Category Archives: Science Fiction

Review: Annihilation

Director(s)Alex Garland
Principal CastNatalie Portman as Lena
Oscar Isaac as Kane
Jennifer Jason Leigh as Dr. Ventress
Release Date2018
Language(s)English
Running Time 115 minutes

If you haven’t already seen this movie, avoid the trailer because it spoils so much of the movie that I don’t understand why or how it was released.Now that I got that out of the way, Annihilation is one of the most ambitious science fiction movies I’ve seen in recent memory. The story follows a group of 5 scientists as they’re tasked with entering a zone enveloped by an alien aura known as “The Shimmer”.

This movie is a big discussion on creativity and its relation to the death drive. The Shimmer is filled with mutations that are either beautiful, horrifying, or some mixture of both. These creatures are not only meant to be horrifying, but are also used to provoke discussion on the nature of the alien substance. There are answers to its nature (the movie is fairly up-front about it), but the end of the movie is open enough to allow discourse on the meaning of it all. It’s a great movie to watch with friends and talk about afterwards because the movie does a great job of balancing giving direct answers and hinting at answers with multiple meanings. You could watch the movie straight up as a horror sci-fi movie with crazy sequences , but that would be a disservice to the layers going on. I’m not going to pretend to act like I got all of this on my first view. Honestly, the first time I saw this movie I really disliked a subplot focused on Lena, our protagonist. But on later viewings, I came to appreciate how it added to multiple themes in the movie. I still think it could’ve been done better, but I appreciate the reasoning behind it. Big Lovecraftian energy.

For those of you who are looking more for the sci-fi or the horror in the movie, don’t worry. The movie has them in spades. The movie might start off slow for some. There’s a lot of character work done (mainly exposition and introduction) here that pays off later, so I think it’s worth it, but I can see how it can feel grating. Thankfully, the movie soon transitions into “The Shimmer” and everything goes off the wheels. The visuals are jaw-dropping and watching the alien substance interact with everything is something you can’t stop looking at. Not to mention, the movie has one of the scariest creature moments in recent memory. It really stays with you. Once the 3rd act is underway, everything gets amped up another notch. The story and its themes come together in an audio-visual experience that’s wholly unique. In fact, the climax of this movie is a moment that’s stuck with me from the moment I watched it. It feels like a vision fully realized from the visual effects, to the art design, to the way that dialogue gives way to otherworldly tunes.

Every scientist feels developed and the audience gets a good insight into each of their personalities (even if some of that is done via the characters analyzing each other)They’re all good enough for the story and I could remember bits and pieces of them after I had first seen the movie. The cool thing about them is how the movie uses them all as foils to Lena which not only makes her decisions more interesting, but also nicely develops the themes.

The only issues with the film are some strange narrative choices. There’s a really odd framing device that’s used to explain a lot of the narrative. It feels almost like someone didn’t trust the audience to put the pieces together (which is false), so a lot of the movie comes to a painful standstill so that Lena can explain what we just saw to a room of people. It makes the movie feel bloated and I really wish it wasn’t there at all. The ending also feels odd – like it was tacked on to please audiences (which based on what I’ve read about production seems true). I don’t dislike it now, but I remember really thinking it was wonky on my first viewing.

REPORT CARD

TLDRAnnihilation is a thought provoking look into humanity’s destructive and creativive capacities. The eye popping visuals are there to augment, not distract, from the cerebral sci -fi mystery. There are some story issues that make pacing a bit wonky, and the story takes a bit to start up, but once it does you’re in for something that can’t really be explained.
Rating9.6/10
GradeA+

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Review: Tag

Director(s)Sion Sono
Principal CastReina Triendl as Mitsuko
Yuki Sakurai as Aki
Release Date2015
Language(s)Japanese
Running Time 85 minutes

One day while randomly browsing YouTube, I found an raw trailer for this movie and was left in shock. It looked cutesy but then devolved into seemingly disparate situations of violence. I knew that I had to see what it was all about, so I waited till it came out with subs and proceeded to experience an audiovisual piece the likes of which I’ve never seen before.

The story picks up on Mitsuko, a shy high-schooler who’s busy writing poetry as she and her classmates head off on a trip. However, soon after this start, a gust of wind comes through and kills everyone on the bus besides Mitsuko. Streams of blood and guts envelop the screen and Mitsuko is forced to run away from the wind to survive.

What follows is a story that never lets up with WTF moments and sequences. Every time I thought I had a grasp on what the movie was, it went in a completely different direction, each as violent as the one preceding it. If you’re someone who likes having answers immediately, then this movie is going to get under your skin. Answers only come near the end of the third act and they’re still ambiguous at that. It’s a movie that assaults the senses with gore and absurdity while dragging the audience at breakneck speeds through a story that seemingly makes no sense. However, once things start clicking, the movie becomes something else entirely. I was floored with everything I had seen. The movie takes a lot of risks and I thought they more than payed off by the end.

Without getting into spoilers, I can say the movie’s analysis of agency is interesting and provocative. Just like Mitsuko, the audience never has a stable foundation to begin to determine what is and isn’t real. That’s because those perceptions are conditioned not only by our perspectives of ourselves but by the perspectives of those who control the levers of society. If we’re taught that certain protocol is the only way forward, then it becomes easy to see how true freedom can become hidden away. Sono takes this idea and then wonderfully infuses both a queer and feminist subtext into it, giving the idea a sense of nuance that most movies can only dream of. Multiple people can watch this movie and all of them can come away with different interpretations (outside of the blatant message of the movie). Even now the ending gets to me and makes me really think both of the meaning of the story and the way I contribute to a society that strips people of agency.

Now for my more squeamish readers, you might want to watch this one with a friend who can let you know when the gory stuff is over. The movie is filled with splatters and grotesque murders. The first time I watched it, I had to look away a few times because of how visceral the experience would get. I think it gives the movie a really distinctive feel, but I can see how it could turn people away.

REPORT CARD

TLDRTag is a movie that deserves to get seen by more people. It’s a masterclass in storytelling and has one of the most unique plots I’ve seen in a story. The way the mystery builds and resolves itself is shocking and thought provoking. If you like gore or art-house movies, you owe it to yourself to watch this.
Rating9.8/10
Grade A+

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Review: Underwater

Director(s)William Eubank
Principal CastKristen Stewart as Norah Price
Vincent Cassel as Captain Lucien
T.J. Miller as Paul
Jessica Henwick as Emily
Release Date2020
Language(s)English
Running Time 95 minutes

After the disappointment that was The Grudge, I wasn’t that excited to see another January horror movie. So I set my expectations to 0 and went into Underwater with an open mind.I’m really glad I did, because the movie is a hell of a lot of fun. Yes, it’s an Alien derivative that doesn’t push the monster survival genre in any unique ways, but that doesn’t mean it’s not a fun time.

The movie is paced phenomenally. It doesn’t bloat the run time with a bunch of useless information or tired sequences – instead, it starts off with immediate action. Norah, a mechanical engineer aboard a corporate underwater drill, has to act fast when a breach in her station threatens to flood and destroy everything. Her and a few survivors have to band together and find a way to get out of the situation, but unbeknownst to them there’s some beasts lurking in the sea waiting to strike. Once the action starts it rarely lets up and I was surprised at how interesting the movie was. I never felt bored once, which I think is a mark of success for a thriller/horror.

All the members of the crew are adequate. The pacing of the movie gives little time for character development and it definitely feels like some of them are underutilized. This doesn’t mean there’s no character work – watching the characters deal with the stress of the situation in different ways definitely keeps the movie feeling fresh. Emily’s constant over-analysis or need to explain versus Paul’s humor add some levity to an otherwise tense and claustrophobic experience.

Performances are decent all around. Stewart does a great job as Norah projecting vulnerability and a resolute bad-assery. She’s the only character with a real arc, and it’s satisfying to watch it play out. Everyone else is just kind of along for the ride, so they don’t really get opportunities to add a lot of their own flair to their characters.

The movie is shot way better than I thought it would be. It’s only shaky when it needs to be which keeps the chaotic moments feeling distinct. There’s a great use of darkness and the movie follows the cardinal rule of not showing the “shark” too early. The creatures are hidden until they need to come out so I always felt tensed when I saw something flicker on the screen. The color palette is also murky and has a submerged feeling to it. Some people might be irritated by that. I personally wish it was used less, but it never felt like an issue.

The only real issue the movie has is a lack of purpose? I put a question mark here because I think the ending hints at a more complex “story” which would resolve this issue, but I can’t know until a sequel comes out. This is written with that in mind. Even though the movie is shot and executed well, outside of some awesome moments in the third act, there’s nothing really here that’s unique. It’s not bad- but if you want to see something that completely re-invents the Alien style of movie, you won’t find it here. Instead, you’ll find a competent thriller that’s action packed from beginning to end.

REPORT CARD

TLDRUnderwater is a tense,claustrophobic, and exciting from start to finish. It may not reinvent the wheel, but it’s a well executed thriller with some incredible moments in the third act. If you like Alien derivates or underwater thrillers, you should check it out!
Rating7.5/10
GradeC+

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Review: Happy Death Day 2U

Director(s)Christopher Landon
Principal CastJessica Rothe as Tree
Israel Broussard as Carter
Phi Vu as Ryan
Release Date 2019
Language(s)English
Running Time100 minutes

I was so happy when I saw that Happy Death Day was getting a sequel. I actually went to this movie on opening week and remember leaving the theater feeling immensely satisfied. After watching it again recently, I’ve come to understand why. It’s like every problem I had with the first movie has been resolved in this one. The movie makes the brave decision to ACTUALLY expand on the ideas (if only all sequels could do this) which help it carve out an interesting little niche.

The movie picks up immediately after the first one and it’s revealed that the cause of all the time loops is Ryan’s science invention. After a series of mishaps, Tree ends up sent to a parallel dimension and is forced to find a way to escape the baby faced killer again. The sci-fi addition to the franchise gives it some much needed personality and makes the gimmick something more interesting. The way the characters end up reacting to the new knowledge gives us a ton of fun creative scenes that really push the black comedy aspect.

Characters from the past movie get more to do in this one. Because it’s a new universe, everyone shows a different side of themselves which gives Tree a lot of room to navigate and form new opinions. It makes people from the first movie feel more layered and is a fun play on the butterfly effect. It also gives the movie a more poignant emotional core that really made me feel for Tree. Speaking of Tree, Jessica Rothe kills it again in her performance. She’s given more room to have fun in this one and she takes a lot of pleasure in it.

Unfortunately, the one area the movie didn’t really improve on is the horror element of everything. The killer and their motivation in the first movie was pretty whack so I was curious to see how it would play it out in this one, and while it’s believable to an extent, it also feels kind of out there.

The pacing of the movie also feels off- there’s one moment in the third act where it feels like the movie has a natural ending, but then it keeps on going. It’s not that the extension feels bad. In fact, what happens makes a lot of sense- but it feels like it’s missing the polish the rest of the movie had. Maybe a subplot should have been removed and some events should have happened in a different order. I don’t know. It’s just a weird anomaly. The end credit scene does give me hope that the third movie (Please come out) does some crazy stuff, so here’s to that.

REPORT CARD

TLDRHappy Death Day 2U takes everything that was good from the first movie and amps it up. There’s a more interesting story, better character building, and even more fun levels of absurdity. The movie is more science fiction that it is horror, so if you’re expecting focused slasher you may want to look elsewhere.
Rating8.4/10
Grade B

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Review: Solo

Director(s)Ron Howard
Principal CastAlden Ehrenreich as Han Solo
Woody Harrelson as Tobias
Emilia Clarke as Qi’ra
Donal Glover as Lando
Phoebe Waller-Bridge as L3-37
Joonas Suotamo as Chewbacca
Release Date2018
Language(s)English
Running Time135 minutes

I saved this review till the end for my Star Wars movie journey for a reason – if Episode IX wasn’t what I wanted it to be I wanted to leave my reviews off on a good note- the franchise has meant a lot to me in the short time since I’ve started binge consuming it and I want the love to show. When I first watched Solo, I had a surprisingly fun time. I say surprising because so many of my friends said the movie was a dud. Box office sales and the internet told me it was a disappointment. Thankfully, I saw the film from a different point of view and was exuberant about the whole package. The movie is packed with passion, humor, fun action scenes, gorgeous visuals, memorable characters, and is a movie Star Wars fans and movie fans alike can enjoy.

First off let me say – if I had gone in and saw this movie with no understanding of Star Wars I still would have liked it. That’s not to say it’s bland or unremarkable in any way – it’s definitely a Star Wars movie. What I mean to say is the movie never really relies on having to know or be familiar with anything. Everything obviously becomes more interesting and fan-servicy in great ways if you’ve watched the other movies in the saga, so I felt doubly intrigued by the way everything unfolded. The story expands the lore of the characters we know and love without ever sacrificing the integrity of future moments. It’s meaningful past retconning – it only serves to make moments and ideas in other movies more resonant. There are also cute additions to the lore of the galaxy so that the rise of the Empire feels more grounded.

The acting and characterization of the major (and even minor) players serves to make the narrative more appealing and memorable. In particular, I loved Alden Ehrenreich’s portrayal of Han Solo. He’s more hopeful and optimistic – with outlines of the rogue we got to know in Episode IV. He doesn’t try and act like Harrison Ford, which I love – no actor can ever really copy another so trying to give life to the character is more important. In this case, I completely believed in him as Han, and as someone who didn’t love the character as much as other fans (namely because of his depiction in Episode VI) , I can say without a doubt this movie made me appreciate him more. Alongside Ehrenreich, we have great performances from both Emilia Clarke as Qi’ra and Woody Harrelson as Beckett. The latter came off as an alternative timeline Han and serves as as a great foil to the title character. The former is phenomenal at playing his childhood friend/love interest and brings out a new dynamic I didn’t expect to see. Donald Glover is likable as Lando and feels and acts like how I imagine a younger Lando would act. The biggest surprise of the movie is Chewbacca . He gets a real sense of agency in this movie and I feel like I finally got a chance to know him in a meaningful way as opposed to the hairy sidekick. Watching all the pieces come together, play out, and evolve is a treat.

The plot plays out without a lot of surprises, but the few that do come up are amazing. I won’t spoil them, but I do genuinely want to know how Disney plans on following some of the threads from this film. There’s a lot of potentially cool situations that could play out. While the film mostly plays it safe, the execution of a ton of scenes are top notch. the score is absolutely phenomenal. I mean like- wow – I did not expect it to be this amazing in a spin-off movie. John Powell has done an amazing job and making compelling and epic sounding pieces. If you haven’t seen the movie at least listen to some of the music. This section of “Marauders Arrive” should be enough to convince you. Add onto this the amazing action scenes, gorgeous visual effects, and sharp hitting humor (for the most part) and you’ve got a fun, enjoyable romp to a series of interesting locale.

The production issues become slightly apparent near the end of the film . Lord and Miller are hilarious and I wanted to see how they’d play around with the humor revolving L3-37. I enjoyed the character and thought she could’ve been used more effectively. Some of the fan service also becomes a bit egregious (never awful but we could’ve done without parts of it). Ron Howard did a great job with the position he was put in and definitely helped preserve a lot of decent moments. There are some strange plot points in the third act that I wish were more fleshed out. But all in all , I thoroughly enjoyed the movie and hope that unanswered threads in this movie get resolved in a satisfying media release in the future.

REPORT CARD

TLDRSolo is a fun movie that adds a lot to the backstory of characters we know and appreciate. I for one, think I’ll enjoy Episodes IV and V more on the re-watch given the way Lando , Han, and Chewie get fleshed out. There are some missed opportunities, slight pacing issues, and a bit of overindulgence in fan service but it never takes away from the fun time at hand.I think this is a movie any Star Wars fan can enjoy. There’s something in here for everybody and the story only plays on the elements we all love. The best part? You can show the movie in group settings with people unfamiliar with the setting and they’d still have a good time.
Rating8.7/10
GradeB+

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Review: Star Wars:Episode IX- The Rise Of Skywalker

Director(s)J. J. Abrams
Principal CastDaisy Ridley as Rey
Adam Driver as Ben/Kylo Ren
John Boyega as Finn
Oscar Isaac as Poe
Anthony Daniels as C-3PO
Carrie Fisher as Leia
Mark Hamil as Luke
Ian McDiarmid as Palpatine
Billy Dee Williams as Lando
Release Date2019
Language(s)English
Running Time142 minutes

NOTE – Like all reviews I do this – this is spoiler free, but given how big the movie is, I felt like mentioning it again.

So for those of you who have been following my Star Wars journey so far, you must’ve noticed that I was really loving a lot of the movies. Much to the surprise of a lot of my friends, I was actually a really big fan of The Last Jedi, and eagerly awaited Episode IX – honestly excited to see how J.J. Abrams would take and conclude the different thematic threads and character arcs. Unfortunately, I was left far from impressed. Despite being gorgeous to watch and having more than a few amazing iconic scenes, The Rise of Skywalker, feels hollow and emotionally vacant. That’s not to say I didn’t enjoy the movie – I’ll certainly go watch it again – but it was disappointing to say the least.

I have a lot I don’t like so I’m going to start with some positives – because there are quite a few and I don’t want them to get overshadowed. John William’s delivers some of my favorite renditions of tracks in this film. If I didn’t have Spotify, I’d be inclined to buy the score. In particular, “The Old Death Star”, sent chills down my spine as soon as it started playing. The echoes of Vader’s “Imperial March” feel even more captivating and alluring here. The film is also visually stunning. There were multiple moments that had me giddy with excitement and getting to see the absolute vastness of the Force was a joy to behold. The power of the characters felt palpable (pun intended) and I genuinely appreciated how badass space wizards could actually be. Great set design helped heighten battles and made them feel that much more metaphysical and grandiose. I had goosebumps more than one time and know that the spectacle is going to delight more than a fair share of people. If you like space ship fights, this movie has some jaw dropping ones in terms of scale and design. There are multiple shots in this movie that you could print out and frame and subsequently get lost looking at.

Even when I wasn’t invested in the plot and felt betrayed by how the story unraveled – I was always at least partially invested because character moments felt genuine. Adam Driver has been my favorite part of the Sequel Trilogy and I’d watch this movie again just to see his portrayal of Kylo. It’s astounding just how many different emotions he can put on display – and his constant journey and inner struggle between the light and the dark felt real and emotionally resonant. Every time he was on the screen I cared. It probably helps that his character arc is the only one I genuinely enjoyed – so kudos for that. Daisy Ridley is phenomenal as Rey and makes the new Jedi’s inner conflict feel as justified as the plot will let it. Even though I really didn’t like the way the story took her arc, I appreciated passion and effort put in to make it believable. My review would be remiss if I didn’t mention just how much I loved the inclusion of older cast members. Billy Dee Williams is infectious as Lando and constantly had me smiling when he showed up. Ian McDiarmid’s is over the top, campy, and perfectly evil as always. Palpatine still oozes with the same familiar dark charisma and the inclusion of of some fan favorite dialogue made his scenes that much more enjoyable. Who doesn’t love the Emperor, am I right?

Plot wise – the story picks up well after the Battle of Crait. Palpatine is back , Kylo is attempting to shore up his control of the First Order and the galaxy as a whole, and Rey is off training. From the first scene – the movie feels rushed and constantly jumps all over the place. This is especially noticeable in the first half of the movie – but pacing is whack. It’s almost like a four hour movie was packed into the 2 and a half hour run time. We constantly travel from planet to planet – from one chase scene to another brush with danger. While it all looks visually stunning, there’s an noticeable lack of tension because there’s never enough time to really get settled in or invested in what’s going on. Huge emotional moments get undercut as a result which takes a lot of the impact of the movie away. Furthermore, the movie plays out a lot like a video game with a lot of fetch quests., which is a shame, because some of the items the main crew look for seem like they could’ve been more interesting if they were mentioned or alluded to in previous films or developed more in this one. Their inclusions are also made less relevant because each “item” only seems to lead to another so it diminishes their significance.

Most of these plot issues stem from the identity crisis the film seems to have. It simultaneously tries to pick up story threads from The Force Awakens, retcon a lot of the interesting elements from The Last Jedi, and pander to a Star Wars fan base that has made its vocal disdain for the Sequel Trilogy known online. Unfortunately, there’s not nearly enough time to make each of these decisions cohesive – we go from fan service to a serious moment and then back , creating a whiplash in expectation and tone. I’m someone who loves fan service, but it just felt overdone and undeserved in a lot of scenarios and dropped me out of the movie more than once. Based on the exposition thrown at us in the earlier portions of the movie, it’s clear to see that J.J and Rian had different visions for character arcs and how the themes of the Skywalker franchise should be explored. It just made me wish one or the other had made all the films so that we could’ve received a wholly consistent trilogy instead of one that tried to do everything. Maybe that way we wouldn’t have had so many strange character interactions, deus ex machina like moments, strange reversals of previous plot threads, and confusing explanations for previous events.

For me – the biggest disappointment (that I can talk about at least) is how flat the movie feels thematically. A lot of the more interesting and nuanced themes from The Last Jedi, are completely discarded and replaced with generic beats and moments from Return of The Jedi. It makes the movie feel cheap because it doesn’t expand or try to take the story to a new philosophical height. Instead, it seems to revel in pandering to an audience that just wants to see a generic battle of good vs evil – which is fine, if not a little disheartening. Say what you want about the Prequel Trilogy- at least it expanded the philosophical discourse of Star Wars in diverse ways. It stumbled in a lot of ways, but it opened up the venue to a lot of , I was almost certain that the movie would play around with the concepts of fate, destiny, the dark side and the light side and what those ideas really mean but instead it seemed to just want to travel down the well-trodden path from the Original Trilogy. That’s not to say there’s no innovation – there were certainly interesting moments and ideas that made the Force seem more mystical and built on its vague nature. The problem is just those moments are few and far between and often times are underdeveloped or straight up undercut.

REPORT CARD

TLDRThe Rise of Skywalker is a beautiful mess of jumbled ideas and inconsistent thematic threads. While there were a lot of gorgeous shots and character actions I loved, I had my fair share of moments where I felt apathetic to the pretty visuals on the screen. It’s just sad that what could’ve been the best movie in the franchise turned out to be so topsy turvy. If you like Star Wars you owe it to yourself to watch the film. People who loved The Last Jedi might feel let down with the story choices made. However, on the flip side, if you didn’t like the last movie – you might end up liking this even more than me – it’s packed to the brim with fan service and goes over the story beats we all loved from the Original Trilogy. No matter what , you should watch the movie. At the very least it’s a visual and auditory treat.
Rating7.7/10
GradeC+

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Review: Rogue One

Director(s)Gareth Edwards
Principal CastFelicity Jones as Jyn Erso
Diego Luna as Cassian Andor
Donnie Yen as Chirrut
Mads Mikkelsen as Galen Erso
Alan Tudyk as K-2SO
Riz Ahmed as Bodhi
Jiang Wen as Baze
Release Date2016
Language(s)English
Running Time133 minutes

If I’m being completely honest here, after watching the trailer for this movie and hearing the raving reviews from some of my friends, I expected to be blown away by this film. I couldn’t wait to get an insight into the group that retrieved the Death Star’s plans, and I put in my Blu-Ray all amped up to learn more about the backstory of the Rebels. While Gareth Edward’s addition to the Star Wars franchise, Rogue One , certainly looks and sounds amazing it feels woefully inadequate in the character development department.

If you’ve seen A New Hope, you know that a group of rebels sacrificed themselves to retrieve the Death Star schematics. But that casualty never feels like it has any kind of weight to it. A nameless group of rebels and their struggles is hard to relate to. This film was an attempt at making the efforts of those rebels more discernible by chronicling their journey to find the plans. There are names and faces and I appreciated the struggle the rebels had to get to their eventual goal. The movie also answers some serious questions I’ve had since I watched the first movie and makes certain moments from the original trilogy feel more earned.

The film is also genuinely gorgeous when it comes to action. The CGI is jaw dropping and the space battles feel colossal and exciting. There’s a real sense of scale and scope with each explosion and battle that I haven’t felt as strongly before in the franchise. I could actually believe this was an intergalactic struggle because of the sheer explosiveness happening on the screen. AT-AT’s felt comical to me before, but I could feel the terror from them in this film because we get a beautiful shot demonstrating just how massive they are in comparison to ground forces. Explosions are finally given some real justice and I could feel their heat and size through the screen. There were also two amazing action sequences that I couldn’t keep my eyes off of. I won’t spoil them or who’s involved in them- but I do wish we got more of these scenes.

However, in spite of all the great action moments and beautiful set pieces, the movie feels incredibly hollow. This is because none of the characters are fleshed out and as a result there’s no real investment in any of them. I loved Felicity Jones in Like Crazy and The Theory of Everything, so when I learned she was playing the lead, Jyn Erso, I felt a lot more excited. I wanted to get into her story and learn how she eventually came to be the hero we’re told she is. Unfortunately, she never really has a chance because the script never gives any of the characters moments to really interact and flesh themselves out. We get a nice flashback at the beginning of the movie regarding Jyn’s backstory- but instead of developing her response to it and subsequent life , we flash forward 13 years later. There’s no attempt at showing what happened during that time- instead we’re just told of certain events that transpired in between. This problem is emblematic of the films approach to characters. We’re told a lot about them but not shown a lot to develop or verify those statements. It makes growth harder to evaluate and also makes everyone feel bland and out of place. Yes, there are some character building scenes. In particular, Diego Luna gives an impassioned speech as Cassian – but that’s the extent of his character. We never get a chance to delve deeper into the man underneath which means there’s no reason to care about his struggle. All the other characters feel like they get even less time to be explored- which is a shame because some of the characters really cool.

For example, I loved Donnie Yen as Chirrut and Alan Tudyk as K-2SO. The latter is hilarious without ever ruining the serious tone, while the former helps expand and make the Force feel more mystical and realistic at the same time. While their scenes were great, I couldn’t help but wonder how much better the film could have been if they were developed properly. There could have been some real emotional weight to the movie if it just focused on building up the characters and cementing their natures to the audience. This is the biggest problem with the movie and is the reason it felt empty to me by the end. We already know the ultimate fate of the rebels because of Episode IV. As such, death/suffering doesn’t really have an impact- it’s something we know will happen. Given this, the only way to add tension to the movie is to have us care about the characters who will eventually suffer. Because I didn’t, the movie didn’t move me or or make me feel anything about it. I just didn’t care.

REPORT CARD

TLDRRogue One is beautiful to watch and had some amazing action scenes. If you can get past the lack of character development, you’re in for a visual treat.I probably won’t watch this movie again in its entirety but definitely know I’ll be watching some of the action sequences on loop. The movie did make me want to pop in A New Hope afterwards, so I have to give it credit for feeling like it belongs in the actual story-line.
Rating8.3/10
GradeB

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Review: Star Wars:Episode VIII- The Last Jedi

Director(s)Rian Johnson
Principal CastDaisy Ridley as Rey
Adam Driver as Kylo Ren
John Boyega as Finn
Oscar Isaac as Poe
Carrie Fisher as Leia
Mark Hamil as Luke
Kelly Marie Tran as Rose
Laura Dern as Vice Admiral Holdo
Domhnall Gleeson as General Hux
Andy Serkis as Supreme Leader Snoke
Release Date2017
Language(s)English
Running Time152 minutes

Wow. All I can say is wow. I was semi-excited for this movie because of how Episode VII ended and set up respective story threads and character arcs. However, I was also kind of nervous. The last movie, even though I really enjoyed it, felt safe for a lot of the film and I was worried that this film would similarly pull a lot of punches and just be a rehash of Episode V. Thankfully, I was wrong. By the end of this movie, I was more than satisfied with the way previous plot threads were handled and forwarded. Rian Johnson’s The Last Jedi innovates and changes the Star Wars formula in ways that I genuinely enjoyed while retaining the magic that has made me fall in love with the franchise.

The film immediately picks up after the end of the last one which I appreciated. One of my biggest issues with a lot of the Star Wars movies is the time gaps between them. I never have a great grasp of what has changed which makes power differences and character motivations feel unearned. It’s a problem I had with the transition between Episodes V- VI and Episodes II-III (yes I know the Clone Wars exist and I’ll be watching them but the problem is still there and noticeable). Because this film bypasses those issues, I wasn’t left asking why or what happened and could just focus on the subsequent plot and character development.

One glaring issue with the last film, is it’s portrayal of Luke Skywalker. He’s missing from a galactic conflict and unresponsive to the plight of the innocents being destroyed by the First Order. When I saw the opening crawl in Episode VII, I could hardly believe it. Luke was a beacon of optimism in the original trilogy and I genuinely enjoyed the way his character developed from a headstrong, passionate, ready to charge in hero to someone more calm and wise in his solutions to problems. In particular, what stood out to me the most was his hope and control of emotions. He gives in to his rage and fear in Episode VI, but manages to control those impulses in favor of the heroic and ethical approach. That stuck with me. So how could such a hero, who saved the galaxy purely through spirit and resilience be away from the situation at play? That’s the question I couldn’t stop asking during the run time of the last movie. Johnson’s answer and direction for Luke, answers those questions in spades, and genuinely surprised me. There’s a satisfying explanation for his motivations and his withdrawal from the conflict. More importantly, there’s a beautiful discussion about the dangers and merits to legends of heroism. Luke is forced to confront his legendary status and this isn’t something I’ve gotten to experience in heroic movies. Yes – legends are great in how they inspire- but looking at how they can debilitate their sources is something I’ve never really bothered to consider and I enjoyed the way the discourse is presented. Mark Hamill’s performance as Luke is breath-taking and I can’t stop thinking about how amazing he was. He’s grumpy, irritated, distraught, hopeful, lost, wise, and everything in between. He’s asked to do so much by this plot and never fails to deliver. I was completely enamored by his presence on the screen and I think that this movie would be an absolute failure if he couldn’t sell the gravitas of his decisions and subsequent character arc. He makes the movie and gives it the emotional weight necessary to elevate it from good to great. If someone had told me Luke still had a dynamic and emotionally resonant character arc left in him, I wouldn’t have believed them, but that’s what I got in this film.

Luke’s not the only character that gets some love in this movie. Finn, Poe, and Kylo all get development in this movie and I love how their character arcs progressed. Finn’s biggest issue in the last movie is how how much he wants to run away. He’s forced to confront that issue and decide his place in the conflict. His ultimate decision in the third act becomes more meaningful as such. Kylo is still emotionally distraught and watching his inner conflict is satisfying. It’s believable and makes his actions and decisions that much more interesting to follow. Poe’s changes are my favorite by far and I loved watching his journey from a guns-blazing hero to someone more tempered. It reminded me of Luke’s journey from Episode V to VI but felt more developed and earned.

The story also continues a lot of the thematic elements I loved from the prequel trilogy- namely the idea that the Sith is “evil” and the Jedi are “good.” Moral grayness is the name of the game and the film explores this through a variety of different character interactions and plot lines. I loved what I got and wish the film had gone further with its deconstruction of those ideas. The primary theme of the film is failure and how we can learn and develop from it. Characters literally come out and tell the audience as much. It’s not a novel lesson, but it’s not something that’s usually explored as much. I mean, no one really loves to focus on their losses. This movie forces the characters to confront their issues and learn or be eliminated. It’s powerful and the lessons some of the group learn are harsh.

This movie shines as a audio and visual treat. There are some gorgeous action scenes that feel larger than life because of the tension and themes that go behind them. The emotional intensity driving these moments kept me engaged and once the action started in the third act, I couldn’t stop staring at the screen in appreciation of the spectacle I was witnessing. John William’s score in this movie is similarly amazing. I paused more than once to find out the name of a track in the background. If you followed my review of Episode VII, this is one of the elements of the movie that I was somewhat disappointed by, so when I heard the riveting score in this film I was genuinely happy.

I know it seems like I’ve gushed a lot over this movie, but I did have a few issues with it. There’s a subplot in the movie that feels kind of out of place. If you’ve watched the movie and seen other reviews online, you know what plot I’m talking about. While I agree that the sub-plot was long and overdrawn, I don’t think it was useless. I enjoyed the way it played with and subverted our expectations while adding to the political commentary and ideas of a moral gray zone. I do think that the section could have been cut down and thought that it did mess up the pacing of the movie. Better editing could have reduced this effect and helped the scene feel less cumbersome to get through.

I lauded the character growth in this movie, especially in relation to failure and development in response. However, because each character is learning a different lesson, sometimes when those lessons are presented one after another it creates a jarring thematic experience. For example, a character learns about the value of patience and then another character immediately acts haphazardly as a martyr. It makes sense for both characters to do what they do (at least in my opinion), but because both arcs are presented with each other it comes off as a thematic whiplash. There’s also an attempt to shoe-horn another theme in the third act, that I thought felt out of place and less resonant.

Speaking of tonal inconsistency, the movie has a lot of humorous moments that follow serious moments. I didn’t mind this in some sections because the comedic moments never felt too serious. However, there are definitely sections that would have benefited greatly from the exclusion of any humorous moments to really drive home the gravity of what was going on.

REPORT CARD

TLDRI loved The Last Jedi. It has some tonal and plot flaws that could have been solved with better editing, but is by and large entertaining and thought provoking. The way the movie tackles heroism, the dichotomy between the dark side and light side, and the method by which we should treat the past gives Star Wars a cerebral feeling I haven’t felt in a while. Characters old and new are forced to grow and adapt and I’m excited to see where they end up by the end of the story.
Rating9.4/10
GradeA

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Review: Star Wars:Episode VII- The Force Awakens

Director(s)J. J. Abrams
Principal CastDaisy Ridley as Rey
Adam Driver as Kylo Ren
John Boyega as Finn
Oscar Isaac as Poe
Harrison Ford as Han Solo
Carrie Fisher as Leia
Lupita Nyong’o as Maz Kanata
Domhnall Gleeson as General Hux
Andy Serkis as Supreme Leader Snoke
Release Date2015
Language(s)English
Running Time135 minutes

After the way the original and prequel trilogy wrapped up the tragedy of Darth Vader, I was left wondering what kind of story was left to be told in this latest trilogy. How has the political climate changed since the ending of Episode VI? Are my favorite characters still okay? While J. J. Abrams directorial debut in the Star Wars universe draws a heavy amount of plot lines and inspiration from Episode IV, it also manages to inject enough flair, passion, and intrigue to capture the hearts of new fans while giving older fans a fun romp through some familiar ground.

Like I mentioned above , the story follows a lot of the same beats from Episode IV. There’s a rebel force fighting a big fascist authoritarian government. The odds are stacked against them. There’s even a hidden technological McGuffin like before. What makes the story different is how it changes these elements to further the political dialogue the previous trilogies started. The First Order reminded me a lot of a Russia post USSR- trying to achieve the strengths of the Empire it used to be. The rebel force is a proxy group – indirectly supported by a Republic that doesn’t want to get too involved. It’s incredibly fitting with the political climate we’re in right now, and as someone who reads the news a lot, I enjoyed the way the confrontation was handled. For those of you not that interested in the politics, rest assured, it’s not in your face and never impeded on the more entertaining elements of the movie.

Speaking of the entertaining elements – I loved the new characters and how much energy and fun they bring into the franchise. Daisy Ridley is great as Rey and I can’t wait to see how her arc continues. She can portray desperate and sullen just as well as independent and assertive and it all feels authentic. You can feel John Boyega’s energy seep through Finn’s actions and I hope he gets more to do in the next movie. His character introduces some much needed introspection into the horrors of actual war. We see bodies hitting the floor in other movies, but watching his emotional rejection of the violence and his decision to defect is great and I love his arc through the movie. However, my favorite new introduction is Kylo Ren. Adam Driver does a phenomenal job at showing the angst and emotional conflict at the heart of Kylo’s motivations and his actions in the movie definitely help drive those ideas home. The older characters, much to my surprise, don’t feel that prominent in the film. I wish they were more incorporated – but I genuinely enjoyed Harrison Ford’s return as Han. I didn’t really like the character in Episode VI and was really happy that he came off as his older self with some wear and tear. His scenes with Leia also tugged at my heartstrings and I really enjoyed the way their arcs were revealed.

Now let’s get to the less than optimal sections of the movie. While the film is shot beautifully , there’s a certain special quality that I felt was missing. Upon closer inspection, I realized that, though John William’s score is great, it never quite hit the mark in this film. In every other movie in the franchise, I felt something when the music played in the background. There was at least a few moments that I could hum along to and really enjoyed. This movie didn’t really have that- the music is good but not memorable. While that’s normally fine, it’s weird to have that feeling in a Star Wars movie.

I said the movie follows a lot of the same movie beats- and as someone who doesn’t hate the idea of soft reboots – this was fine for me. If you’re not a fan of them, this movie might still have something for you because of the editing. Familiar scenes get a different feeling because of their position in the movie. For example, the Mos Eisley cantina scene from Episode IV features near the beginning of its respective film but the callback to the scene happens more towards the middle of the film. The chronological placements make the scenes dynamic enough because they’re imbued with a different narrative tension and overall feeling. However, in spite of all of this, the movie still feels too safe a lot of the times. I was entertained but left wanting more experimentation with the formula. I understand wanting to get a new generation of fans but at the very least thought there should have been more in the film for older fans to get latched on to.

This brings me to my biggest problem with the movie- the lack of explanation of what happened between the end of Episode VI to the start of this story. Yes, this is a problem I’ve had for other movies, but it feels like a bigger issue in this one. We’re left with a feeling of peace and finality after the end of the original trilogy so the abrupt change back to the “status quo” is jarring. The intro sequence doesn’t do enough to make this transition less jarring, so fans of the older trilogies might feel like the past movies had no “impact” in a traditional sense. Watching the machination of the First Order or having some scenes with Leia and other members of the resistance would have done wonders in connecting the stories to make it feel like a cohesive piece. I know there are books that explain the gap, but I didn’t need books to get into the other movies, so I don’t think their existence absolves this film of its duty to at least present part of that information.

REPORT CARD

TLDRWhile The Force Awakens doesn’t revolutionize the Star Wars movies, it’s a great introduction into the galaxy far far away and I think a lot of people can find a lot of fun moments in it. I wish there was more of an effort to explain the events that culminated into the political quagmire we witness, but I still had a blast in spite of that.This movie is a great soft-reboot that sets up a lot of interesting political and ethical threads that can be explored more in the future films. I’m excited to see what’s coming next.
Rating9.2/10
GradeA

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Review: Star Wars:Episode III – Revenge Of the Sith

Director(s)George Lucas
Principal CastHayden Christensen as Anakin
Natalie Portman as Padme
Ewan McGregor as Obi-Wan Kenobi
Ian McDiarmid as Palpatine
Samuel L. Jackson as Mace Windu
Frank Oz as Yoda
Release Date2005
Language(s)English
Running Time140 minutes

This movie is my favorite Star Wars movie out of the original trilogy and the prequels. Does it have its flaws? Yes. Is it a cinematic masterpiece in the same vein as Episode V: The Empire Strikes Back? No – there are some acting issues, strange lines, and wonky visuals. In spite of that, this is, in my opinion, the best movie. George Lucas’s brilliance and vision for the tragedy of Darth Vader comes to full fruition in this emotionally intense tragedy and it’s genuinely beautiful and devastating.

The plot picks up some time after the end of end of Episode II- Palpatine has been kidnapped by General Grievous and we jump into Anakin and Obi-Wan trying to rescue him. The moment the film starts the action kicks off. We go from a great chase scene, to a frantic air battle involving my favorite little droid, into an series of epic battles. This film redeems the disappointing battles of the last movie and then some. The action is on point and features some of the best moments from the entire franchise. There are FOUR amazing light saber/force fights that are really fun to watch ( even if some of them are shorter than I wanted). I couldn’t believe my mind that we got to see this many duels. Two of these fights are so spectacular that I literally had to pause and go re-watch scenes because of how amazing the choreography and intensity felt. Even R2-D2 gets to fight MULTIPLE TIMES in the film and it shows a real sense of creativity and fun.

Acting in this film is also leaps and bounds better than the previous two installments in the prequel trilogy. Ewan McGregor gives Obi-Wan Kenobi some much needed emotional weight and makes Anakin’s decisions feel that much more painful. Hayden Christensen still has some wonky expressions as Anakin but shines through when it comes at depicting his darker more broken side. Natalie Portman really stepped it up as Padme and gave the pivotal romance between her and Anakin a much needed sense of depth. I could believe in the feelings and intensity between them more so than before and it made the unfolding tragedy that much more meaningful. Ian McDiarmid steals the show everytime he’s on screen as Palpatine and is wonderful to watch. I love how evil he really is and his emotional manipulation skills are on full display here. It’s a masterclass in portraying pure evil and I absolutely adored him.

Presentation also feels a lot nicer in this film. The digital effects are a lot better and don’t feel as dated. There’s a closeup of Grievous that looks absolutely stunning and I kind of want it as a screensaver – the point being that some of the animation looks stunning. It makes the action feel more fluid and hits feel like they have more heft and weight behind them. Lighting, set design, and selection of color palette amplify the epic nature of scenes. The score and mixing also feel on point and help amplify the adrenaline and devastation. The third act and final battle is monumental and feels otherworldly because everything just melds together. There’s so much care put into this film and you can tell how important this climax is.

Anakin’s character arc is satisfyingly concluded and presented . It’s crazy to think about how much heavy lifting the film had to do given the lackluster job the latter two films had done at developing his descent into the dark side. Somehow the movie manages to take those threads, develop them, and be entertaining in its poetic tale. I love that Lucas decided to really embrace doing dark/twisted things in this film. There’s no holding back and when the dominoes start to feel the film feels like a doomsday scenario. There’s a real sense of tragedy and it serves as the emotional weight of the first six episodes. This movie is not only amazing in it’s own right – it retroactively makes the prequels more beautiful because the tragedy of Darth Vader is finally complete. It also makes the original trilogy more believable and emotionally charged because we understand Darth Vader. Certain lines from Episode VI already feel like they hit harder because of how this movie progresses. Somehow managing to make amazing movies even better – I think that’s a feat only a masterclass film can have.

This movie made me cry. There are gut wrenching scenes and the third act just hits you with a slew of them. The implication of certain moments tinges previous events with a feeling of melancholy and tragedy. But the ending is absolutely brilliant and rekindles a sense of hope – leading perfectly back into Episode IV.

REPORT CARD

TLDRRevenge of the Sith was well worth it and proves that George Lucas is a visionary genius. The prequels might have started off rough and had a series of issues, but the end destination made everything worth it. Amazing action, great acting, and a poetic tragedy befitting one of the greatest characters of all time- this film was a home run.Rating this movie was hard for me. There are glaring flaws and I’m aware of them. I just think the movie does so much in spite of that and contains so many phenomenal scenes, moments, and ideas that I can’t help but not mind the issues. For me this movie is everything I wanted and more. It’s a unicorn. If you want to experience the beautiful tale of a tragic anti-hero – you owe it to yourself to watch Star Wars Episodes I – VI. I’m stoked to watch the other movies and get into The Clone Wars.For me this is a personal 10/10.
Rating8.8/10
GradeB+

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