Category Archives: review-movie

Review: Happy Death Day 2U

Director(s)Christopher Landon
Principal CastJessica Rothe as Tree
Israel Broussard as Carter
Phi Vu as Ryan
Release Date 2019
Language(s)English
Running Time100 minutes

I was so happy when I saw that Happy Death Day was getting a sequel. I actually went to this movie on opening week and remember leaving the theater feeling immensely satisfied. After watching it again recently, I’ve come to understand why. It’s like every problem I had with the first movie has been resolved in this one. The movie makes the brave decision to ACTUALLY expand on the ideas (if only all sequels could do this) which help it carve out an interesting little niche.

The movie picks up immediately after the first one and it’s revealed that the cause of all the time loops is Ryan’s science invention. After a series of mishaps, Tree ends up sent to a parallel dimension and is forced to find a way to escape the baby faced killer again. The sci-fi addition to the franchise gives it some much needed personality and makes the gimmick something more interesting. The way the characters end up reacting to the new knowledge gives us a ton of fun creative scenes that really push the black comedy aspect.

Characters from the past movie get more to do in this one. Because it’s a new universe, everyone shows a different side of themselves which gives Tree a lot of room to navigate and form new opinions. It makes people from the first movie feel more layered and is a fun play on the butterfly effect. It also gives the movie a more poignant emotional core that really made me feel for Tree. Speaking of Tree, Jessica Rothe kills it again in her performance. She’s given more room to have fun in this one and she takes a lot of pleasure in it.

Unfortunately, the one area the movie didn’t really improve on is the horror element of everything. The killer and their motivation in the first movie was pretty whack so I was curious to see how it would play it out in this one, and while it’s believable to an extent, it also feels kind of out there.

The pacing of the movie also feels off- there’s one moment in the third act where it feels like the movie has a natural ending, but then it keeps on going. It’s not that the extension feels bad. In fact, what happens makes a lot of sense- but it feels like it’s missing the polish the rest of the movie had. Maybe a subplot should have been removed and some events should have happened in a different order. I don’t know. It’s just a weird anomaly. The end credit scene does give me hope that the third movie (Please come out) does some crazy stuff, so here’s to that.

REPORT CARD

TLDRHappy Death Day 2U takes everything that was good from the first movie and amps it up. There’s a more interesting story, better character building, and even more fun levels of absurdity. The movie is more science fiction that it is horror, so if you’re expecting focused slasher you may want to look elsewhere.
Rating8.4/10
Grade B

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Review: Happy Death Day

Director(s)Christopher Landon
Principal CastJessica Rothe as Tree
Israel Broussard as Carter
Release Date 2017
Language(s)English
Running Time96 minutes

Groundhog’s day meets teen-comedy meets slasher movie –Happy Death Day isn’t incredibly original, but what it lacks in creativity it makes up in unabashed fun. The story follows Tree, a troubled sorority girl who finds herself trapped in a sinister loop that restarts every time she’s killed by a baby masked killer. As she desperately tries to figure out who’s coming for her she’s forced to confront her fears – both physical and emotional.

If there’s one reason to watch this movie, it’s Jessica Rothe’s performance. She gives the story a real personality which keeps it feeling spunky and fresh as opposed to tired and outdated. She’s rude, unresponsive, and miserable with herself and everyone around her. Watching her slowly come to realize her situation and adapt is charming because of how expressive and energetic Rothe acts. She sells the story and is why I enjoy the movie so much despite how predictable its story beats feel. Performances from other members of the cast are adequate with the campy and emotional elements given the proper respect.

The way the story unfolds is logical and makes sense. The identity of the killer is only revealed to attentive viewers at the hour mark because up till then the misdirection is done fairly well. I was particularly impressed with how layered the time cycles/loops were in both setting up the story and developing characters into something more than cardboard cut-outs( albeit not by much) . The movie knows when to switch up the pace, so no moment feels like it overstays its welcome. It’s definitely a movie I love putting on in the background or watching if I’m trying to perk up more.

Unfortunately, the narrative stability is achieved at the cost innovation. The story doesn’t really add too much to the die-live again formula. There’s a unique concept related to the time loops, but it never gets developed in a meaningful thematic or narrative way. It’s only used to get the story from one place to another. This sucks in particular because the concept could have been that unique element to push the genre in a new direction- to give something new to the die-live loop type of movie. There are also some logistical issues that make the nature of the killers eventual reveal more confusing. It feels like if the story spent a bit more time building up their backstory a lot of these issues could have been resolved. The movie stops short of where it needed to be to be a genuine classic of sorts, but that shouldn’t stop you from giving it a watch if it sounds even remotely up your alley.

REPORT CARD

TLDRHappy Death Day is funny, filled with energy, and has some cute “awuhh” moments. It doesn’t fully utilize the potential of its premise, but it does enough to remain interesting from beginning to end.
Rating8.0/10
Grade B

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Review: Dude Bro Party Massacre III

Director(s)Tomm Jacobsen,Michael Rousselet,Jon Salmon
Principal CastAlec Owen as Brent / Brock
Olivia Taylor Dudley as Motherface
Patton Oswalt as Chief of Police
Release Date 2015
Language(s)English
Running Time103 minutes

Despite what its title would imply, Dude Bro Party Massacre III is not a sequel to a well established franchise. Instead, it’s a criticism of privilege and insulation from punishment, an introspective look into frat culture and the social construction of masculinity, a fun satire of horror and slasher tropes, and is dumb and over the top in the best possible way. You can take out your brain and just enjoy the spectacle or you can have fun with the underlying themes- the movie works well for diverse crowds.

The plot is structured like a VHS tape- with an overarching slasher film and a series of advertisements in between- like someone recorded the movie as it ran on TV. The main story line follows the notorious Motherface, a killer who targets fraternities. The story is absolutely bonkers and goes in places I never expected. I can say with absolute certainty that most of ya’ll haven’t seen anything like it. The ad portions are fun, short, and to the point and never feel like they takeaway from the main movie.The absolute chaos of the movie also keeps repeated viewings fresh. If you like unique and interesting kills in an 80’s fashion, this movie has them in spades. The practical effects are great and I loved the ingenuity behind certain executions. You can tell there’s a lot of love that went into this.

Though the film intentionally tries to fail the Bechdel test, it absolutely feels like a feminist movie. Yes, the main characters are the brothers in the feature fraternity, but the movie makes it painfully obvious that all the members have participated in pretty horrendous stuff, despite how comical it all plays off. Motherface’s journey as such almost feels justified. It’s a slasher movie where you simultaneously for and against the “villain”. However, the movie still takes time to explore the nuance of a fraternity and the ideas of brotherhood related to it. Despite their problems, the frat members aren’t all malicious dudes. Some of them enjoy the experience because it gives them a sense of bonding that helps them feel less alone and isolated. It keeps the movie from ever feeling preachy.

Despite how much I love the chaos of the movie- at times it feels like misdirection for midsdirection’s sake. There are moments that are ominous and meant to trick a first time viewer, but they never feel like they pay off in the themes. So their fun but feel pointless. The movie also kind of drags on in the end. Don’t get me wrong – I love the ending. It’s amazing. But it also had me going why? These aren’t huge issues but I feel like they kind of muddled the point.

Report Card

TLDRDespite being too absurd for it’s own good at times, Dude Bro Party Massacre III is a surprisingly topical satire that’s sure to leave you smiling by the end of it.If you want a fun movie to watch with friends put this on (as long as people are okay with gore). It should delight a lot of audiences. It’s smart, unexpected, and feels like a roller coaster in the absurd.
Rating8.8/10
Grade B+

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Review: The Cheetah Girls 2

Director(s)Kenny Ortega
Principal CastRaven-Symoné as Galleria
Adrienne Bailon as Chanel
Kiely Williams as Aqua
Sabrina Bryan as Do
Belinda as Marisol
Release Date2006
LanguageEnglish
Running Time 97 minutes

When you watch one you gotta watch em all- once my sister and I had watched the original movie, I knew we had opened Pandora’s Box. Within a few days we were back at again with the sequel. Thankfully, Kenny Ortega takes all the elements that were enjoyable from the first movie and amps them up to the next level. The musical moments are shot better, each of the “Cheetahs” is given more to do, and there’s a more coherent plot which gives the movie more of a punch.

The plot follows the Cheetah Girls 3 years after the events of the first movie. The girls crash Chanel mothers romantic getaway to Barcelona in an attempt to win a music festival competition. After promising to do their best, the girls embark on their new journey. Each of the characters feels more defined- everyone from Galleria to Aqua gets their own storyline – no matter how on the wayside it feels. Unfortunately, the same cannot be said of the overall character arc the group goes through. The “Cheetahs” feel fairly similar to their previous incarnation in the last movie except Galleria is less bossy. I wish I saw some growth between the girls proper but everything related to the same feels tacked on or hammy.

Like the last movie- the songs are the best part. Thankfully, they’re shot well and aren’t jumbled and messy like the last movie. I could feel myself actually singing along (as corny as the lyrics were), but this time I could actually look at the screen without being forced to dart my eyes around needlessly.

While the plot makes far more sense than the last movie – it’s still Disney TV movie which means there’s more than one moment that will make you scratch your head. This problem becomes even more prevalent in the 3rd act when everyone acts a lot less intelligent than they really are. There are also some rushed moments and I feel like a more developed 3rd act could’ve given the last musical number more depth.

REPORT CARD

TLDRThe Cheetah Girls 2 is fun and filled with bops to nod your head along to. The plot and characterization leaves a lot to be desired, but it’s a jam packed adventure the whole way through. It brings in all the stuff you loved from the last movie with a more cohesive story and better shot musical moments. If you didn’t like the first one, chances are good you won’t find anything here either.
Rating6.0/10
GradeD

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Review: Uncut Gems

Director(s)Josh Safdie, Benny Safdie
Principal CastAdam Sandler as Howard Ratner
Lakeith Stanfield as Demany
Julia Fox as Julia
Kevin Garnett as Kevin Garnett
Idina Menzel as Dinah
Eric Bogosian as Arno
Keith Williams Richards as Phil
Release Date2019
Language(s)English
Running Time135 minutes

Well the hype is real. I feel like my life has changed. Adam Sandler is actually a phenomenal actor. I feel like everything I’ve seen from him up till now has been a prank . Still in awe. Also the Safdie brothers are geniuses and I need to watch everything they’ve done. If you can’t guess by now, Uncut Gems, is one of the best movies of 2019 and this past decade and had me completely floored by the end of the 135 minute run-time.

This movie is an assault on the senses and I mean that in the most literal way. The way it’s directed from the camera movement to sound design is meant to induce a state of panic and anxiety. If you suffer from those issues already, the film may be too much and I genuinely think you should go see it with someone even if you don’t suffer from them. Now that the warning is out of the way- holy wow. I thought I was losing it during the film because of the way sound would keep cutting in. There is auditory clutter that makes it feel like you can’t hear yourself think. It keeps you on edge and tense – you have to focus to get at bits and I felt like the movie was sweeping me along. There’s always something going happening on the screen so it feels like your senses are constantly befuddled. I thought it was perfect – I haven’t been this purely immersed in a film in a genuinely long time. I could feel my heart pumping out of my chest by the time I started getting out of my seat.

All of this synergizes perfectly with the plot which follows Howard , a jeweler who has a “bit” of a debt issue and a huge gambling problem. There’s a constant sense of tension as Howard traverses from one deal to another, desperate to keep the antagonistic forces coming for him at bay. There’s also a lot of comedy – from the dysfunction of different schemes playing out differently than imagined or just Sandler exuding persona. It’s a perfect complement to the tension at play. Speaking of tension – a lot of it revolves around the NBA. If you like basketball (or are just a huge Kevin Garnett fan) this movie has a lot of fun moments for you. I remember feeling excitement about games that happened years ago but almost like I was reliving them viscerally because of how the sport is talked about and utilized. On top of all of this, there’s ripe family drama and watching the dysfunction play out is more than entertaining. Watching all these intersecting threads come together is a delight and makes the story feel like a train-wreck waiting to happen.

A story is only as good as its characters and this film has them in spades. Sandler’s performance as Howard is mesmerizing. I was rooting for him the whole film, but the character is scum-bag with a heart of gold(?). However, Sandler adds a depth of nuance to that that makes him far more complex and grounded. He goes from caring father, to inconsiderate lover, to gambling addict. Each transformation feels in place and all of them come together to make one of the most interesting protagonists of 2019. This movie would not work without Sandler – if Howard was unlikable or unbelievable the tension wouldn’t be as profound because there wouldn’t be real stakes.

Thankfully, Sandler is accompanied by a slew of actors (some of whom are acting for the first time) who let him really shine and show off the range of his emotions. If someone told me that Kevin Garnett could act as well as he could play basketball before now I wouldn’t believe it. Now all I want is more movies with him. He’s cool and aloof at one point and fanatical the next – watching him tango with Sandler is immensely satisfying. Julia Fox’s performance injects some much needed levity to the movie – she never takes away from the tension – she just helps accentuate it with proper changes in demeanor. Finally, Keith Williams Richards is absolutely terrifying as Phil. The fact that this is his first movie ever is shocking – he absolutely sold the underlying crime portion of the story and amplified the tension every time he was on the screen. I want to mention everyone but that would be way too many people – literally even minor characters get more characterization in this movie than some primary characters in other movies.

This film is one of the best depictions I’ve ever seen of gambling and addiction. When the thrill is high and the game is at play, we feel like Howard- ecstatic. When he wins, I win – or that’s how I felt as I saw his schemes playing out. However, it works the same way with losses. Whenever something went wrong or could go wrong, I felt tense. Twitchy. Anxious. Since the movie aims to put the audience into the same mood as Howard, every twist or reveal feels that much more serious. It also becomes comprehend how someone could become completely lost in game. This is why the movie worked for me – I feel like I got Howard and wanted him to succeed in spite of himself and the situation he was in and I absolutely should not have felt that way- which is kind of great in a perverse kind of way.

REPORT CARD

TLDRAn absolute attack on all fronts – this character study of a gambler addicted to big gains is a roller coaster that never stops to let you catch your breath. Sandler is a tour de force and the Safdie brothers know how to keep the audience engaged from start to finish. Don’t watch if you’re looking to calm down.
Rating10/10
GradeA+


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Review: The Grudge (2020)

Director(s)Nicolas Pesce
Principal CastAndrea Riseborough as Detective Muldoon
John Cho as Peter Spencer
Betty Gilpin as Nina Spencer
Lin Shaye as Faith Mateson
Frankie Faison as William Matheson
Release Date2020
Language(s)English
Running Time100 minutes

I’m a huge fan of Ju-On and it’s first English remake The Grudge (2004). Both movies were formative in fostering my love for horror and scaring me senseless. So when I saw the remake trailer, I felt a sense of nostalgia on top of the impending sense of doom. Remakes usually aren’t the greatest and the January release date only made that sense of dread more palpable. On top of that, the first remake was good enough , so it felt weird to want to try and add something new again. However, that sense of trepidation gave way to slight optimism when I realized that Nicolas Pesce was directing the movie. I loved The Eyes of My Mother and felt that maybe he could deliver a moving remake of a beloved movie. After having just seen the remake, I can confirm that it’s indeed a mixed bag of emotions. The plot feels messy and stretched too thin and the scares feel repetitive and predictable. In spite of this, I found myself thoroughly enjoying some moments. The film has it’s flaws – but it also has cool ideas that I wish it had run with more.

The movie has a main plot and then 3 additional subplots all taking place at different times between 2004-2006. The primary plot follows Detective Muldoon as she finds herself entangled in the “grudge”- a curse that kills anyone that comes into its proximity. The main issue with the movie is that the main plot is pretty boring by itself until the final few moments and a few macabre scenes in the second act. Riseborough is relegated to being an exposition scene and literally just helps Pesce cut to the other more interesting subplots. Each of the subplots deals with a separate family and their own experiences interacting with the “grudge”/each other It’s funny because seemingly the most important subplot is only touched near the end of the film. The subplot featuring the Spencer family is heartfelt and had me feeling something in spite of the messy plot. The Matheson subplot introduces some of most horrifying thinking and I genuinely wish the film had spent most of the time here. There are some creepy ideas that are kind of toyed around with but never expanded on. Honestly, I wish the movie was just more focused. Cut out the incessant exposition and over explaining and just let the character interactions and ideas out. The movie is at its best in precisely these moments.

Acting in the movie is fine- for the most part. It honestly feels like the actors did the best with the way the plot went about so I can’t fault any of them. In spite of sparse characterization, Lin Shaye stole the scenes she was in. I loved her in all the Insiduous movies and watching her play a different role highlights just how much of a range she has. She gives a lot in this performance and made everything involving her really fun. Cho and Gilpin add the only real emotional weight to the convoluted plot. They do a great job in making the unfolding horrors more tragic and less undeserved.

There’s nothing special in terms of camera vision, but that’s mainly because most scenes are just set-ups for obvious jump scares. It’s always characters walking, then finding something, then looking away ,cue realization of impending scare, look back, then scare . It’s okay the first time but it’s lackluster with how well the scares are executed in the other Grudge movies. The lack of creativity in set-ups wasn’t something I was expecting. Thankfully, the score is engaging. It kept me at least partially invested when it came on. Especially during the last two scenes- it makes them memorable.

REPORT CARD

TLDRAll in all – The Grudge (2020) isn’t awful – but it’s definitely a bag of missed opportunities. I appreciate the way it tried to add some new twists to the original Grudge but those attempts fall flat or aren’t pushed far enough – which is a shame because I really enjoyed some of them.If you liked Ju-On or The Grudge I think there’s something in here for you. Yes – it’s not amazing or groundbreaking, but it’s certainly not the worst horror movie I’ve seen. The theater I went to was mostly packed and was quite engaged for a lot of the moments I responded to, so I really think some of ya’ll might enjoy portions of this.
Rating5.8/10
GradeF

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Review: Cats (2019)

Director(s)Tom Hooper
Principal CastFrancesca Hayward as Victoria
Jennifer Hudson as Grizabella
Jason Derulo asa Rum Tum Tugger
Juddi Dench as Old Deuteronomy
Rebel Wilson as Jennyanydots
James Corden as Bustopher Jones
Idris Elba as Macavity
Judi Dench as Old Deuteronomy
Ian McKellen as Gus
Release Date2019
Language(s)English
Running Time110 minutes

I’m someone who normally gives pieces a more positive and optimistic shot than most. My higher than normal review scores are indicative of that. I always try and find something good to latch on in a movie and have fun with it. I saw the reviews for this movie on opening day and realized the potential horror of what I was walking into. I held onto some hope, because I loved Les Miserables, and thought that even a bad Tom Hooper musical would be okay. I was wrong. Not just wrong – horribly mistaken. By the time the first hour had passed I was literally just praying for the movie to end. This isn’t just the worst movie I’ve seen this year – it’s one of the worst I’ve ever seen.

The movie follows a series of horrific anthropomorphized cats as they talk about this vague competition that leads to an eventual rebirth. I’ll be the first to say I never saw or read about the Broadway show, and the plot was near incomprehensible to me. I’m someone who likes subtitles, so the fact that most of the exposition in the movie was sung hurt my ability to comprehend the movie. That normally wouldn’t be an issue but the film never takes a break to develop any themes or ideas. It literally follows the same structure the whole time- introduce cat – have song – maybe Macavity makes a slight cameo- then repeat. The lack of change in editing makes the whole movie drag on and I felt like I was being forced to endure the length of the film. The whole thing would have felt better 30-40 minutes shorter because at least then the absurdity of the film would stop while it was fresh.

Unlike most typical good bad movies like Troll 2, this film takes its sweet time being subpar so you can’t even laugh at the monstrosity at hand because it never stops or changes. There are few movies that have ever made me want to walk out in frustration – this film has joined the not so prestigious list. It’s not just that its bad- it’s that it won’t stop being bad so you can never laugh at how bad it is because you’re constantly being bombarded by worse elements.

The film goes at a breakneck pace but also feels incredibly slow because nothing meaningful ever happens. The movie could best be described as almost non stop exposition followed by an ending that tries to be emotionally resonant but fails on every note. This is because literally no character arcs or emotional bonds are ever set up in a way that could be conducive to any meaningful development. It’s a shame that the “antagonist” feels like a plot device instead of a meaningful character. I love Idris Elba and seeing him being used in such a poor fashion is upsetting. At least let him give the character some personality as opposed to be being a random bad guy. The only characters that give the movie any personality are Old Deuteronomy and Gus . The former takes command of the scene whenever she appears and makes the events feel more justified even though they’re just as haphazard as we think. The latter adds some emotional panache that gives the film much needed personality and actually helped jolt me awake near the end of the second act (or third act it’s confusing). The lack of real character motivation or explanation makes the whole movie feel like it’s a series of meaningful unrelated events. It literally feels unfinished.

Tonal whiplash is the name of the game and experiencing the shift from puns/comedic moments to the more serious nature of the competition the movie sets up(?) feels out of place. James Corden and Rebel Wilson are usually at least kind of funny, but their style of humor and incorporation into this film feels forced and out of place. I can’t take the movie seriously if the characters in it make jokes about it and poke fun at the holes. Normally this tactic would be fine if the movie didn’t take itself seriously – but it does- and worse than that – it tries to be emotionally resonant. That’s a no-no and absolutely took me out of any immersion I had tried to feel.

Honestly, the biggest issue with the movie is how unappealing the film is. Forget a boring plot. Forget the uninspired songs. Forget the fact that most of the movie feels like an exposition reel through song. Hell, you could forget about all of that if the movie was at least fun. But it isn’t fun. It’s hollow and feels like a quick cash grab. The characters are one dimensional and just repeat lines with no personality. No one’s motivation is explored. The CGI looks unfinished and terrifying at the same time. Some of the characters literally look like humans with “cat” like additions which feels at odd with other characters and makes the shoddy CGI more apparent. The characters are also all strangely sexual. Parents please don’t take your kids. The way the cats licked the milk, flicked their tails, and stretched themselves had me cringing not only in embarrassment but also sheer dread at how horny the whole thing felt like. I guess maybe if you’re a furry you could get something from these moments- but that’s a pretty niche market group.

REPORT CARD

TLDRCats broke me. I used to say “no movie is that bad.” But no – some are. You can’t find something great in every piece of media.If you’re a furry maybe you might like it if you can ignore all the awful portions. If you take a shot every time there’s an awful cat pun or a strange sexual moment you might find something fun – but I can’t guarantee anything. Honestly – there’s not a lot here and I’d recommend staying away unless you really like bad movies. At the very least the movie might make influence the zeitgeist so that a future Cats like movie is never created again.
Rating1.8/10
GradeF

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Review: Solo

Director(s)Ron Howard
Principal CastAlden Ehrenreich as Han Solo
Woody Harrelson as Tobias
Emilia Clarke as Qi’ra
Donal Glover as Lando
Phoebe Waller-Bridge as L3-37
Joonas Suotamo as Chewbacca
Release Date2018
Language(s)English
Running Time135 minutes

I saved this review till the end for my Star Wars movie journey for a reason – if Episode IX wasn’t what I wanted it to be I wanted to leave my reviews off on a good note- the franchise has meant a lot to me in the short time since I’ve started binge consuming it and I want the love to show. When I first watched Solo, I had a surprisingly fun time. I say surprising because so many of my friends said the movie was a dud. Box office sales and the internet told me it was a disappointment. Thankfully, I saw the film from a different point of view and was exuberant about the whole package. The movie is packed with passion, humor, fun action scenes, gorgeous visuals, memorable characters, and is a movie Star Wars fans and movie fans alike can enjoy.

First off let me say – if I had gone in and saw this movie with no understanding of Star Wars I still would have liked it. That’s not to say it’s bland or unremarkable in any way – it’s definitely a Star Wars movie. What I mean to say is the movie never really relies on having to know or be familiar with anything. Everything obviously becomes more interesting and fan-servicy in great ways if you’ve watched the other movies in the saga, so I felt doubly intrigued by the way everything unfolded. The story expands the lore of the characters we know and love without ever sacrificing the integrity of future moments. It’s meaningful past retconning – it only serves to make moments and ideas in other movies more resonant. There are also cute additions to the lore of the galaxy so that the rise of the Empire feels more grounded.

The acting and characterization of the major (and even minor) players serves to make the narrative more appealing and memorable. In particular, I loved Alden Ehrenreich’s portrayal of Han Solo. He’s more hopeful and optimistic – with outlines of the rogue we got to know in Episode IV. He doesn’t try and act like Harrison Ford, which I love – no actor can ever really copy another so trying to give life to the character is more important. In this case, I completely believed in him as Han, and as someone who didn’t love the character as much as other fans (namely because of his depiction in Episode VI) , I can say without a doubt this movie made me appreciate him more. Alongside Ehrenreich, we have great performances from both Emilia Clarke as Qi’ra and Woody Harrelson as Beckett. The latter came off as an alternative timeline Han and serves as as a great foil to the title character. The former is phenomenal at playing his childhood friend/love interest and brings out a new dynamic I didn’t expect to see. Donald Glover is likable as Lando and feels and acts like how I imagine a younger Lando would act. The biggest surprise of the movie is Chewbacca . He gets a real sense of agency in this movie and I feel like I finally got a chance to know him in a meaningful way as opposed to the hairy sidekick. Watching all the pieces come together, play out, and evolve is a treat.

The plot plays out without a lot of surprises, but the few that do come up are amazing. I won’t spoil them, but I do genuinely want to know how Disney plans on following some of the threads from this film. There’s a lot of potentially cool situations that could play out. While the film mostly plays it safe, the execution of a ton of scenes are top notch. the score is absolutely phenomenal. I mean like- wow – I did not expect it to be this amazing in a spin-off movie. John Powell has done an amazing job and making compelling and epic sounding pieces. If you haven’t seen the movie at least listen to some of the music. This section of “Marauders Arrive” should be enough to convince you. Add onto this the amazing action scenes, gorgeous visual effects, and sharp hitting humor (for the most part) and you’ve got a fun, enjoyable romp to a series of interesting locale.

The production issues become slightly apparent near the end of the film . Lord and Miller are hilarious and I wanted to see how they’d play around with the humor revolving L3-37. I enjoyed the character and thought she could’ve been used more effectively. Some of the fan service also becomes a bit egregious (never awful but we could’ve done without parts of it). Ron Howard did a great job with the position he was put in and definitely helped preserve a lot of decent moments. There are some strange plot points in the third act that I wish were more fleshed out. But all in all , I thoroughly enjoyed the movie and hope that unanswered threads in this movie get resolved in a satisfying media release in the future.

REPORT CARD

TLDRSolo is a fun movie that adds a lot to the backstory of characters we know and appreciate. I for one, think I’ll enjoy Episodes IV and V more on the re-watch given the way Lando , Han, and Chewie get fleshed out. There are some missed opportunities, slight pacing issues, and a bit of overindulgence in fan service but it never takes away from the fun time at hand.I think this is a movie any Star Wars fan can enjoy. There’s something in here for everybody and the story only plays on the elements we all love. The best part? You can show the movie in group settings with people unfamiliar with the setting and they’d still have a good time.
Rating8.7/10
GradeB+

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Review: Black Christmas (2019)

Director(s)Sophia Takal
Principal CastImogen Poots as Riley
Aleyse Shannon as Kris
Lily Donoghue as Marty
Cary Elwes as Professor Gelson
Release Date2019
Language(s)English
Running Time 92 minutes

(NOTE: When I first wrote this review I had not seen either of the previous Black Christmas movies. As of the most recent edit I have)

Earlier this October, I ended up watching Green Room for my horror movie marathon . I loved Imogen Poots performance in the movie (it stood out to me), so when I saw that she was going to lead a fun looking slasher flick, I had to go ahead and watch it When the movie started I was enthusiastic and don’t get me wrong- I liked a lot of moments. However, I was left disappointed by the ending and the abundance of missed opportunities. This movie had real potential and squanders it by throwing nuance and subtlety out of the window in favor of an absurd resolution that actively hurts the movies themes and renders character arcs dissatisfying.

Poots plays Riley, a sorority member who’s recovering from an assault she experienced on campus. The film is incredibly topical and deals with a lot of issues regarding rape culture and the treatment of assault on campuses. The look into sorority life and mixed feelings about what sisterhood entails are interesting and well established at the beginning of the film. Does commitment to the cause require sharing stories against survivors wills? Poots is great and portrays the struggle she faces with a genuine sincerity that makes rooting for Riley natural. Cary Elwes is hilarious in his campy over the top role as Professor Gelson, a chauvinistic professor who’s a bit too partial to his former frat house. His introduction is great ( in an awful kind of way) and I liked it. He’s also the only redeemable part about the third act so credit is due.

Early kills are also shot well. Yes, they’re obvious and the set up doesn’t feel unique or awe inspiring, but they’re well executed. The first death in the movie set my expectations with how nice it was in both the manner of kill and its aesthetic presentation in the snow. The deaths that follow never reach the same highs in style or impact. That’s pretty bad because we never get to know or learn anything about this character which means a nameless characters death is better executed and has more of an impact than characters we actually get to spend time with.

Early on the film does a great job of establishing the real fear women face everyday. The fear of walking down a street with an innocuous fellow coming down behind you. Even if he’s just out and about and doesn’t mean anything, there’s a palpable fear about the “what if”. Moments like this are littered in the first two acts of the movie and present a horror story grounded in a real kind of feminist critique. The horror is predicated off the power structure that normalizes violence by creating conditions that help men more than women.

Unfortunately, all this subtlety is thrown away by the third act and the interesting themes about empowerment vs martyrdom vs autonomy get completely sidelined for a “hurr durr man is evil” ending. It’s disappointing because it feels like the movie wants to be and feel “woke” in the most neoliberal way, so it sacrifices nuance to just preach common and boring tropes. “Raping women is bad” should not be the benchmark movies aspire to be progressive or meaningful. “All men are bad” likewise doesn’t do anything for the issue except bog it down in muck and make explicit decisions in regards to rape culture impossible to pinpoint. Things like culpability, susceptibility to culture, and the invisible pervasive of power systems feel like jokes by the end of the run-time. Rape culture is a topic that requires nuance and subtlety – something I thought the beginning of the movie hinted at, but I was woefully off. To say I was sad with how everything ended is an understatement. This movie isn’t just a disappointment. It’s a genuine travesty and feels like an insult to feminist theory and praxis.

This would at least be tolerable if the violence or carnage was fun but as I’ve already indicated neither of those targets hit the mark either. In fact, the third act is marred by horrendous cuts, shaky camera, and a genuine want to cover up the action as opposed to displaying it. As a result, any feeling of goodwill vanishes by the end of the third act. Somehow the movie thematically fumbles the ball undoing all the little work it did near the beginning and visually fumbles by not playing up the kills or having nice action set pieces. To come from the original Black Christmas to this feels like a huge step down and a disservice to the amazing social commentary that movie manged to present in the 70’s. Hell, even the 2006 remake of the movie is fun to watch because of how mean spirited and dark its willing to get. This most recent remake can’t even do that. It genuinely feels like a chore to get through and is not a movie I’ll be revising any time soon.

REPORT CARD

TLDRBlack Christmas is bag of missed opportunities that ends up a lot more disappointing than expected. You’d think the story of a victim-turned-survivor fighting for her life against a deranged killer would take more advantage of the #metoo movement, but instead it botches any attempts at depth for contrived story moments. There are some nuanced moments that show promise but they’re never developed in meaningful ways. Is it the worst movie ever? No. Does it deserve the hate it gets? No. Is it a movie that undermines itself and pale in comparison to its predecessors? Yes. Save yourself the time and just watch the original.
Rating3.6/10
GradeF

Review: The Cheetah Girls

Director(s)Oz Scott
Principal CastRaven-Symoné as Galleria
Adrienne Bailon as Chanel
Kiely Williams as Aqua
Sabrina Bryan as Do
Release Date2003
Language(s)English
Running Time93 minutes

Oh Disney Plus, you nostalgia machine. I only bought the service because of Star Wars – baby Yoda was too cute to resist and since I started the journey in November, I’ve been swept up in Star Wars fever. Buying Disney Plus felt like a must the moment I started The Clone Wars (2008) ( look forward to a review of the first six seasons soon). Thankfully, along with the Star Wars goodness, the service is filled with movies I remember watching by myself or with my sister when we were much younger- good old nostalgic times. When I saw The Cheetah Girls pop up while scrolling, I knew I had to watch it – it was one of my favorite Disney-to-TV movies and I wanted to see how much I would like it over a decade later . Even now, this movie entertains. It has great bops, some cute moments, and an utterly ridiculous plot that’ll have you laughing with friends. This is by no means a good movie- but it is a fun one.

The plot follows the titular Cheetah Girls- a group of four high school kids trying to make it big as musicians while living their own Cheetah Way. Raven plays Galleria, the self appointed leader of the group. Chanel, Aqua , and Dorinda fill out the group, each bringing and adding a different element to the musical group. Acting between the girls feels odd at times (though mostly fine) and makes the relationship feel out of place. This impacts tense moments and undercuts a lot of the potential emotional moments. There are still some heartwarming moments but their overall impact falls short of where they could be. One thing I did appreciate about the film was that every girl (sans Aqua) gets a real moment of growth or emotion that feels semi-earned. In a movie as chaotic as this- that’s a huge deal. I wish it was just more applied and followed through on.

The best part of the movie is obviously the songs. As my sister reminded me, “Cinderella” is a bop and I wholeheartedly agree. It’s surprising how catchy some of these songs still are. The over the top elements add to the corny fun of the whole thing, so I was genuinely enthralled by the experience. The only issue is how poorly edited the music videos are. The camera never properly focuses and jumps a lot. Thankfully, these issues don’t plague the final number too much but it really took me out of the earlier two songs.

What the movie lacks in subtlety it makes up in sheer absurdity. Things in the movie just happen out of nowhere and it proceeds at a breakneck pace. In particular, the third act is just a series of events that are more and more ridiculous. I couldn’t stop laughing at how everyone came together. Granted, the last song and the number are great but it literally makes the whole movie feel like some strange joke. It’s a great, entertaining joke to be sure. It’s hilariously bad in the best way.

There’s some decent buildup for some of the characters but the overarching story of the whole group feels haphazard and out of place. The film doesn’t do a great job at establishing why the girls are together or why they care so much about each other outside of just exhibiting cheetah-ness??I think? So when conflict comes up, it’s hard to understand how the dynamic should be playing out besides the basic way the movie presents itself in. Add on to this to the heavy handedness of certain character traits and absurd resolution of the groups tensions and you have a strangely unsatisfying story that’s fun enough to sit through.

REPORT CARD

TLDRThe Cheetah Girls is a fun ridiculous time. The music is fun, the energy is great, and there’s more than one moment of pure comedic absurdity. If you liked the movie growing up chances are it’s infectious energy will get to you even now, even if you cringe at the plot.
Rating5.7/10
GradeF

Go to Page 2 to view this review’s progress report .