the Unknown probably won’t get as many plays from me as Let It Go did, but it’s a great song and I know I won’t be able to get it out of my head for a bit. Menzel and Bell are also still great, and each of their characters had at least one musical solo scene that I enjoyed. This film more so than the last felt like it had a few too many songs. In particular, Kristoff’s song felt misplaced and actually ended up making me like his character less. I appreciate how funny the song is supposed to be and thought the editing and feel of it was great. However, it makes him feel like he’s less mature than we’re led to believe and also interrupts the action in an non-ideal way.

Thematically, the movie attempts to do cool things but just falls on its face. Certain ideas are explored on a surface level which is a shame because of how interesting they could have been. There’s a lot of discussion about growth, but we rarely get to see it explored because the characters don’t feel like they actually change that much. There’s also this really neat idea of water in relation to time that feels Taoist in nature but outside of a cool visuals and interesting thoughts never reaches the potentials of what it could have been.

REPORT CARD

TLDRFrozen II is gorgeous and breath taking, even if it feels like its lacking in substance. It never reaches the same heights of its predecessor, but is still entertaining and sure to give you some fun moments.Fans of the original should check this out, but be wary – the story leaves a lot to be desired and may be disappointing to some.
Rating7.5/10
GradeC+

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Review: Frozen

Director(s)Chris Buck
Jennifer Lee
Principal CastKristen Bell as Anna
Idina Menzel as Elsa
Josh Gad as Olaf
Jonathan Groff as Kristoff/Sven
Santino Fontana as Hans
Alan Tudyk as Duke of Weselton
Release Date2013
Language(s)English
Running Time 102 minutes

So when this movie first came out, I was completely enamored by it. The visuals were gorgeous. I couldn’t stop singing the songs. I was absolutely into the Frozen craze. Given the news of Frozen 2, I thought it’d be fun to revisit the original – not only to get ready for the sequel but also to see if I really enjoyed the movie or was just caught up in the craze at the time. Happily, I can confirm it was the former. Chris Buck and Jennifer Lee’s story has all the markings of a musical classic and reminded me of the power of Disney magic.

The story follows the royal princesses of Arendelle  , Anna and Elsaas they prepare and celebrate the latter’s coronation. However, everything goes wrong and it’s revealed to the kingdom that their newly anointed Queen has supernatural ice powers. Already, the basic premise of the plot has distinguished itself from so many other Disney movies. This time the “villian” is the Queen herself and because of that, the film gets to explore a lot of emotional ideas in beautiful ways.

The discourse on love and the extents of it is touching and gets explored in a lot of cute and emotionally satisfying ways. In particular, the relationship between Anna and Elsa is magnificent and serves as the emotional crux of most of the movie. Watching their interactions and growth is moving and there were genuinely moments that made me tear up. Bell and Menzel do a great job giving the sisters a real emotional depth to their dialogue that helped it hit emotional beats I didn’t expect.

Outside of them, Josh Gad is phenomenal as Olaf. The snowman is charming, funny, and a delight to watch. There are times where his character feels like he over explains some more emotional scenes that takes away from the subtlety of them. It’s not too annoying, but I feel like it made some of the more cathartic moments feel weaker. I enjoyed both of the male characters, Kristoff and Hans , and enjoyed how they served as foils for each other in meaningful ways. The only character I didn’t like that much was the Duke of Weselton. He feels too over the top and I wish he was more grounded. It would have made certain moments more believable and sinister, which is something I would personally have preferred. He’s not awful – I just see wasted potential.

The music is absolutely great and I love most of the tracks. I love how the songs are incorporated into the movie and how much emotional weight they bring. Obviously Let it Go is amazing, but there are just so many great tracks its hard to choose from. Even the more unnecessary songs (like the rock people one) was fun to listen to in the moment. I thought the musical scenes with Menzel and Bell were amazing. In particular, there’s a duet in the second act that’s absolutely mesmerizing from a thematic view but also sounds phenomenal. It’s dark, desperate, and emotionally complex. I absolutely had chills afterwards.

The animation is also gorgeous. The characters all look beautiful, but my favorite moments were when Elsa used her ice powers to fight. The action scene with her is probably my favorite moment in the entire movie. The camera and lighting make it all feel intense and the particle effects of her ice magic makes everything feel more visceral. I honestly forgot I was watching a musical for a few moments and let myself get absorbed into the intensity of the situation.

Honestly, my only major problem with the film is how absurd one plot element feels. I won’t spoil it, but literally two characters make a mention of how ridiculous this element is and no one does anything about it. It felt frustrating because obviously sensible individuals in this universe proved to understand the issue , but it just gets glossed over. Normally this wouldn’t be that big of an issue, but it serves as the main driver for a lot of the conflict in the third act so the issue feels even more apparent. I also think that there should have been more of a consequence for certain actions, but I’ll talk about that in the spoiler section.

REPORT CARD

TLDRFrozen is fun, funny, and bursting with personality. The songs are top notch and the animation is gorgeous. Outside of a few story issues and some missed opportunities, this tale of two sisters trying to find their place in the world and in each others lives is sure to leave you smiling along.
Rating9.0/10
GradeA

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Review: Star Wars:Episode I – The Phantom Menace

Director(s)George Lucas
Principal CastJake Lloyd as Anakin
Natalie Portman as Padme
Liam Neeson as Qui-Gon Jinn
Ewan McGregor as Obi-Wan Kenobi
Ian McDiarmid as Palpatine
Ahmed Best as Jar Jar Binks
Release Date1999
Language(s)English
Running Time133 minutes

Almost a decade and a half later I’ve finally returned to the movie that turned me off of Star Wars through my adolescence. The infamous Phantom Menace. But this time, I came prepared. Armed with the knowledge of the original trilogy, I felt like even if the movie was as bad as I thought it was going to be, I could maybe immerse myself in the fun and ambiance of the movie. Thankfully, it didn’t have to come to that. Though George Lucas’s direction is messy and dry at times, there’s something beautiful being attempted here and a few great scenes fans of the series can get behind.

Because the movie assumes the viewer has already seen the original trilogy, all the story elements take on a new meaning. We know how a lot of things will end, so the only thing left to find out is how. This is a place where the movie ends up doing well. From the Jedi Council, to the Gungans underwater city, to the screeching pauses in the Senate – we get to see a world in disarray. Capital is the name of the game and experienced players are getting to ready to pounce.

The movie also does a great job exploring the way subjects approach politics. Machiavellian ideologies are contrasted with liberal politics premised on faith and good will. There’s a political leader who literally changes their entire domestic policy based on resolving an incorrect cultural perception. There’s a real sense of frustration in seeing violence happen and watching bureaucracy grind to a screeching halt. The idea that groups would literally sell out other planets for profit hits a chord a little too close to him. Yes, at times it feels boring. There’s a lot of dialogue and its delivery leaves a lot to be desired. Despite that, the criticism still feels resoundingly poignant and I’m excited to see how its explored in Episodes 2 and 3.

The movie looks and sounds great when it wants to. The overabundance of CGI can feel daunting and there were moments that felt like they had been ripped out of PS2 cutscenes. However, this only became really distracting for me in the third act. Outside of that, a lot of the renders and effects look dazzling. The practical effects take a backseat, which is a shame, because they were some of my favorite parts of the original trilogy. There’s still a lot of beautiful effects to be had, but I can’t help but feel that better presentation would have made the movie hit its themes a lot harder. The podracing scene is a ton of fun and the last few moments felt really intense when John Williams score started blasting adrenaline through my veins. I wish that the music had been playing earlier on in the scene, because the shot composition of the race feels similar the whole time. Music would have helped shake up the pacing and make the entire race more dynamic. Thankfully, the light saber fight at the end involving Darth Maul more than makes up for it. Duel of the fates plays loudly and prominently in the background. Combined with great fight choreography, that fight is one I’ll definitely be replaying in my head for years to come.

Now let’s talk about the less than stellar stuff. It’s something that’s been talked about a lot so I won’t get too into it, but the acting in this movie is less than stellar. Most of the performances feel the same and it’s hard to get a true feel for the characters inner thoughts. This is something the original trilogy did really well and is probably what I disliked the most. Ian McDiarmid’s performance as Palpatine was a bright spot in the movie and I loved how he played off his deceptive nature.

The only other performance I wanted to spend time talking about was Jake Lloyd’s as Anakin Skywalker. Yes, the performance isn’t amazing. It feels childish and out of place with the severity of the events at play. However, getting an older or a more experienced actor wouldn’t make the underlying issue with Anakin easier to portray. Anakin is supposed to be a prodigy. The events and proclamations from the original trilogy and this movie are indicative that he’s a child genius. However, underlying all of this talent is an innocent emotional core. Anakin is a child – that’s why his innocence and desire to help others feels more believable. These traits are necessary for Anakin to exist as a tragic villian figure. How could someone so pure and powerful fall so hard?

Casting a much older actor would take away the belief in the childlike innocence of Anakin. Teenagers are symbolically susceptible given that they’re on the precipice of adulthood. A teenage Anakin would’ve made certain story decisions less meaningful and believable. However, expecting a child to convincingly retain their innocence while portraying a inquisitive prodigy is hard. That’s why Anakin is so interesting as a character – it’s almost like diametrically opposed characteristics are being forced to align with each other. But while this makes the character more interesting, it also makes him that much harder to portray.

REPORT CARD

TLDRThe Phantom Menace is a messy but has rare moments of greatness that are engaging. Yes , there’s a lot to nitpick, but if you take the film for what it is and just give yourself to the experience, there’s a great time to be had.
Rating7.7/10
GradeC+

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Review: Virgin Cheerleaders in Chains

Director(s)Paulo Biscaia Filho, Gary McClain Gannaway
Principal CastEzekiel Z. Swinford as Shane
Elizabeth Maxwell as Amber

Kelsey Pribilski as Chloe
Don Daro as Mike
Evan Michael Glover as Nelson
Michael Morford as Billy
Release Date2018
Language(s)English
Running Time94 minutes

Virgin Cheerleader in Chains. I originally couldn’t believe the title of the movie when I saw it. All I knew was that I had to watch it. At only 94 minutes, it wouldn’t be that much of a time commitment. Even if it was bad, it might have some cheesy moments. However, after having watched the film, I can say I was pleasantly surprised with Paulo Filho and Gary Gannaway’s meta comedy horror movie. It’s smart, quirky, and fun enough for fans of the genre to give it a whirl.

The movie follows a group of friends as they try and film a low budget horror movie and end up getting more than they bargained for. But the plot really isn’t the main focus of the movie – it’s just a tool to allow the story to do clever and witty things. The way the film is cut together constantly forced me to pay attention to see how resulting scenes would play out. A good example, is the on the point dialogue. A scene will have characters kind of lament and make fun of horror cliches and then within the scene or the next scene, something will happen related to that initial commentary. It’s intentionally over the top and in your face about it, which for me made it all the funnier. It was a risky decision, but I thought it came off just right. Think closer to Scream than the Scary Movies. My only issue is that this incredibly direct set-up only happens a few times during the run-time, and I thought it was the best part of the movie. There are attempts at jokes made through more conventional meta jokes (whatever that means), but it never feels as unique as the more over the top scenes. There was one scene in particular where I had to go and pause the movie because of how much I started laughing , which I was surprised at.

Aesthetically the film is hit or miss (mainly hit). Most shots are well composed and look professional despite the low budget of the movie. However, certain shots stick out like a sore thumb. In particular, the nature traversal shots look out of place and more amateur. There are also these weird nightmare sequences in the first act that wonky and last too long. They didn’t creep me out as much as ruin my immersion in whatever was going on. Thankfully, the practical effects are great. There’s a lot of blood and a lot of moments of in your face violence. I’m more squeamish, so I had to look away at times, but fans of splatter films should rejoice. Set design is also great, and I appreciate the attention to detail. In particular, the house used for the third act oozes creepiness and I loved the way the way the rooms felt.

Finally, let’s talk about the acting. There are some performances in this movie I absolutely adored. Elizabeth Maxwell’s performance as Amber was amazing and she restored my faith in film after some shaky performances from others in the first act. Her “audition” scene had me crying in laughter after its conclusion and I appreciated it. Kelsey Priblinski is also great at Chloe and really starts to come to life when she gets “certain” suspicions about other characters. The scenes they have together were some of my favorite and oozed personality. However, there’s one one character that made me irritated in almost every scene they were in. Billy. I have no idea why he’s in the script- none of his jokes ever land, and he just feels like a walking racist caricature. I can’t blame Michael Morford too much for his portrayal of Billy, because it felt like the script forced the character to just be horribly unfunny. The accent probably made it worse, but that feels like a script decision. Otherwise, outside of some weaker performances in the first act, the acting is pretty good and believable.

REPORT CARD

TLDRVirgin Cheerleader in Chains is funny and smart ,despite feeling uneven at times. I appreciated it’s meta-commentary and wish it had just gone further with it, but the incredibly fun third act was well worth it. Go out and support smaller movies, so we can continue to get cool innovative stuff.
Rating7.3/10
GradeC

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Review: Star Wars:Episode VI – Return of the Jedi

Director(s)Richard Marquand
Principal CastMark Hamill as Luke Skywalker
Harrison Ford as Han Solo
Carrie Fisher as Leia
Billy Dee Williams as Lando
Anthony Daniels as C-3PO
Peter Mayhew as Chewbacca
Kenny Baker as R2-D2
Ian McDiarmid as The Emperor
Frank Oz as Yoda
David Prowse/James Earl Jones as Darth Vader
Release Date1983
Language(s)English
Running Time132 minutes

Finally, the end of the original trilogy. A New Hope was amazing. The Empire Strikes Back was an absolute gem. So it’s reasonable to say my expectations for the conclusion were sky high. Thankfully, Richard Marquand’s Return of the Jedi, serves as a satisfying conclusion to this amazing journey. It didn’t do everything I wanted and felt uneven at times, but I’d be lying if I said I didn’t absolutely enjoy the ride and conclusion.

The film picks up sometime after the end of The Empire Strikes Back and follows Luke and the gang as they try and rescue Han from Jabba’s palace. Personally, I wish the movie started off immediately after the ending of the last movie or sometime close to it. The scene’s ambiguous chronological placement makes things like power scaling and character development harder to appreciate or understand. This causes weird discrepancies later on because it feels like there should be more tension between certain characters or a wider variety of emotional responses. Thankfully, the latter portions of the third act are so emotionally cathartic and symbolically powerful that I could get over these issues.

Now that we got over the beginning rant, let’s get into the more interesting and fun stuff. A lot of the visual effects are amazing. Jabba looks a living creature and oozes a creepy and disgusting feeling. I felt revolted every time I saw him on the screen. The Rancor is terrifying to look at and despite having watched the visual wonder of the past two movies, I couldn’t believe how fluid the creatures movements look. Space battles still look great and evoke a sense of grandeur. However, some of the effects felt like they missed the mark. In particular, there’s a racing scene in the third act that has great choreography but looks dated, which is strange given how great the previous two films looked.

This movie nails characters for the most part. In particular, I loved Ian McDiarmid’s portrayal of the Emperor. From his speaking pattern to the way he held himself as he moved, he constantly felt malicious and evil. Yes, he mentions the “Dark Side” a lot, but because he feels so dark it feels aesthetically cool in spite of how sparse some of his dialogue options are. James Earl Jones sells the emotional weight of Darth Vader’s lines which serve as the undercurrent of so much of the weight of the entire movie. His scenes with Mark Hamill were my favorite because of the way they played off each other. I won’t spoil anything, but certain lines hit me in my feels hard. Frank Oz is also great as Yoda and made me desperately want more of him than what I actually got. The only character that I didn’t really like was Han, which is surprising, because I loved him in the previous films. Before, he always felt like a cool adventurous badass, but he feels “grayer” in this film and it doesn’t feel like it stems from a believable character arc.

This movie was also philosophically beautiful and expanded a lot on my want’s from the previous movie. I enjoyed the way that good and evil and their relative malleability were challenged and the resulting discourse made me feel a sense of hope. Unfortunately, there are a lot of missed opportunities that would have elevated that discourse to something more cinematic. The starting point of the film means that a lot of the despair of the past movie is kind of glossed over. As a result, certain character conclusions and reactions feel less deserved and more artificial than I would have liked. There’s also a lot of exposition scenes that are used to explain these gaps or hammer in plot points , which compounds this effect. I wish some of the bloated sections of the second act were taken out, and that the exposition/backstory was shown instead of told. It would’ve helped make the themes more cohesively tied to the narrative.

REPORT CARD

TLDRReturn of the Jedi is a satisfying conclusion to the original Star Wars trilogy and I’m genuinely surprised at how cohesive the entire story feels. This movie has a few bumpy spots and feels rushed at certain points , but is by and large emotionally cathartic and satisfying.I already know I’m going to watch the original trilogy again. The only question is how soon. Give it a shot if you haven’t.
Rating9.0/10
GradeA

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Review: The Peanut Butter Falcon

Director(s)Tyler Nilson
Michael Schwartz
Principal CastShia LaBeouf as Tyler
Zack Gottsagen as Zak
Dakota Johnson as Eleanor
Release Date2019
Language(s)English
Running Time98 minutes

The Peanut Butter Falcon, is wonderfully crafted feel good movie that helped restore my faith in humanity by the end of the film. It follows Tyler, a man reeling from tragedy struggling to find his way as he runs into and travels along with Duncan (John Hawkes) , a young man with Down syndrome and big dreams of being a wrestler. As the two make their way down to the wrestling school of Duncan’s dreams ,they’re pursued his caretaker Eleanor and have to deal with a horde of obstacles. This is a movie with a lot of heart and demonstrates the power of courage and confidence in the face of adversity.

The characters in this movie are phenomenal. Zack Gottsagen is the lifeblood of the movie and his infectious personality, sense of innocence, and intellectual maturity keep him endearing but also nuanced. He gives off a real sense of agency which is made all the better because the film is literally about how we actively strip agency away from those who are differently-abled even if we don’t realize it. In contrast to the more transparent performance of Gottsagen, LaBeouf’s performance is layered. His character is multifaceted and complex, so watching him slowly open up and embrace Duncan, is rewarding and heartwarming. Their relationship is the crux of the movie and works as a good point of investment. Dakota Johnson is terrific as a caretaker and watching her interact with both Tyler and Zac in their different scenarios is fun. She can go from worried to confident and back without it ever feeling weird.

The movie is also beautifully shot. There are wide spanning aerial shots demonstrating the majesty of the scenery which helps sell the Mark Twain vibe. The shots of the raft as it floated down the river reminded me back of the images I had in my head while reading Huckleberry Finn back in middle school. You can really feel the distance the characters end up travelling which gives weight to what they’re actually attempting .

For the majority of the story, character interactions are pleasant and seek to remind us of the better aspects of people and ourselves. There’s a large emphasis placed on redemption and learning to believe in oneself. It’s a refreshing change of pace from the darker more nihilistic stuff I’m used to watching and frequenting. Unfortunately, this is also the issue with the movie. It’s too nice. At some point, character interactions, despite being cute and happy, feel unbelievable. I would have liked to see some more rugged interactions, just so the kindness felt more realistic. Yes, there are some more serious moments, but they never feel as well integrated or realized within the structure of the story. In fact, the way that some of this tension gets resolved actively confuse the themes, because it doesn’t sync with properly with what the story had been leading up to. Thankfully, this problem only stays relevant for a few minutes and doesn’t change the overall narrative.I wish the movie had managed to balance more of its serious elements with the lighter moments.

REPORT CARD

TLDRThe Peanut Butter Falcon restored my faith in humanity and forced to inspect my assumptions about people with disabilities. The story might feel too sweet at times, but that may be a plus if you want a movie that keeps you grinning ear to ear.It’s the most touching “feel good” movie I’ve seen in a long time.
Rating8.9/10
GradeB+

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Review: Star Wars:Episode V – The Empire Strikes Back

Director(s)Irvin Kershner
Principal CastMark Hamill as Luke Skywalker
Harrison Ford as Han Solo
Carrie Fisher as Leia
Billy Dee Williams as Lando
Anthony Daniels as C-3PO
Peter Mayhew as Chewbacca
Kenny Baker as R2-D2
Ian McDiarmid as The Emperor
Frank Oz as Yoda
David Prowse/James Earl Jones as Darth Vader
Date Released1980
Language(s)English
Running Time124 minutes

After watching this movie, I had to take a few moments to pick my jaw back up and compose myself long enough to write out just how much I loved each and every moment. Irvin Kershner’s sequel, The Empire Strikes Back, manages to improve and innovate on what its predecessor did in amazing ways. The story follows up with our motley crew of heroes as they’re on the run from the Galactic Empire. Except this time, things aren’t going to be nearly as easy.

Just like A New Hope, the practical and visual effects in this movie are off the charts. Spaceships look gorgeous and the chase scenes in this movie genuinely had me clamping down on my knuckles. I don’t know if it was just my love for what I was seeing or if there was an actual improvement, but the light sabers feel more “solid” in this movie which I appreciated a lot. It gave them the impact I thought they deserved. There’s also an pivotal character (I’ll avoid naming them for those rare people who have somehow avoided all spoilers) done exclusively through CGI/puppet work and the attention to detail with said character makes them feel almost even more well realized than some of the human characters. If that isn’t good special effects work I don’t know what is.

That isn’t a knock on any of the characters by the way. They all feel more realized and grounded in this movie. Whereas in the last movie, we had to watch our main group constantly stay on the run, this movie affords some time to help develop new interactions and milestones. It’s not that the arcs themselves are revolutionary. Rather, they’re just presented and executed so masterfully that I couldn’t stop getting giddy at watching them unfold- especially in regards to the Han and Leia scenes. The acting by our main cast is also stellar and makes these moments more engaging.

However, I’d be remiss if I failed to mention how much the Empire gets developed in the aptly titled Empire Strikes Back. Vader’s motivations and choices are interesting and paying attention to differentiation in his actions helped me infer quite a lot. I appreciate that he’s not a “big bad.” He’s brutal and cruel, yes, but there’s also an underlying nuance to him that makes him mesmerizing. I also enjoyed getting to explore more of the political side of the Empire and how communities respond to their presence in more direct ways. It makes the evil organization feel as grand as it really is and a far more menacing presence than the one that allowed a Death Star to blow up.

Despite knowing certain spoilers (most people would if they weren’t living under a rock the past 40 years), the impact of certain key moments are rewarding. There was a scene that made me tear up quite a lot and another where a character reaction made the movie feel more akin to horror than anything else. These aren’t feelings I felt in the previous film. Somehow, this movie managed to deliver these feelings in conjunction with the same sense of wonder and adventure from the past movie. The emotional resonance this movie creates is what makes it a true masterpiece.

REPORT CARD

TLDRThe Empire Strikes back might be one of the first times where I’ve thought a sequel was better than its predecessor. This film takes everything I loved about A New Hope and then decided to add more while fine tuning other elements.
Rating10/10
GradeA+

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Review: Doctor Sleep

Director(s)Mike Flanagan
Principal CastEwan McGregor as Danny Torrance
Roger Dale Floyd as young Danny
Rebecca Ferguson as Rose the Hat
Kyleigh Curran as Abra
Carl Lumbly as Dick Hallorann
Cliff Curtis as Billy
Alex Essoe as Wendy Torrance
Release Date2019
Language(s)English
Running Time152 minutes

To be honest, I wasn’t looking forward to this movie. I’ve never been someone who read any of Stephen King’s books growing up, so my only experience towards The Shining has been through Stanley Kubrick’s iconic movie. The way the movie ended was satisfying and emotionally resounding. As such, the idea of any sequel felt iffy, even if based on a book by the original author. On top of that, the initial trailers made me feel like the movie was just going to be a series of Shining references without real substance. Thankfully, Mike Flanagan’s adaptation of Doctor Sleep manages to stand on its own two feet and genuinely surprised me in its depth and presentation.

The story follows Dan Torrance as he attempts to get over his horrifying experience at the Overlook hotel. He’s a rugged adult now and the film takes time at the beginning to really flesh out what we know about him and his motivations. If you’ve been reading my reviews for a while now, you know that I’m okay with the dreaded “slow burn” movie. However others may find this first hour slow and uneventful. There’s no real inciting incident or immediate answers to the events that we witness. Instead, we’re forced to take time getting to know the primary cast and their motivations. This makes the more serious and tense moments in the second and third act that much more exciting. I felt scared because I cared about the characters and knew what they were thinking and going through. Character decisions do get more “interesting” in the third act, but they never brought me out of the moment during the watch so I didn’t think too much about them. Even now they don’t seem like major issues and don’t detract from the more important moments, but it may annoy some viewers.

Acting is great all around. Ewan McGregor really sells the trauma that motivates and influences Dan’s actions. He’s asked to be a man at wit’s end in one moment and then a confident leader in another. Likewise, Kyliegh Curan’s performance as Abra stone manages to cover a wide range of emotions. She’s confident and bad ass when she needs to be, but when she’s scared it’s understandable. As a child actor, I’m even more impressed and appreciated how well Curan and McGregor played off each other. Their relationship is really cute and helps give the story a lot of it’s emotional weight. However, any review of Doctor Sleep that didn’t mention Rebecca Ferguson’s performance as as the main antagonist, Rose the Hat, would be horribly remiss. She absolutely captures the camera whenever she shows up. She oozes charisma, intelligence, malice, but also a deep emotional attachment to her “family.” It makes her a nuanced villain. Yes, she’s evil – but she’s so fun and suave with it that you can’t help but appreciate the lengths of what she’s willing to do.

I appreciated Flanagan’s recast of the Shining characters. I watched the movie with a friend, who thought that the dis similarities between the new actors/actresses versus the original actors/actresses was distracting. I can understand why and this may be something that puts viewers off. However, I do think each of the recasts captures the “spirit” of the original character. I could believe each of the actors/actresses as their characters , even if they weren’t great at cloning their original actor/actress as that character. There is one scene in the third act where I thought the differences were a bit too strong, but it didn’t distract me too much. Honestly, considering the alternative – a ton of CGI – I’m glad the more practical option was used. If IT 2’s de-aging showed me anything, it’s that technology still has limits.

The movie is crisply shot like all of Flanagan’s previous works. Nothing really surprised me in terms of composition or sound. However, that is not to say that scenes do not look cool. The movie has a lot of action moments that absolutely looked stunning and felt like they were ripped out of an manga or comic book. If you’ve seen Naruto and ever wanted to see real genjutsu fights, this movie has them and they are gorgeous.

I did appreciate all the homages to the original film in both the shot composition and track design. The third act honestly felt like a huge gush of fan-service, which I personally enjoyed. It felt like a nod at fans of the original and I liked it for what it was. It didn’t feel like it took anything away from the plot of the movie at hand. I do think some of the references could’ve been taken away because the movie felt like it could have been a tad bit shorter, but I didn’t mind it.

Thematically the movie focuses on responsibility and the extent of what our obligations are to others. The question is made more interesting by the philosophical questions raised by the scope and use of the “shining” power. I was surprised by how much the movie was making me think about how I would react in similar situations. Although , I think that some of the threads are answered haphazardly, the way the movie ended had me smiling. Based on the discussions I’ve been having, I definitely want to read the source material for both films and go through the experience again. This adaptation deserves that.

REPORT CARD

TLDRDoctor Sleep is a beautiful movie that manages to balance both horror and action. It features one of the best villains of 2019 and is a fun ride the moment psychic shenanigans start happening.This is the best King adaptation of 2019 and there have been a lot. If you ever wondered what happened to Doc after the events of The Shining, you owe it to yourself to watch this movie.
Rating9.4/10
GradeA

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Review: Parasite

Director(s)Bong Joon-ho
Principal CastSong Kang-ho as Kim Ki-taek
Choi Woo-shik as Kim Ki-Woo/Kevin
Park So-dam as Kim Ki-Jung/Jessica

Jang Hye-jin as Park Chung-sook
Lee Sun-kyun as Park Dong-ik/Nathan
Cho Yeo-jeong as Choi Yeon-gyo
Lee Jung-eun as Gook Moon-gwang
Release Date2019
Language(s)Korean
Running Time132 minutes

I’ve never seen a movie by Bong Joon-ho before I saw Parasite, and if any of them are even remotely close to the cinematic masterpiece that I witnessed, I’m definitely going to have to check them out. If you can’t guess already, I absolutely adored every second of this movie and couldn’t keep my eyes off the screen. This is probably the best class consciousness movie I’ve ever seen and I’m already ready to watch it all over again.

The movie follows the Kim family – a group of incredibly skilled and intelligent scam artists. Because the family is poor and lives in an incredibly impoverished location, they each have to make full use of their wits in order to cling to their lives. The movie really gets started once the son, Ki Woo (Choi Woo-shik) infiltrates a rich family and slowly helps his own family infiltrate and take from his rich clientele. However, unlike the traditional rich evil character type we’re used to, the main “antagonists” of the film seem fairly normal and even nice at times. There are moments, especially closer to the third act where you can get why the main characters don’t like them as much, but they’re never overbearing. The best part? The characters don’t know their counterparts are actually nuanced and distinct from the archetypes they have formed in their head. As a result, interactions between the groups are comedic and thought provoking. The juxtaposition of the smart and poor with the rich, non-malicious, but ignorant creates this wonderful interplay of previously unseen class interactions. There are a lot of moments that forced me to recognize certain moments in my own life and unpack the assumptions and biases I had. Expectations are subverted , but it never feels like it’s done for no reason. It all calculated, but comes off as natural.

As a result, the movie can be funny when it wants and serious when it needs to be. Jokes hit well because of the way expectations are set up. There are always good punch lines but what elevates them to the next level is their thematic significance. After finishing the movie, I knew I had to watch the movie again to see how the earlier jokes figured into the way things unraveled.

The movie also shines on a technical level. Camera work is off the charts. There are gorgeous shots of the characters traversing treks of the city. These moments help to drive home the social positions of different character groups. The impoverished are geographically positioned lower compared to the rich who are placed higher. Pan and tilt shots are expertly used to amplify this feeling. The score naturally flows and accompanies the different sections In particular, the more epic musical tracks helped sell the tension in a lot of the latter parts of the film. The architecture of the house the majority of the action takes place in is also beautiful. The layout of it helped reinforce themes while providing eye candy. It’s relation to the sun and other sources of light was also something I wasn’t expecting but thoroughly enjoyed. All these elements always help reinforce one another making the whole experience feel more textured.

This is a film I think almost any one can relate to because it is fundamentally a story of a family’s struggle to survive under capitalism. Though the first part of the movie is more lighthearted, the movie never takes the characters predicaments lightly. Any possible mistake can risk upending everything. That’s the real beauty of the movie. We actually end up cheering for a group of con-artists swindling a naive wealthy family. Whenever something felt like it was going to fall apart, I felt genuinely scared, because I cared for and wanted everything to go well for the Kims. I could see large swaths of my life in theirs, and I think a lot of people will feel the same way. That’s why the tale never feels long or unbelievable. Take away the names and location and suddenly you have the tale of billions of people around the planet. That’s powerful.

REPORT CARD

TLDRParasite is a masterclass film. Every element from the story to set design helps sell a thought-provoking and bold story about class consciousness and the human condition.If you’ve ever felt like the world has had it out for you then you owe it to yourself to watch this cinematic masterpiece. It might be one of the most relatable and human pieces of art I’ve had the pleasure of experiencing.
Rating10/10
GradeA+

Go to Page 2 for the spoiler discussion.
Go to Page 3 to view this review’s progress report .