When I walked into the theater for this movie, I expected an average Bollywood action movie. Nothing special, nothing awful- just lots of action, decent songs, and a semi-coherent plot. Thankfully, I was in for a pleasant surprise. Thought Siddharth Anand’s action-thriller, War, doesn’t break the mold or innovate the action story-line we’re all so familiar with, it keeps things interesting enough and I was never bored with what was going on. The plot follows a military agent, Khalid (Tiger Shroff) , desperately trying to catch and understand his supposedly traitorous, former mentor, Kabir (Hrithik Roshan).
The acting between the two leads is stellar. They play naturally off each other. Though they initially start the film antagonistically, they eventually warm up to each other and it feels a lot like a “bromance.” The body and facial language really sell and underscore how important the two characters are to each other which made me actually care for their respective well-beings. Tiger Shroff in particular really shines and comes through in a lot of different situations. His character “arc” is really well demonstrated.
Fight choreography in this movie is amazing. The camera is constantly following the action, which makes every impact feel more dynamic. We constantly follow the fights as they move through the environment and set pieces are constantly involved. In particular, observational awareness is highlighted a lot in fights and make some of the battles feel really tactical. It definitely made the “cool” factor more prominent. On top of this, the hand-to-hand combat is crisp and precise. It’s not John Wick level, but it’s definitely better than something you’d see in an average movie. Every punch and kick feels like it has an impact, even if characters get up despite the pummeling they receive. Dance choreography was also energetic and crisp. It made watching the songs more fun, even if I didn’t care much for the songs themselves.
The problems with the movie are standard. The plot is fairly generic. A lot of twists can be seen if you’re familiar with the action genre even a moderate amount. As such, if you’re looking for huge innovation, you might be disappointed. Some of the twists are heavy handed which hurts the replay value of the movie.
Finally, the movie uses a series of shots that just caused me to feel disoriented or out of place with the movie. There are a lot of circular shots where the camera keeps going in a circle. It doesn’t really add a lot to the mood or the plot when used and just feels out of place. There’s also an excessive amount of slow-motion shots. It’s used well sometimes, but overuse makes it feel more boring as the movie went on.
TLDR:War is a fun action movie with great fight scenes and phenomenal chemistry between its leads. The plot feels fairly generic, but it never once feels boring
Final Rating: 7.3/10. If you like cool choreography, like action, or enjoy good bromances check out this movie.
Updated on 2/2/2020 Go to page 3 for my initial review/thoughts. Go to page 4 for my initial spoiler thoughts.
Kristen Connolly as Dana Fran Kranz as Marty Chris Hemsworth as Curt Anna Hutchinson as Jules Jesse Williams as Holden Richard Jenkins as Gary Bradley Whitford as Steve
Since I was re-watching my favorite horror movies for my best horror movies of the past decade list (to be released soon) , I decided to watch Cabin In the Woods one more time even though I saw it recently in my Halloween Marathon challenge. I’m genuinely happy I did because wow, did I come away with so much more than I initially saw. All the issues I had with the movie before were ideas that the movie directly criticizes and looking at the movie again with the knowledge of how it all ends proved a humbling experience. Goddard and Whedon have written one of the most ambitious and intelligent horror movies of all-time, let alone the last decade and I’ve never been so excited to have been wrong before.
I’ll keep the review spoiler free like before because this movie is best experienced knowing almost nothing going in. Even now, I think my previous review might have said too much, so I’d suggest only looking at it after watching the movie. It’ll make it even funnier. I have a lot of thoughts about the movie that I’ll write in the spoiler section here and in a piece I’ve been brewing up. Now that that’s out of the way, the movie follows a group of 5 friends: Dana, a shy nerdy girl. Typical final girl status; Marty, the fun stoner of the group who drops nuggets of wisdom; Curt, alpha but intelligent cool guy of the group; Holden, a book smart nice guy; Jules, the fun outgoing girl who’s in a relationship with Curt. Every character feels familiar at once because they’re similar to archetypes we’re all familiar with in horror, but are distinct enough to stand out. The attention to character details really shines through and makes reveals later in the movie more satisfying.
If you’re a fan of horror, you owe it to yourself to watch the movie just to see all the different homages. Now that I’ve watched more horror and expanded my palette (primarily due to this past October) I could recognize more of the mise en scene. There’s a lot of love present from the attention to detail to the way the plot unfolds. The movie deftly navigates multiple tropes, simultaneously using them, making fun of them, and being in something in addition to them. Every single actor/actress gives their all in their respective performance and the movie wouldn’t be the same without their dedication to the script. You can tell they’re having a lot of fun with the subtext at play and it makes every moment memorable. I was surprised at how much of the movie I remembered as I re-watched everything. It has a way of sticking with you because the entire experience is something wholly unique.
This is a meta- movie that requires a lot of self introspection. When I said in my opening paragraph that my re-watch was humbling, I meant that I realized that during my first viewing, I had been so caught up in perceived issues that I never considered the point of what was being said. I missed the forest for the trees. It’s not that I think my analysis of the themes before are wrong. It’s just that that my former analysis only operates one level removed from the movie and the movie goes a lot further than that. The beauty of The Cabin in the Woods is the more you think about what it says about you, the more you get out of it. It’s a movie that rewards familiarity with horror in general, but also the way that the horror market works. If you know your place in that market, you get a lot more from this movie than someone watching just for the sake of scares. The movie isn’t just meta. It’s meta-meta and it’s done for the sake of seriously critiquing the way horror is conceived of and consumed.
Thankfully, if you’re not into all of that “meta nonsense”, there’s a fun story that works purely at the level of function. Watching the tale of the group is still scary. It’s just scary in a horror comedy sense, more so than a typical slasher movie. There’s a lot of blood and gore. There are gruesome kills and serious moments. However, the nature of the movie might make those moments less scary than one would expect. Going into the movie with an open mind and no expectations and knowledge of it gives you the best chance of enjoying a fun and unique experience. I laughed myself to tears more than once and found myself genuinely admiring how diverse the layers of humor were.
The Cabin in the Woods is a movie that ages with experience and time. The more you think about your place in the horror industry and your own expectations, the more you appreciate the decisions Goddard and Whedon made. On the surface level there’s a lot of humorous scenes and gory fun to be had. If you’re looking for subtext or enjoy meta-content then this movie is for you. It’s unique in that it gives viewers exactly what they put into it. As a result it can work for a variety of audiences. If you enjoy horror at all, you owe it to yourself to check this out.
Wes Craven’s innovative take on the slasher genre, A Nightmare on Elm Street, follows the tale of high-school age adolescents who struggle to evade and outmaneuver the deranged child murderer, Fred Kreuger (Robert Englund). The worst part? He only appears in their incredibly life-like dreams.
Normally slashers are scary because they pose a series of characters who have to find a way to outwit a serial killer. This movie makes that tension even more palpable, because from the narrative to the visual effects, the character’s, and as a result the audience’s, sense of separation between reality and dream become harder to tell apart. This creates a constant sense of unease as we’re left to ask if the characters are really awake now or sleeping.
In particular a lot of the visual effects are seamless and help create a sense of immersion. The boundary between the real and dream world is constantly being transgressed. As a result, none of the characters ever feel safe. In school, in their beds, under their sheets, in the view of medical professionals- the movie slowly tears away at our sense of security.
I really loved how main character, Nancy (Heather Langenkamp), felt like a fully realized and fleshed out person. Unlike the traditional scream queen, she was fairly resourceful the whole film, and acted with a lot of patience and ingenuity. The whole time, I was genuinely rooting for her , because she felt a lot more like an action hero than a damsel in distress. Honestly, her biggest adversaries are the adults in her life- which highlights one of the bigger themes of the movie- the trauma and repression of growing up.
This is highlighted and demonstrated in great and subtle ways the entire movie. Most of the adults in the movie aren’t present in their children’s lives or actively try and inhibit them. An early victim is killed after having sex, almost as if a condemnation of trying to grow up. Constantly, the main group of characters tries to use their agency and are sidelined or disregarded by the adults, who put them in even more danger with their ineptitude.
The only real issues I had with the movie weren’t that serious. I felt like outside of Nancy, no other character received significant development. This wasn’t a big issue because following Nancy is interesting, but the deaths of other characters don’t feel as tragic as they could have. On top of this, the film has some thematic beats that are followed through and executed well, but kind of falter by the end of the film, making it less satisfying that it could’ve been.
TLDR:A Nightmare on Elm Street is a riveting take on the slasher genre- that adds a new dimension of scares by playing around with reality and the supernatural. Though some moments fall flat or feel disconnected, the story remains interesting throughout and have you questioning what’s really real.
Final Rating: 9.1/10. If you like slasher movies or strong female leads this is your movie. Or if you liked Inception and wondered what a more horror version of it would feel like – check this out.
When the narration started at the beginning of the movie I knew I was in for a rough ride. The expectation is set – you know what you’ll see will be heinous and grotesque- and then the camera goes from a series of camera flashes over a series of red disturbing images, before cutting away to a decomposing, grotesque cadaver sculpture. Through this immaculate progression, Tobe Hooper was able to set the pace and tone of the movie, while creating an initial shock to get the viewers ready for the slasher horror to come in his seminal independent movie, The Texas Chain Saw Massacre.
We follow a group a of young 20 something’s with no care in the world as they attempt to check on the graveyard of the titular character Sally’s (played by Marilyn Burns) grandfather. After they check and leave the station, they end up picking up a hitchhiker and everything starts to go downhill from there. The unsuspecting and happy-go-lucky group are forced to endure nightmarish events and visuals.
When everything goes to hell in a hand-basket, the camera really helps amplify the tension and induces a panicking feeling. The camera dips and turns, slants sideways, quickly zooms in, and constantly keeps the viewer on edge. It perfectly highlights the chaos and disorientation of later scenes, creating a morbid dread. The lighting is also incredibly interesting. A lot of the horror/scenes leading up to those moments have a lot of sunlight in them. The juxtaposition created with the grotesque and inhumane acts with a sunny background, really highlighted how nefarious and isolated the main environment is. It helps highlight the hopelessness, which along with some early foreshadowing, really makes some character fates tragic.
All of this is even more surprising, when you realize the movie, unlike its titles suggestion, isn’t especially gory. The violent scenes aren’t scary because there’s tons of blood and guts, or a lot of loud bumps. The movie is scary because it puts you in a paranoid and disturbed state of mind, and forces you to confront the way you’ve normalized and participated in “violent” actions.
The way the movie introduces it’s villain and their subsequent actions really drives the point home- humanity is capable of awful, violent things. From the way it parodies elements of family life, to its commentary on our relationship to food, the movie constantly makes it clear- humanity is its own worst enemy. What we see as depraved, is merely those undercurrents amplified. The movie honestly feels like it’s bringing to light the worst subconscious traits and tendencies we have as a species, and forcing us to really confront those things.
I felt scared and uncomfortable the whole time the film. From the opening scene to the very end, I never felt “safe.” That kind of feeling is rare and unsettling. It’s also really surprising because I saw Poltergeist earlier last week, and after realizing that Hooper directed both films, was in a positive shock. Some of the visual effects in that movie make a lot more sense now that I know it came from the same mind that made this nightmare. It also made me appreciate how well he, as a director, could capture different moments of horror.
Check out my spoiler thoughts where I go in more intensively on some themes and why the movie felt as unsettling as it did.
TLDR:The Texas Chain Saw Massacre is an incredibly frightening and grotesque look at the undercurrent of our psyches.
Final Rating: 10/10. Chilling. Innovative. Revolutionary. If you want to feel scared, genuinely scared and off balance, watch this movie. People who like slashers or artistic takes on the dark undercurrents of humanity should also check it out.
George Romero’s 1968 piece of art, Night of the Living Dead, tells a gripping tale of a group of survivors fighting against a horde of “living dead” zombies encroaching the house they’re hiding in. However, the real, more insidious enemy plaguing the group are their ideological divides. The film feels so much like a social commentary and, surprisingly, seems incredibly pertinent to the status quo.
The first scene into the bait-and-switch into the lead character was unexpected and genuinely surprising. We start off with a view of Barbra (played by Judith O’Dea) and her brother walking towards the cemetery to pay respects to their father. From there we go on an almost absurd journey, as Barbra tries to escape an undead chasing her. As she finds shelter, we get introduced to the real main character, Ben, played by Duane Jones. I’ve seen a lot of horror movies, and I can only count on one hand how many black leads I’ve ever seen. Especially thinking about the fact that this movie was released in 1968, Duane’s portrayal of a strong, steady, calm, and resourceful black man taking charge and holding off the undead is incredibly subversive.
Eventually as we’re introduced to the rest of the cast, we see the signs of ideological fracture among the group. Harry, played by Karl Hardman, serves as the chief foil to Ben and they both represent different outlooks on relation and responsibility. The clashes between them serve as a kind of commentary on the costs of survival and the extent of our obligation to our fellow people.
Romero is phenomenal at showing and not telling. Yes, there are exposition dumps woven throughout the movie, but the a lot of the information describes events that we, as the audience, have already seen. This helps create a really dynamic viewing experience which is only amplified by the use of slanted camera angles and amazing lighting choices. The shadows are really accentuated which ramps up the tension, but more importantly the constant use of fire and flames through the movies really pops and creates an impact. Special effect design is also great – the gore effects are visually disturbing and accentuate the depravity of the creatures enough to make them scary even now. However, despite using so many of the above to create a scary spectacle, never once, does the focus of the movie feel like it’s too “away” from the protagonists. The monsters are there – but they’re there to highlight issues and serve as catalysts – the focus is always clearly on the characters.
I would go into more but I don’t want to risk spoiling anything so I’ll end the spoiler free section here.
TLDR:Night of the Living Dead is a dark take on humanity’s response to an terrifying threat. Although it’s a zombie movie on the outside, on the inside it’s a fascinating journey through the darker canals of the human mind.
Final Rating: 9.5/10. If you’re someone who keeps up a lot with social issues and the news, watch this movie. It’s surprisingly though provoking now, five decades later. Anyone who likes psychological films or zombie films should also give this a go.
Jocelin Donahue as Samantha Hughes Greta Gerwig as Megan Tom Noonan as Mr.Ulman Mary Woronov as Mrs.Ulman
Ti West’s 2009 supernatural movie, The House of the Devil ,is a beautifully crafted love letter to 70’s and 80’s horror films. It follows the tale of a Samantha, a college girl who ends up taking a babysitting job for an elderly couple. Here’s the catch- there’s no baby. Instead, upon arriving at the location, she learns she’s to look after the elderly mother of the wife. From there, we descend into a slow burn of paranoia and tension as we watch our unsuspecting “babysitter” reckon with the terrors of the night.
I’m going to be honest. I haven’t felt this way since I was a kid, watching stuff like The Omen and Rosemary’s Baby, two excellent films that have me genuinely scared even now. What West is able to do with his precise use of lighting, sound, and camera technique wonderfully recreates the moods and feelings the above and similar pieces have. We constantly get gorgeous outside wide shots, or corner shots that make us feel on edge and in turn amplifies the tension. There were multiple times where the camera angle frames Samantha as prey, that’s being watched. The sound comes in and out of the background to the foreground creating a a sense of intensity and helps foreshadow future events based on how the music switches. The lighting is also stellar. It feels like an older movie, and the darker scenes are great at building anticipation up.
Jocelin, as Samantha, carried so much of the movie. The way she responded to a lot of the situations felt understandable and helped progress the movie to its eventual climax. She manages to portray a real sense of urgency which also helps justify some of the more questionable decisions. It helps the movie from feeling too absurd or campy.
However, I do think that the first two acts are a real slow burn. Personally, I love a good slow burn. If the payoff or the meaning of the movie are made more impactful, then I don’t mind or in some cases genuinely appreciate the same. I know that might put others off. But in the case of this movie, the third act payoff is A-M-A-Z-I-N-G. I literally could not believe how great and climactic it feels. The cinematography becomes a lot more alive and dynamic here which really amplifies the feeling. I was waiting for so long for a payoff, and boy was it worth it.
The only real problems I had with the movie were some of the dumb character decisions and cliches. I think the movie wants us to kind of gloss over them and just accept them for what they are and enjoy the ride. For the most part I was able to, but at some points it really became a “what is happening?” moment. Some of the cliches also become more tongue in cheek because the movie almost points them out and “gets in” on the joke. This definitely helped me just ease off of nitpicking and just enjoying the ride.
The House of the Devil is a phenomenal movie that demonstrates some of the best craftsmanship I’ve seen in terms of set design and presentation. It might feel campy or cliched to you in some places, but if you can get past those moments and stay patient, you’re in for a great ride.If you like The Omen, Rosemary’s Baby ,or movies like those I’d give this a solid go. Fans of slow burn suspense movies that love big climactic endings should also give it a try.
Who would win? A group of punk rock musicians or a gang of violent Nazi’s/white nationalists. Jeremy Saulnier’s, Green Room, follows a the band, the Ain’t Rights, as they play a gig at a far-right venue and come witness to a murder. What follows is a heart-pounding thriller that’ll keep you on the edge of your seats as you witness the group try and get out with their lives.
What makes the movie feel so tense is the normality of the characters. Obviously, I don’t mean the fact they’re musicians that take questionable gigs – rather, it’s because none of the characters have some unexplained skill set that’s perfect for the scenario. No one is actually a secret combat veteran or a perfect shot. Instead, the group is made up of normal human beings who are placed in a terrifying situation and have to use their collective wit to try and escape. The best part? For the most part, their actions and decisions are pretty believable.
This effect is achieved in part by great acting and dialogue choice. Pat (Anton Yelchin), Sam (Alia Shawkat), Reece (Joe Cole), and Tiger (Callum Turner) all play off each other great as band mates and their chemistry and sense familiarity helps create tension and investment in their characters. Amber, played by Imogen Poots, always feels a bit off-mysterious and strange- which helps keep the intrigue. Finally, Patrick Stewart as Darcy, the film’s villain, is incredibly sinister. You can feel the calculations and his performance really sells how meticulous his planning is. On top of the acting, a lot of the dialogue seems natural and makes sense. This helps create a sense of immersion so when the group makes a decision, it doesn’t feel like it comes out of the blue. This also helps a lot of the outcomes feel earned. between the viewer and the character on the screen.
The film is also gruesome and doesn’t shy away from more gory and bloody moments. This in combination with the darker color scheme, create a gritty and intense feeling that only amplifies the suspense as the movie goes.
Problems mainly occur more prominently in the latter half of the movie. Although most of the plot threads or character threads get developed, there are others that are just raised because? They feel almost like they should be important, but they never really go anywhere. The characters also seem like they all became less intelligent as the plot goes on so the ending doesn’t quite stick the landing.
TLDR:Green Room is a 90 minute heart pounding suspense film that has great twists and turns. The dialogue and characterization is mostly believable, and though some issues prop up in the second half of the movie, the journey is still a hell of a lot of fun.
Final Rating: 8.3/10. A great movie with some like-able and grounded characters – you should check it out if you want an adrenaline rush or want to feel more alive.