Halloween 2023: 31 Day Horror Marathon

Welcome to the Critic’s Sanctum’s 5th Annual 31-Day Horror Marathon!

This year’s theme is: debut horror feature films. Every feature selected is it’s director’s debut film and the choices range are split nearly even between seminal classics of the genre and promising modern debuts.

The list is organized by release date to help anyone wanting to join along better appreciate the way the genre develops and builds upon itself.

However, this year’s October brings with it a Friday the 13th. To celebrate the spooky coinciding, I will be revealing a “bonus” film every Friday of this month (6th, 13th, 20th, 27th) that will be in line with the aforementioned theme. Feel free to check back on these dates to see what the respective bonus films are.

The List

DATEFILMDIRECTORYEARTIDBITS
10-1-2023Black SundayMario Bava 1960The film would be worth watching for it’s opening sequence alone. This 230- second chunk is not only the most sustained, immaculate piece of film-making in the work proper but also one of the greatest introductions to a film in the history of the horror genre.
10-2-2023Night of the Living Dead George Romero1968Every time I watch this, I become increasingly astounded by how the limitations and obstacles encountered in the low-budget filmmaking ended up creating a mood and aesthetic and that established an entire-subgenre (zombie). And that’s not even talking about the brilliant social commentary angle introduced via the casting of the lead. Talk about the stars aligning.
10-3-2023The Bird With the Crystal PlumageDario Argento1970Another entry that cemented a (sub)-genre (giallo) [1]Mario Bava technically established the sub-giallo with The Girl Who Knew Too Much and then further refined the formula with Blood and Black Lace, but it is Argento’s entry that took these … Continue reading, Argento’s debut is stylized and hypnotic. It’s no wonder everyone wanted to ape it after its release. Yet few entries have ever managed to touch the heights achieved here.
10-4-2023The Last House on the LeftWes Craven1972Using an early Bergman masterpiece as a starting point for any film, let alone a debut one, seems a foolhardy idea doomed to failure, but Craven’s re-interpretation of Bergman’s The Virgin Spring actually treads new ground and shockingly makes its Swedish progenitor look tame in comparison. There is no reprieve here and the cold-hearted nature of that decision rings is more than makes up for some technical flubs here and there.
10-5-2023EraserheadDavid Lynch1977
10-6-2023HouseNobuhiko Obayashi1977
10-7-2023The Evil DeadSam Raimi1981
10-8-2023HellraiserClive Barker1987
10-9-2023CronosGuillermo del Toro1992
10-10-2023The Blair Witch ProjectDaniel Myrick, Eduardo Sánchez1999
10-11-2023Paranormal Activity Oren Peli2004
10-12-2023Trick R’ TreatMichael Dougherty2007
10-13-2023Lake Mungo Joel Anderson2007
10-14-2023The Strangers Bryan Bertino2008
10-15-2023The Cabin in the WoodsDrew Goddard2011
10-16-2023Absentia Mike Flanagan2011
10-17-2023The BabadookJennifer Kent2014
10-18-2023A Girl Walks Home Alone at Night Ana Lily Amirpour2014
10-19-2023The WitchRobert Eggers2015
10-20-2023The Blackcoat’s Daughter Osgood Perkins2015
10-21-2023The Eyes of My MotherNicolas Pesce20116
10-22-2023Under the ShadowBabak Anvari2016
10-23-2023RawJulia Ducournau2016
10-24-2023Get Out Jordan Peele2017
10-25-2023Tigers Are Not AfraidIssa López2017
10-26-2023One Cut of the DeadShin’ichirō Ueda2017
10-27-2023A Quiet Place John Krasinski2018
10-28-2023Hereditary Ari Aster 2018
10-29-2023Saint MaudRose Glass2019
10-30-2023CensorPrano Bailey-Bond2021
10-31-2023SkinamarinkKyle Edward Ball2022

Bonus Films

DATE FILMDIRECTORTIDBITS
10/6/2023Dementia 13 Francis Ford Coppola
10/13/2023Friday the 13th Part 2Steve Miner
10/20/2023Bone TomahawkS. Craig Zahler
10/27/2023The Empty ManDavid Prior

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