| Director(s) | Shin’ichirô Ueda |
| Principal Cast | Takayuki Hamatsu as Higurashi Mao as Mao Harumi Shuhama as Nao Yuzuki Akiyama as Chinatsu Kazuaki Nagaya as Ko Manabu Hosoi as Hosoda Hiroshi Ichihara as Kasahara |
| Release Date | 2017 |
| Language(s) | Japanese |
| Running Time | 97 minutes |
In a lot of ways, One Cut of the Dead, is like The Cabin in the Woods. It’s a love letter to horror filmmaking and a dissection of of genre clichés masquerading as a horror movie. However unlike it’s western counterpart, this movie focuses more on the beauty of the film making process and its relation to horror as opposed to playing with horror tropes in general. As the title indicates, it’s a zombie movie shot in one uninterrupted cut, a B movie premise that attempts to elevate itself through camerawork and direction. It’s this elaborate display of style and juxtaposition with it’s schlocky content that gives this horror comedy a genuine life of its own.
The movie starts with an obviously fake looking scene, as an idol looking girl, Chinatsu, is attacked by a zombie, played by Ko. From the way she cries to the zombie reaching out to her to the lack of facial change as Ko bites into her, it’s apparent that the movie feels like a farce. Outraged at the lack of genuine emotion, Higurashi, the director stops the scene and verbally eviscerates his actors for being unable to display any real emotion and for actively interfering with his ability to produce the best movie possible. After being pushed aside, he angrily leaves the building the shoot is going on in. As he leaves, Ko goes to comfort Chinatsu and the duo start to talk to another member of the staff, Nao, who attempts to pacify their worries about the director. She even shows off them a new self defense technique she’s been learning – the “Pom” release method – to get the cast and crew back in good spirits.
Meanwhile outside of the building, Katsuhara, one of the cast members, sees an obviously sick looking man, Hosoda, wondering around. He jokes that the latter looks good enough to be a zombie in the movie and offers him a part, until Hosoda throws his body on the unsuspecting crew member and hurls his guts all over him, infecting him with something. Katsuhara’s previously calm demeanor turns deadly serious as he realizes this is happening for real. Just as the trio inside starts to get comfortable and back into their groove, Katsuhara, stumbles into the room with one his arms having been removed, blood dripping down his sleeve. At first the trio thinks of it as a joke, until Ko feels his pulse and realizes he’s dead. Before he can compose his thoughts, Hosoda attempts to break into the building, his eyes bulging out and blood dripping from his face. He attempts to attack the group before pushed aside. It’s at this moment the director comes back in and reveals that he completed a blood ceremony on the rooftop to bring to life some real zombies. His hope being that the injection of a real source of danger will be enough to get some genuine reactions out of his actors. Finally realizing that their director and his camera crew are fully serious on capturing their authentic reactions even at the cost of their safety, the trio reacts accordingly and runs for their life.
The story plays out in a way that’s simultaneously hilarious and disturbing as the cast is constantly put in unpredictable situations to get the best possible shot. The whole time Higurashi runs with his camera, screaming “Action!” at the top of his lungs, completely selling the mad artist angle. Even if it’s not the zombie movie he must have originally envisioned the show must go on and his absolute madness and willingness to change the script for the best result is what makes it so entertaining. It’s a strange artistic phenomena because the B movie suddenly becomes injected with a profound sense of energy. The fake nature of it becomes tinged and then infused with bits of realness as the pre-ordained story gives way to an adaptation in the face of new events. The cast members genuinely transform into aggressive characters bent on surviving the ordeal. Their actor personas are discardedin favor of actual survival skills in the face of the impending zombie apocalpyse. Their real personalities take over the façade they presented up to this point. For example, the playful Nao becomes downright malicious, fully embracing the bloody onslaught. Meanwhile the previously unemotive Chinatsu becomes absolutely terrified, as she’s forced to deal with the off-script shenanigans.
While all the action is unfolding, the camera never breaks from its continuous shot. Even during the strange moments where the crew is unsure of how to react to the idea they’re dealing with real zombies, the camera constantly lingers and keeps what’s important in the frame. As Higurashi chases the crew literally throwing zombies at them, the camera follows the madness at breakneck pace. The movie even reveals the cinematographer/videographer is really part of the story, as their hands come to clean blood off the screen to ensure that the shot is visible.
The idea of the cinematographer running between crew members and zombies is hilarious, but they embrace the director’s frenetic energy and keep the main job in priority- producing a good movie despite the costs. It’s an absolutely mad balancing act that only gets better as the movie goes on and reveals the lengths that every member of the cast goes through to survive the filming ordeal (crew members becoming zombies incapable of following the script tends to cause things to go off the rails).
This is because at the heart of the movie is a discussion about art – the way we think about certain pieces of media being artistic versus others just being entertainment- the line between schlock and arthouse. Every perception is challenged as the fake movie gives way to a real, living assemblage of movie making that demonstrates the power of embracing chaos and adapting to the situation to make something truly staggering. Sure there are a few issues. Are some of the effects corny? Yes. Is the camera movement a bit suspect at times? Yes . Are there awkward pauses between characters as they struggle to deal with the madness they’re forced to endure? Yes. However, in spite of all these issues the movie manages to do what it sets out to do – tell a continuously shot one cut horror story about zombies. The fact that some of the in-camera editing can even happen as briskly as it can is testament to the hard work that goes on to sell the scenes. The fact the camera stays on the action the whole time in spite of the troubles caused by forces outside of the videographers control is testament to their willpower and strength in lugging a camera in tumultuous situations. The fact that the actors can pull out as much emotion as they do when push comes to shove is testament to their malleability in difficult circumstances. Even if the illusion of the story is something that’s hard to believe at times, the dedication to delivering a moving picture is something that leaps off the screen and shows that even cheap gore can be elevated into something to be admired.
If you’re looking for a film that genuinely scares you, this isn’t it. However, if you’re looking for a film that celebrates and demonstrates the power of horror, look no further. From the quirky story to the way characters reveal their real selves as chaos on the set ensues, this is a movie that’s an absolute blast to watch. You may not leave the movie frightened, but you will leave impressed with the power of filmmaking and the trial and tribulations gone through by every member of the cast and crew in delivering a piece that’s truly special.
REPORT CARD
| TLDR | One Cut of the Dead is an innovative and moving love letter to B horror movies that demonstrates just how magical they can really be. From the continuous unbroken take to the layered and complex plot, this is a movie that really demonstrates the trials and tribulations gone through to make a movie, even one where the pacing of the plot and the practical effects aren’t the most lavish. If you’re a horror fan (especially of movies like Evil Dead), give this movie a watch. You won’t regret it. |
| Rating | 10/10 |
| Grade | A+ |
Go to Page 2 for the spoiler discussion (given the nature of the movie there’s quite a lot here).
Go to Page 3 to view this review’s progress report